ʻUmar Ibn Al-Fāriḍ


Book Description

Includes English translation of the introduction to the Diwan, known as Dibajah (The adorned poem), by Abu al-Hasan Nur al-Din Ali al-Misri.




'Attar: Selected Poems


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Diwan of Ibn Al-Farid


Book Description

DIWAN OF IBN AL-FARID Translation & Introduction Paul Smith Umar Ibn al-Farid, an Egyptian poet (1181-1235), is considered to be the undisputed master of Islamic mystical (Sufi) poetry into Arabic. He is considered not only to be a poet but a Perfect Master (Qutub) a God-realised soul... and it is his journey to unity with God that he reveals in probably the longest qasida (ode) in Arabic (761 couplets), his famous The Mystic's Progress. The other poem for which he is most known is his Wine Poem that is often seen as a prologue to the The Mystic's Progress. Although these long poems have been translated into English before this is the first time in the correct rhyme of the qasida and in clear, concise, modern English, many of his other long and shorter poems are also translated. Included in the Introduction are chapters on his Life & Work, The Qasida in Arabic, Previous Qasidas by Master Arab Poets that would have influenced him and one who he influenced, The Perfect Master (Qutub), and the Wine Poem and The Mystic's Way. Selected Bibliography. The correct rhyme-structure has been kept and also the beauty and meaning of these immortal, spiritual poems. This is the largest translation into English. Appendix on other translations. Large Format Paperback 7" x 10" 277 pages. COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator and knower of Hafiz's Divan off by heart. "Smith has probably put together the greatest collection of literary facts and history concerning Hafiz." Daniel Ladinsky (Penguin Books author). Paul Smith (b.1945) is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Omar Khayyam, Rudaki, Yunus Emre, Bulleh Shah, Shah Latif, Mahsati, Lalla Ded, Iqbal and many others and his own poetry, fiction, plays, biographies, children's books and 12 screenplays. www.newhumanitybooks.com




The Two Greatest Egyptian Poets - Ibn Al-Farid and Ahmed Shawqi


Book Description

THE TWO GREATEST EGYPTIAN POETS Ibn al-Farid & Ahmed Shawqi SELECTED POEMS Translation & Introduction Paul Smith IBN AL-FARID, an Egyptian poet (1181-1235), is the undisputed master of Islamic mystical (Sufi) poetry in Arabic. He is not only ta poet but a Perfect Master (Qutub) a God-realized soul, and it is his journey to unity with God he reveals in probably the longest qasida (ode) in Arabic (761 couplets), his famous The Mystic's Progress. The other poem for which he is most known is his Wine Poem. Although these poems have been translated into English before, this is the first time in the correct rhyme of the qasida and in clear, concise, modern English. Included in the Introduction are chapters on his Life & Work, The Qasida in Arabic, Previous Qasidas by Master Arab Poets that would have influenced him and one who he influenced, The Perfect Master (Qutub), and the Wine Poem and The Mystic's Way. Selected Bibliography. AHMED SHAWQI (1869 - 1932) was the great Arabic Poet-Laureate; an Egyptian poet and dramatist who pioneered the modern Egyptian literary movement, most notably introducing the genre of poetic epics to the Arabic literary tradition. In 1927 he was crowned by his peers the 'Prince of Poets' in recognition of his considerable contributions to the literary field. Shawqi's work can be categorized into three main periods during his career: The first coincides with the period during which he occupied a position at the court of the Khedive (Viceroy), consisting of eulogies to the Khedive: praising him or supporting his policy. The second comprised the period of his exile in Spain. During this period his feeling of nostalgia and sense of alienation directed his poetic talent to patriotic poems on Egypt as well as the Arab world. The third stage occurred after his return from exile: during that period he became preoccupied with the history of Ancient Egypt and Islam. He wrote his famous Sufi poem, in praise of the Prophet Muhammad (here fully translated in qasida form). The maturation of his poetic style was reflected in his plays (including his Majnun-Layla). Includeed are remarkable poems for children and others in the correct forms. Introduction on his Life & Times & poems & his Museum. Large Format Paperback 7" x 10" 369 pages. Paul Smith (b. 1945) is a poet, author and translator of many books of Sufi & other poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Omar Khayyam, Rudaki, Yunus Emre, Bulleh Shah, Shah Latif, Mahsati, Lalla Ded, Iqbal and many others, and his own poetry, fiction, plays, biographies, children's books and 12 screenplays. www.newhumanitybooks.com




Representations of the Divine in Arabic Poetry


Book Description

In Islam the fascination for "the word" is as vigorous as in Judaism and in Christianity, but an extra dimension is, that the revealed text, the Koran, is considered to be verbatim the word of the Almighty Himself, thereby providing the Arabic language with just an extra quality. No wonder that throughout Islamic history the study of the word, the Koran, the prophet's utterances and the interpretation of both, has become the main axis of knowledge and education. As a consequence the intellectuals - and also the poets in Islamic culture - were thoroughly familiar with religious terms and the phraseology of a language which was highly estimated because of the divine origin with which it was associated. No wonder therefore, that allusions to religious texts can be found throughout Arabic literature, both classical and modern. The subject of this volume is the representation of the divine in Arabic poetry, be it the experience of the divine as expressed by poets or the use of imagery coined by religion.




The Longing in Between


Book Description

A delightful collection of soul-inspiring poems from the world's great religious and spiritual traditions, accompanied by Ivan M. Granger's meditative thoughts and commentary. Rumi, Whitman, Issa, Teresa of Avila, Dickinson, Blake, Lalla, and many others. These are poems of seeking and awakening... and the longing in between. ------------ Praise for The Longing in Between "The Longing in Between is a work of sheer beauty. Many of the selected poems are not widely known, and Ivan M. Granger has done a great service, not only by bringing them to public attention, but by opening their deeper meaning with his own rare poetic and mystic sensibility." ROGER HOUSDEN author of the best-selling Ten Poems to Change Your Life series "Ivan M. Granger's new anthology, The Longing in Between, gives us a unique collection of profoundly moving poetry. It presents some of the choicest fruit from the flowering of mystics across time, across traditions and from around the world. After each of the poems in this anthology Ivan M. Granger shares his reflections and contemplations, inviting the reader to new and deeper views of the Divine Presence. This is a grace-filled collection which the reader will gladly return to over and over again." LAWRENCE EDWARDS, Ph.D. author of Awakening Kundalini: The Path to Radical Freedom and Kali's Bazaar




Anthology of Classical Arabic Poetry


Book Description

ANTHOLOGY OF CLASSICAL ARABIC POETRY(From Pre-Islamic Times to Al-Shushtari)Translations, Introduction and Notes by Paul SmithCONTENTS: Classical Arabic Poetry… page 7, The Qasida… 10, The Qit'a… 11, The Ghazal… 12, The Ruba'i… 16, Selected Bibliography… 17: THE POETS (In Order of Appearance) Imra' ul-Qays 17, Zuhair 29, Harith 39, Antara 46, Tarafa 58, Amru 71, Al-A'sha 80, Suhaym 82, Labid 84, Ka'b 96, Khansa 100, Hazrat Ali 102, Ali Ibn Husain 111, Omar Ibn Abi Rabi'a 106, Majnun (Qays ibn al-Mulawwah) 109, Rab'ia of Basra 116, Bashshar 123, Abu Nuwas 126, Abu Tammam 151, Dhu'l-Nun 155, Bayazid Bistami 163, Al-Nuri 163, Junaid 169, Sumnun 171, Mansur al-Hallaj 173, Ibn 'Ata 181, Shibli 183, Al-Mutanabbi 185, Al-Ma'arri 211, Ibn Sina 233, Al-Ghazali 236, Gilani 239, Abu Madyan 243, Suhrawardi 248, Ibn al-Farid 250, Ibn 'Arabi 265, Al-Busiri 278, Al-Shushtari 284. Pages 287.COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'.“It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished. If he comes to Iran I will kiss the fingertips that wrote such a masterpiece inspired by the Creator of all. ” Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran.“Superb translations. 99% Hafiz 1% Paul Smith.” Ali Akbar Shapurzman, translator of many mystical works in English into Persian and knower of Hafiz's Divan off by heart. “Smith has probably put together the greatest collection of literary facts and history concerning Hafiz.” Daniel Ladinsky (Penguin Books author of his own poems inspired by Hafiz). Paul Smith is a poet, author and translator of over 80 books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages… including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Omar Khayyam, Rudaki, Yunus Emre, Mahsati and many others, as well as his own poetry, fiction, plays, biographies, children's books and twelve screenplays. www.newhumanitybooksbookheaven.com




ISRL 2020


Book Description

We are delighted to introduce Proceedings of the 3rd International Symposium On Religious Life (ISRL 2020). This conference has brought academicians, researchers, developers and practitioners around the world. In collaboration with Indonesian Consortium for Religious Studies (ICRS) and Indonesian Institute of Sciences (LIPI), the Agency for Research, Development and Training of the Ministry of Religious Affairs (MoRA) convened bi-annual symposium with the following main theme: “Religious Life, Ethics and Human Dignity in the Disruptive Era”. The 3rd ISRL highlighted the role of religion and ethics in the disruptive era that erode human values, civility, and dignity. In the processes of development and technological revolution, religion can play an essential role in providing spiritual, moral, and ethical guidance. In the context of the Covid-19 pandemic, religion is perceived in two ways: on the one hand, some faith communities have been willfully negligent and become ‘super-spreaders’ of the dangerous virus by defying stay-at-home orders. Yet, on the other hand, religion has also galvanized its adherents to support economically vulnerable and marginalized communities affected by the lockdown and social restrictions. Likewise, in democratization, religion gives society the necessary dynamic thrust to maintain its vibrancy, resiliency, and sustainability. This Symposium is therefore expected to delve into the complexity of how religion, religious values and faith communities confront the contemporary challenges to uphold ethics and human dignity. We strongly believe that ISRL conference provides a good forum for all academicians, researcher, developers and practitioners to discuss all religious Life, ethics and human dignity. We also expect that the future ISRL conference will be as successful and stimulating, as indicated by the contributions presented in this volume.




Al-Tawḥīd


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Hallaj


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Winner of the Global Humanities Translation Prize Hallaj is the first authoritative translation of the Arabic poetry of Husayn ibn Mansur al-Hallaj, an early Sufi mystic. Despite his execution in Baghdad in 922 and the subsequent suppression of his work, Hallaj left an enduring literary and spiritual legacy that continues to inspire readers around the world. In Hallaj, Carl W. Ernst offers a definitive collection of 117 of Hallaj’s poems expertly translated for contemporary readers interested in Middle Eastern and Sufi poetry and spirituality. Ernst’s fresh and direct translations reveal Hallaj’s wide range of themes and genres, from courtly love poems to metaphysical reflections on union with God. In a fascinating introduction, Ernst traces Hallaj’s dramatic story within classical Islamic civilization and early Arabic Sufi poetry. Setting himself apart by revealing Sufi secrets to the world, Hallaj was both celebrated and condemned for declaring: “I am the Truth.” Expressing lyrics and ideas still heard in popular songs, the works of Hallaj remain vital and fresh even a thousand years after their composition. They reveal him as a master of spiritual poetry centuries before Rumi, who regarded Hallaj as a model. This unique collection makes it possible to appreciate the poems on their own, as part of the tragic legend of Hallaj, and as a formidable legacy of Middle Eastern culture. The Global Humanities Translation Prize is awarded annually to a previously unpublished translation that strikes the delicate balance between scholarly rigor, aesthetic grace, and general readability, as judged by a rotating committee of Northwestern faculty, distinguished international scholars, writers, and public intellectuals. The Prize is organized by the Global Humanities Initiative, which is jointly supported by Northwestern University’s Buffett Institute for Global Studies and Kaplan Institute for the Humanities.