Musical Bibliography


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Henry Purcell, 1659-1695


Book Description

Although Purcell's music has enjoyed fame throughout the musical communities of the world almost since its creation, few music-lovers, even in England, are familiar with more than a handful of his works. One of the most useful functions of this catalogue, therefore, will be that of displaying the incredible abundance and variety of music that Purcell created in the eighteen or nineteen years of his short, but extremely productive, career. If, at the same time, it serves as a general reminder of the excellent musical quality of these compositions, it will no doubt also contribute to an achievement of more moment: the inauguration of a long-overdue Purcell renaissance, so far impeded as much by nescience as by negligence on the part of performers and public. For these, as well as for more specialized, scholarly purposes, this catalogue provides a detailed and analytical exposition of the literary matter, the thematic content, the manuscript and printed sources, the bibliographical references and, where possible, evidence relating to original composition, revision, or performance of each of Purcell's works. A unique feature of this thematic catalogue is the listing of manuscript and printed sources with entries which indicate all works by Purcell contained in the source. Conversely, in the entry for each work in the catalogue, all the sources in which it appears are registered. With appendices for doubtful ascriptions, a general chronology and various indices, this catalogue makes it possible to attain quickly any of these kinds of evidence, where available, for any of Purcell's works. Such information makes it possible to scrutinize closely Purcell's own solutions to the musical and general aesthetics of his time.







Principles of the Flute, Recorder, and Oboe


Book Description

Originally published circa 1700, this is a milestone in the development of one of the oldest instruments. Features a new translation, with introduction and notes, by Paul Marshall Douglass. Includes 23 musical excerpts, 6 double-page fingering charts, more.




A History of Irish Music


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Instruments in the History of Western Music


Book Description

Originally published in 1943 and subsequently as a revised and enlarged edition in 1978, Musical Instruments has long been held in high regard, not only for its erudition, but for its originality of approach. By relating the instruments to their time and each other, epoch by epoch, the author sheds fresh light on their evolution and enables the reader to follow their ups and downs against the changing background of taste and fashion. Each chapter is introduced with an account of the musical forms and artistic trends of the period, before considering in detail the instruments that gave them expression. The reader is carried along, from the magical-sacred beginnings of music, through the instruments of antiquity, the experiments of the Middle Ages and the Renaissance, the refined instruments of the Baroque and classical periods, down to those of the Romantic age and its aftermath, including the modern era with its electronic synthesizers. The book is completed by an Appendix on the acoustics of music and amply illustrated by nearly 100 pictures and diagrams.