Author : Andrea Meyertholen
Publisher : Boydell & Brewer
Page : 311 pages
File Size : 21,22 MB
Release : 2021
Category : Art, Abstract, in literature
ISBN : 1640141049
An alternative genealogy of abstract art, featuring the crucial role of 19th-century German literature in shaping it aesthetically, culturally, and socially.
Author : Zanna Gilbert
Publisher :
Page : pages
File Size : 15,58 MB
Release : 2021
Category : Art, Argentine
ISBN : 9781606067246
"Purity Is a Myth presents new scholarship on Concrete art in Argentina, Brazil, and Uruguay from the 1940s to the 1960s"--
Author : Alexander Alberro
Publisher : University of Chicago Press
Page : 320 pages
File Size : 22,72 MB
Release : 2017-05-25
Category : Art
ISBN : 022639400X
During the mid-twentieth century, Latin American artists working in several different cities radically altered the nature of modern art. Reimagining the relationship of art to its public, these artists granted the spectator an unprecedented role in the realization of the artwork. The first book to explore this phenomenon on an international scale, Abstraction in Reverse traces the movement as it evolved across South America and parts of Europe. Alexander Alberro demonstrates that artists such as Tomás Maldonado, Jesús Soto, Julio Le Parc, and Lygia Clark, in breaking with the core tenets of the form of abstract art known as Concrete art, redefined the role of both the artist and the spectator. Instead of manufacturing autonomous art, these artists produced artworks that required the presence of the spectator to be complete. Alberro also shows the various ways these artists strategically demoted regionalism in favor of a new modernist voice that transcended the traditions of the nation-state and contributed to a nascent globalization of the art world.
Author : Joseph A. Dane
Publisher : University of Toronto Press
Page : 264 pages
File Size : 45,7 MB
Release : 2003-01-01
Category : Literary Criticism
ISBN : 9780802087751
The Myth of Print Culture is a critique of bibliographical and editorial method, focusing on the disparity between levels of material evidence (unique and singular) and levels of text (abstract and reproducible). It demonstrates how the particulars of evidence are manipulated in standard scholarly arguments by the higher levels of textuality they are intended to support. The individual studies in the book focus on a range of problems: basic definitions of what a book is; statistical assumptions; and editorial methods used to define and collate the presumably basic unit of 'variant.' This work differs from other recent studies in print culture in its emphasis on fifteenth-century books and its insistence that the problems encountered in that historical milieu (problems as basic as cataloguing errors) are the same as problems encountered in other areas of literary criticism. The difficulties in the simplest of cataloguing decisions, argues Joseph Dane, tend to repeat themselves at all levels of bibliographical, editorial, and literary history.
Author : Susan Hiller
Publisher : Routledge
Page : 597 pages
File Size : 34,22 MB
Release : 2006-05-23
Category : Art
ISBN : 1134980388
This book explores the fusion of myth, history and geography which leads to ideas of primitivism, and looks at their construction, interpretation and consumption in Western culture. Contextualized by Susan Hiller's introductions to each section, discussions range from the origins of cultural colonialism to eurocentric ideas of primitive societies, including the use of primitive culture in constructing national identities, and the appropriation of primitivist imagery in modernist art. The result is a controversial critique of art theory, practice and politics, and a major enquiry into the history of primitivism and its implications for contemporary culture.
Author : Sven Lindqvist
Publisher : Granta Books
Page : 98 pages
File Size : 25,35 MB
Release : 2012-08-02
Category : Biography & Autobiography
ISBN : 1847085865
'During the Tang dynasty, the Chinese artist Wu Tao-tzu was one day standing looking at a mural he had just completed. Suddenly, he clapped his hands and the temple gate opened. He went into his work and the gates closed behind him.' Thus begins Sven Lindqvist's profound meditation on art and its relationship with life, first published in 1967, and a classic in his home country - it has never been out of print. As a young man, Sven Lindqvist was fascinated by the myth of Wu Tao-tzu, and by the possibility of entering a work of art and making it a way of life. He was drawn to artists and writers who shared this vision, especially Hermann Hesse, in his novel Glass Bead Game. Partly inspired by Hesse's work, Lindqvist lived in China for two years, learning classical calligraphy from a master teacher. There he was drawn deeper into the idea of a life of artistic perfectionism and retreat from the world. But when he left China for India and then Afghanistan, and saw the grotesque effects of poverty and extreme inequality, Lindqvist suffered a crisis of confidence and started to question his ideas about complete immersion in art at the expense of a proper engagement with life. The Myth of Wu Tao-tzu takes us on a fascinating journey through a young man's moral awakening and his grappling with profound questions of aesthetics. It contains the bracing moral anger, and poetic, intensely atmospheric travel writing Lindqvist's readers have come to love.
Author : Leah Dickerman
Publisher : The Museum of Modern Art
Page : 378 pages
File Size : 43,93 MB
Release : 2012
Category : Art
ISBN : 0870708287
This book explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.0Exhibition: MoMA, New York, USA (23.12.2012-15.4.2013).
Author : S. Daniel Breslauer
Publisher : State University of New York Press
Page : 328 pages
File Size : 21,12 MB
Release : 2012-02-01
Category : History
ISBN : 0791497445
The Seductiveness of Jewish Myth offers a panorama of diverse definitions of myth, understandings of Judaism, and competing evaluations of the "mythic" element in religion. The contributors focus on the problem of defining myth as a category in religious studies, examine modern religion and the role of myth in a "secularized" world, and look at specific cases of Jewish myth from biblical through modern times.
Author : Jonathan Tepper
Publisher : John Wiley & Sons
Page : 323 pages
File Size : 47,71 MB
Release : 2018-11-20
Category : Business & Economics
ISBN : 1119548179
The Myth of Capitalism tells the story of how America has gone from an open, competitive marketplace to an economy where a few very powerful companies dominate key industries that affect our daily lives. Digital monopolies like Google, Facebook and Amazon act as gatekeepers to the digital world. Amazon is capturing almost all online shopping dollars. We have the illusion of choice, but for most critical decisions, we have only one or two companies, when it comes to high speed Internet, health insurance, medical care, mortgage title insurance, social networks, Internet searches, or even consumer goods like toothpaste. Every day, the average American transfers a little of their pay check to monopolists and oligopolists. The solution is vigorous anti-trust enforcement to return America to a period where competition created higher economic growth, more jobs, higher wages and a level playing field for all. The Myth of Capitalism is the story of industrial concentration, but it matters to everyone, because the stakes could not be higher. It tackles the big questions of: why is the US becoming a more unequal society, why is economic growth anemic despite trillions of dollars of federal debt and money printing, why the number of start-ups has declined, and why are workers losing out.
Author : Wolfgang Giegerich
Publisher : Routledge
Page : 627 pages
File Size : 39,37 MB
Release : 2020-03-06
Category : Psychology
ISBN : 1000080099
The fundamental importance of Christianity for Jung is well documented in his writings and letters. For the whole of his long career the great psychologist had wrestled with what he called " ... the great snake of the centuries. the burden of the human mind. the problem of Christianity." By comparison, his statements about Hegel are quite scarce. Both topics, nevertheless, have in common that they elicited from Jung radical accusations, accusations not presented in the calm tone of a psychological scholar but fired by a deep-seated personal affect that propelled Jung to wish "to dream the myth onwards," that is, to move to a new, his own improved and corrected version of Christianity. Rather than merely portraying and elucidating Jung’s views, this volume critically examines his theses and arguments by means of a series of close readings and by confronting his claims with the texts on which his interpretations are based. The guiding principle, in the spirit of which the author’s investigation is conducted, is the question of the needs of the soul and the standards of true psychology. While constantly bearing these needs and standards in mind, diverse topics are discussed in depth: Jung’s interpretation of a dream he had had about being unable to completely bow down before "the highest presence," his thesis concerning the patriarchal neglect of the feminine principle, his views about the alleged one-sidedness of Christianity, the "recalcitrant Fourth" and the "reality of Evil," his understanding of the Trinity and the spirit, his rejection of Hegel and of speculative thought, and his reaction to the modern "doubt that has killed" religious faith. A companion to the preceding volume, The Flight into the Unconscious, the essays collected here continue its radical critique of Jung’s psychology project, yielding not only deep insights into Jung’s personal religiosity and into what ultimately drove his psychology project as a whole, but granting as well a more sophisticated understanding of the psychological potential and telos of the Christian idea.
