The Muse of the Violets


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Meddlings with the Muse


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No Man's Land


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V.1 the war of the words. V.2 sexchanges.




With Violets


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Paris in the 1860s: a magnificent time of expression, where brilliant young artists rebel against the stodginess of the past to freely explore new styles of creating—and bold new ways of living. Passionate, beautiful, and utterly devoted to her art, Berthe Morisot is determined to be recognized as an important painter. But as a woman, she finds herself sometimes overlooked in favor of her male counterparts—Monet, Pissarro, Degas. And there is one great artist among them who captivates young Berthe like none other: the celebrated genius Édouard Manet. A mesmerizing, breathtaking rogue—a shameless roué, undeterred and irresistible—his life is a wildly overgrown garden of scandal. He becomes Berthe's mentor, her teacher...her lover, despite his curiously devoted marriage to his frumpy, unappealing wife, Suzanne, and his many rumored dalliances with his own models. For a headstrong young woman from a respectable family, an affair with such an intoxicating scoundrel can only spell heartbreak and ruin. But Berthe refuses to resign herself to the life of quiet submission that Society has dictated for her. Undiscouraged, she will create her own destiny...and confront life—and love—on her own terms.




Re-Reading Sappho


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The essays in this volume review the seemingly endless permutations wrought on Sappho through centuries of readings and re-writings.




Scents & Sensibility


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Explores Victorian literature through scent and perfume, presenting an extensive range of well-known and unfamiliar texts in intriguing and imaginative new ways that make us re-think literature's relation with the senses. A selection of poems, essays, and fiction, exploring these texts with reference to both the little-known cultural history of perfume use and the appreciation of natural fragrance in Victorian Britain. It shows how scent and perfume are used to convey not merely moods and atmospheres but the nuances of the aesthete or decadent's carefully cultivated identity, personality, or sensibility.




Violet Bent Backwards Over the Grass


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The New York Times bestselling debut book of poetry from Lana Del Rey, Violet Bent Backwards Over the Grass. “Violet Bent Backwards Over the Grass is the title poem of the book and the first poem I wrote of many. Some of which came to me in their entirety, which I dictated and then typed out, and some that I worked laboriously picking apart each word to make the perfect poem. They are eclectic and honest and not trying to be anything other than what they are and for that reason I’m proud of them, especially because the spirit in which they were written was very authentic.” —Lana Del Rey Lana’s breathtaking first book solidifies her further as “the essential writer of her times” (The Atlantic). The collection features more than thirty poems, many exclusive to the book: Never to Heaven, The Land of 1,000 Fires, Past the Bushes Cypress Thriving, LA Who Am I to Love You?, Tessa DiPietro, Happy, Paradise Is Very Fragile, Bare Feet on Linoleum, and many more. This beautiful hardcover edition showcases Lana’s typewritten manuscript pages alongside her original photography. The result is an extraordinary poetic landscape that reflects the unguarded spirit of its creator. Violet Bent Backwards Over the Grass is also brought to life in an unprecedented spoken word audiobook which features Lana Del Rey reading fourteen select poems from the book accompanied by music from Grammy Award–winning musician Jack Antonoff.




Perfume on the Page in Nineteenth-Century France


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Despite long-standing assertions that languages, including French and English, cannot sufficiently communicate the experience of smell, much of France’s nineteenth-century literature has gained praise for its memorable evocation of odours. As French perfume was industrialized, democratized, cosmeticized, and feminized in the nineteenth century, stories of fragrant scent trails aligned perfume with toxic behaviour and viewed a woman’s scent as something alluring, but also something to be controlled. Drawing on a wealth of resources, Perfume on the Page in Nineteenth-Century France explores how fiction and related writing on olfaction meet, permeate, and illuminate one another. The book examines medical tracts, letters, manuscripts, posters, print advertisements, magazine articles, perfume manuals, etiquette books, interviews, and encounters with fragrant materials themselves. Cheryl Krueger explores how the olfactory language of a novel or poem conveys the distinctiveness of a text, its unique relationship to language, its style, and its ways of engaging the reader: its signature scent. Shedding light on the French perfume culture that we know today, Perfume on the Page in Nineteenth-Century France follows the scent trails that ultimately challenge us to read perfume and literature in new ways.




Masks of the Muse


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Who is the Muse? Why do we need Her? How do we tap into that shining current of inspiration and create something never before seen, something beautiful and terrible, fantastical and infinitely real. The Muse is as vital to our lives today as She was in ancient times. She changes as we change and Her Arts are continually in flux, Arts that we simply cannot live without...or that we wouldn't want to. Among other things, they are tools to make and re-make our world even as we work with Fate to weave the web of life and death, of creation and destruction. Through four faces, four masks of the Muse, this book explores different aspects of inspiration, creativity, and magick. Aphrodite, Cerridwen, Ariadne, and the Lady of the Lake await--each to teach us of the Arts and what we are capable of at our very best. By the poetry, prayer, invocation, and ritual contained within we can come to know the Muse and so know ourselves and the gifts we all have within us that demand recognition and expression. The path of the Muse may not always be an easy or a safe one, but anything worth having is worth paying the price for. Who is the Muse? Who are we? This book is a journey, one that we must dare to take and dare to take hold of what is revealed.. As we must return to the well of memory, the depths of the ocean, and the currents below the earth, there to claim what was ours all along.