The Moore Collection


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Nelson Augustus Moore


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AUB and Ras Beirut in 150 Years of Photographs


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The photographs reflect a diverse mix of people and place, focusing on views of Ras Beirut running along the sea-front from Raouche to Jal-al-Bahr and along the Corniche to Manara and 'Ayn al-Mreisseh. It also follows Bliss and Hamra streets, and includes views of the American University of Beirut campus as it has evolved through the years. The book's preface outlines the process through which the photographs are arranged as well as the book's evolution from the original exhibit. AUB and Ras Beirut in 150 Years of Photographs represents a beautiful documentation of the changing face of the neighborhood and its evolution over time.




The American University of Beirut


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Since the American University of Beirut opened its doors in 1866, the campus has stood at the intersection of a rapidly changing American educational project for the Middle East and an ongoing student quest for Arab national identity and empowerment. Betty S. Anderson provides a unique and comprehensive analysis of how the school shifted from a missionary institution providing a curriculum in Arabic to one offering an English-language American liberal education extolling freedom of speech and analytical discovery. Anderson discusses how generations of students demanded that they be considered legitimate voices of authority over their own education; increasingly, these students sought to introduce into their classrooms the real-life political issues raging in the Arab world. The Darwin Affair of 1882, the introduction of coeducation in the 1920s, the Arab nationalist protests of the late 1940s and early 1950s, and the even larger protests of the 1970s all challenged the Americans and Arabs to fashion an educational program relevant to a student body constantly bombarded with political and social change. Anderson reveals that the two groups chose to develop a program that combined American goals for liberal education with an Arab student demand that the educational experience remain relevant to their lives outside the school's walls. As a result, in eras of both cooperation and conflict, the American leaders and the students at the school have made this American institution of the Arab world and of Beirut.




Photography’s Last Century


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Beginning with Paul Strand’s landmark From the Viaduct in 1916 and continuing through the present day, Photography’s Last Century examines defining moments in the history of the medium. Featuring nearly 100 masterworks from one of the most important private holdings of photography, the book includes works by Diane Arbus, Richard Avedon, Walker Evans, László Moholy-Nagy, Man Ray, and Cindy Sherman, as well as a diverse group of important lesser-known practitioners. A fascinating interview with Ann Tenenbaum provides a personal account of the works, while the main text offers an essential history of photography that addresses the implications of calling this period the medium’s “last” century.




The Cactaceae


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City of Beginnings


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How poetic modernism shaped Arabic intellectual debates in the twentieth century and beyond City of Beginnings is an exploration of modernism in Arabic poetry, a movement that emerged in Beirut during the 1950s and became the most influential and controversial Arabic literary development of the twentieth century. Robyn Creswell introduces English-language readers to a poetic movement that will be uncannily familiar—and unsettlingly strange. He also provides an intellectual history of Lebanon during the early Cold War, when Beirut became both a battleground for rival ideologies and the most vital artistic site in the Middle East. Arabic modernism was centered on the legendary magazine Shi‘r (“Poetry”), which sought to put Arabic verse on “the map of world literature.” The Beiruti poets—Adonis, Yusuf al-Khal, and Unsi al-Hajj chief among them—translated modernism into Arabic, redefining the very idea of poetry in that literary tradition. City of Beginnings includes analyses of the Arab modernists’ creative encounters with Ezra Pound, Saint-John Perse, and Antonin Artaud, as well as their adaptations of classical literary forms. The book also reveals how the modernists translated concepts of liberal individualism, autonomy, and political freedom into a radical poetics that has shaped Arabic literary and intellectual debate to this day.




Agrest and Gandelsonas Works


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"Documents some 40 of the architects' urban projects, interiors, and theoretical projects with plans, renderings, and color photos and sketches. Includes interviews with the architects, biographies, and essays on architectural issues" -- Google Books.