Library of Congress Catalog


Book Description

Beginning with 1953, entries for Motion pictures and filmstrips, Music and phonorecords form separate parts of the Library of Congress catalogue. Entries for Maps and atlases were issued separately 1953-1955.




L'Exagoge d'Ezéchiel le Tragique


Book Description

This volume includes an introduction, a translation and an in-depth commentary of the fragments of the Exagoge, a Greek tragedy written by a Jewish poet named Ezekiel the Tragedian, who lived between mid- 2nd and mid-1st century BCE. The author offers an interpretation of the play which links its 17 fragments and clarifies their position in the overall structure, in order to bring to light the ideas of Ezekiel and his social and cultural context.







Subject Catalog


Book Description




National Union Catalog


Book Description

Includes entries for maps and atlases.







Divine Scapegoats


Book Description

Explores the paradoxical symmetry between the divine and demonic in early Jewish mystical texts. Divine Scapegoats is a wide-ranging exploration of the parallels between the heavenly and the demonic in early Jewish apocalyptical accounts. In these materials, antagonists often mirror features of angelic figures, and even those of the Deity himself, an inverse correspondence that implies a belief that the demonic realm is maintained by imitating divine reality. Andrei A. Orlov examines the sacerdotal, messianic, and creational aspects of this mimetic imagery, focusing primarily on two texts from the Slavonic pseudepigrapha: 2 Enoch and the Apocalypse of Abraham. These two works are part of a very special cluster of Jewish apocalyptic texts that exhibit features not only of the apocalyptic worldview but also of the symbolic universe of early Jewish mysticism. The Yom Kippur ritual in the Apocalypse of Abraham, the divine light and darkness of 2 Enoch, and the similarity of mimetic motifs to later developments in the Zohar are of particular importance in Orlov’s consideration.




The Myth of the Phoenix According to Classical and Early Christian Traditions


Book Description

Preliminary material -- INTRODUCTION -- THE EGYPTIAN BENU AND THE CLASSICAL PHOENIX -- A COPTIC TEXT ON THE PHOENIX -- THE NAME PHOENIX -- LIFESPAN AND APPEARANCES -- THE DEATH AND REBIRTH OF THE PHOENIX -- THE PHOENIX AS BIRD OF THE SUN -- THE ABODE -- THE FOOD -- THE SEX -- THE DEVELOPMENT OF THE MYTH OF THE PHOENIX SOME CONCLUSIONS -- THE PHOENIX IN CLASSICAL AND EARLY CHRISTIAN ART -- BIBLICAL AND JEWISH TEXTS -- CORRIGENDA ET ADDENDA -- Maps I and II.




Visions of Savage Paradise


Book Description

Visions of Savage Paradise is the first major book-length study of seventeenth-century Dutch artist Albert Eckhout to be published in nearly seventy years. Eckhout, who was court painter to the colonial governor of Dutch Brazil, created life-size paintings of Amerindians, Africans, and Brazilians of mixed race in support of the governor’s project to document the people and natural history of the colony. In this study, Rebecca Parker Brienen provides a detailed analysis of Eckhout’s works, framing them with discussions of both their colonial context and contemporary artistic practices in the Dutch republic.




Priests and Cults in the Book of the Twelve


Book Description

This book discusses the depictions of the cult and its personnel in the twelve prophetic books commonly referred to as "The Book of the Twelve" or "The Minor Prophets." The articles in the volume explore the following questions: How did these prophetic writers envision the priests and the Levites? What did they think about the ritual aspects of ancient Israelite faith, including not only the official temple cult in Jerusalem but also cultic expressions outside the capital? What, in their views, characterized a faithful priest and what should the relationship be between his cultic performance and the ways in which he lived his life? How does the message of each individual author fit in with the wider Israelite traditions? Finally, who were these prophetic authors, in which historical contexts did they live and work, and what stylistic tools did they use to communicate their message?