Mysteries of Udolpho


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The Mysteries of Udolpho


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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.




The Mysteries of Udolpho: A Romance: Interspersed with Some Pieces of Poetry;


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Mysteries Of Udolpho (Volume IV)


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This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!




MYSTERIES OF UDOLPHO - VOLUME 3 BY ANN RADCLIFFE;"EMPLOYMENT IS THE SUREST ANTIDOTE TO SORROW."


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To return to The Mysteries of Udolpho, the author, pursuing her own favorite bent of composition, and again waving her wand over the world of wonder and imagination, had judiciously used a spell of broader and more potent command. The situation and distresses of the heroines, have here, and in The Romance of the Forest, a general aspect of similarity. Both are divided from the object of their attachment by the gloomy influence of unfaithful and oppressive guardians, and both become inhabitants of time-stricken towers, and witnesses of scenes now bordering on the supernatural, and now upon the horrible. But this general resemblance is only such as we love to recognize in pictures which have been painted by the same hand, and as companions for each other. Everything in The Mysteries of Udolpho is on a larger and more sublime scale, than in The Romance of the Forest; the interest is of a more agitating and tremendous nature; the scenery of a wilder and more terrific description; the characters distinguished by fiercer and more gigantic features. Montoni, a desperado, and Captain of Condottieri, stands beside La Motte and his Marquis like one of Milton's fiends beside a witch's familiar. Adeline is confined within a ruined manor-house, but her sister heroine, Emily, is imprisoned in a huge castle, like those of feudal times; the one is attacked and defended by bands of armed mercenary soldiers, the other only threatened by a visit from constables and thief takers. The scale of the landscape is equally different; the quiet and limited woodland scenery of the one work forming a contrast with the splendid and high wrought descriptions of Italian mountain-grandeur, which occurs in the other.