The Nebraska Media Book


Book Description




On the Sidelines


Book Description

2022 Outstanding Book Award in the Communication and Sport Division from the National Communication Association When sports fans turn on the television or radio today, they undoubtedly find more women on the air than ever before. Nevertheless, women sportscasters are still subjected to gendered and racialized mistreatment in the workplace and online and are largely confined to anchor and sideline reporter positions in coverage of high-profile men's sports. In On the Sidelines Guy Harrison weaves in-depth interviews with women sportscasters, focus groups with sports fans, and a collection of media products to argue that gendered neoliberalism--a cluster of exclusionary twenty-first-century feminisms--maintains this status quo. Spinning a cohesive narrative, Harrison shows how sportscasting's dependence on gendered neoliberalism broadly places the onus on women for their own success despite systemic sexism and racism. As a result, women in the industry are left to their own devices to navigate double standards, bias in hiring and development for certain on-air positions, harassment, and emotional labor. Through the lens of gendered neoliberalism, On the Sidelines examines each of these challenges and analyzes how they have been reshaped and maintained to construct a narrow portrait of the ideal neoliberal female sportscaster. Consequently, these challenges are taken for granted as "natural," sustaining women's marginalization in the sportscasting industry.




We Average Unbeautiful Watchers


Book Description

Sports fandom--often more than religious, political, or regional affiliation--determines how millions of Americans define themselves. In We Average Unbeautiful Watchers, Noah Cohan examines contemporary sports culture to show how mass-mediated athletics are in fact richly textured narrative entertainments rather than merely competitive displays. While it may seem that sports narratives are "written" by athletes and journalists, Cohan demonstrates that fans are not passive consumers but rather function as readers and writers who appropriate those narratives and generate their own stories in building their sense of identity. Critically reading stories of sports fans' self-definition across genres, from the novel and the memoir to the film and the blog post, We Average Unbeautiful Watchers recovers sports games as sites where fan-authors theorize interpretation, historicity, and narrative itself. Fan stories demonstrate how unscripted sporting entertainments function as identity-building narratives--which, in turn, enhances our understanding of the way we incorporate a broad range of texts into our own life stories. Building on the work of sports historians, theorists of fan behavior, and critics of American literature, Cohan shows that humanistic methods are urgently needed for developing nuanced critical conversations about athletics. Sports take shape as stories, and it is scholars in the humanities who can best identify how they do so--and why that matters for American culture more broadly.




Nebraska History Moments


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Each page of this book uses a photo or artifact to tell a true story about the past, drawing from the extensive collections of History Nebraska.




Storyworlds Across Media


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The proliferation of media and their ever-increasing role in our daily life has produced a strong sense that understanding media—everything from oral storytelling, literary narrative, newspapers, and comics to radio, film, TV, and video games—is key to understanding the dynamics of culture and society. Storyworlds across Media explores how media, old and new, give birth to various types of storyworlds and provide different ways of experiencing them, inviting readers to join an ongoing theoretical conversation focused on the question: how can narratology achieve media-consciousness? The first part of the volume critically assesses the cross- and transmedial validity of narratological concepts such as storyworld, narrator, representation of subjectivity, and fictionality. The second part deals with issues of multimodality and intermediality across media. The third part explores the relation between media convergence and transmedial storyworlds, examining emergent forms of storytelling based on multiple media platforms. Taken together, these essays build the foundation for a media-conscious narratology that acknowledges both similarities and differences in the ways media narrate.




Death of the Senate


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Something is rotten in the U.S. Senate, and the disease has been spreading for some time. But Ben Nelson, former U.S. senator from Nebraska, is not going to let the institution destroy itself without a fight. Death of the Senate is a clear-eyed look inside the Senate chamber and a brutally honest account of the current political reality. In his two terms as a Democratic senator from the red state of Nebraska, Nelson positioned himself as a moderate broker between his more liberal and conservative colleagues and became a frontline player in the most consequential fights of the Bush and Obama years. His trusted centrist position gave him a unique perch from which to participate in some of the last great rounds of bipartisan cooperation, such as the "Gang of 14" that considered nominees for the federal bench--and passed over a young lawyer named Brett Kavanaugh for being too partisan. Nelson learned early on that the key to any negotiation at any level is genuine trust. With humor, insight, and firsthand details, Nelson makes the case that the "heart of the deal" is critical and describes how he focused on this during his time in the Senate. As seen through the eyes of a centrist senator from the Great Plains, Nelson shows how and why the spirit of bipartisanship declined and offers solutions that can restore the Senate to one of the world's most important legislative bodies.




Sports Journalism


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Patrick S. Washburn and Chris Lamb tell the full story of the past, the present, and to a degree, the future of American sports journalism. Sports Journalism chronicles how and why technology, religion, social movements, immigration, racism, sexism, social media, athletes, and sportswriters and broadcasters changed sports as well as how sports are covered and how news about sports are presented and disseminated. One of the influential factors in sports coverage is the upswing in the number of women sports reporters in the last forty years. Sports Journalism also examines the ethics of sports journalism, how sports coverage frequently has differed from that of non-sports news, and how the internet has spawned a set of new ethical issues.




Rights in the Balance


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"A multiple murder case in Nebraska in October 1975 attracted massive media attention, spawning a collision between the rights of free press and fair trial. Scherer details the criminal prosecution and the ensuing legal battles that led to a landmark constitutional ruling regarding these rights by the U.S. Supreme Court"--Provided by publisher.




Narrative Across Media


Book Description

Narratology has been conceived from its earliest days as a project that transcends disciplines and media. The essays gathered here address the question of how narrative migrates, mutates, and creates meaning as it is expressed across various media. Dividing the inquiry into five areas: face-to-face narrative, still pictures, moving pictures, music, and digital media, Narrative across Media investigates how the intrinsic properties of the supporting medium shape the form of narrative and affect the narrative experience. Unlike other interdisciplinary approaches to narrative studies, all of which have tended to concentrate on narrative across language-supported fields, this unique collection provides a much-needed analysis of how narrative operates when expressed through visual, gestural, electronic, and musical means. In doing so, the collection redefines the act of storytelling. Although the fields of media and narrative studies have been invigorated by a variety of theoretical approaches, this volume seeks to avoid a dominant theoretical bias by providing instead a collection of concrete studies that inspire a direct look at texts rather than relying on a particular theory of interpretation. A contribution to both narrative and media studies, Narrative across Media is the first attempt to bridge the two disciplines.




A Single Light


Book Description

In this gripping, high-octane sequel to The Line Between, which New York Times bestselling author Alex Kava calls “everything you want in a thriller,” cult escapee Wynter Roth and ex-soldier Chase Miller emerge from their bunker to find a country ravaged by disease. Six months after vanishing into an underground silo with sixty-one others, Wynter and Chase emerge to an altered world. There is no sign of Noah and the rest of the group that was supposed to greet them when they surfaced—the same people Wynter was counting on to help her locate the antibiotics her gravely ill friend, Julie, needs. As the clock ticks down on Julie’s life, Wynter and Chase embark on a desperate search for medicine and answers. But what they find is not a nation on the cusp of recovery but one decimated by disease. What happened while they were underground? With food and water in limited supply and their own survival in question, Chase and Wynter must venture further and further from the silo. They come face-to-face with a radically changed society, where communities scrabble to survive under rogue leaders and cities are war zones. As hope fades by the hour and Wynter learns the terrible truth of the last six months, she is called upon again to help save a nation she no longer recognizes—a place so chaotic she’s no longer sure it can even survive. With Tosca Lee’s signature “beautifully written and deeply unnerving” (Jonathan Maberry, New York Times bestselling author) prose, A Single Light is a breathless thriller of nonstop suspense.