The New English Landscape


Book Description




The Making of the English Landscape


Book Description

The classic text of English landscape history, ground-breaking and hugely influential.




The New English Garden


Book Description

Join leading garden writer Tim Richardson as he visits twenty-five significant English gardens made or remade over the past decade, in this comprehensive overview of the contemporary English garden scene, probably the most inventive garden culture in the world. From the cutting-edge naturalistic planting design of the Sheffield School to the scientific imagery of Througham Court, this stunning guide surveys a wide spectrum of garden styles;some are challenging or thought-provoking, while others reflect the sensuously romantic tradition of English planting design, which has also been moving ahead in interesting ways. The New English Garden presents all that is most interesting about garden-making in England in the twenty-first century, beautifully illustrated by Andrew Lawson’s photography of some of England’s most famous gardens, from Prince Charles’s garden at Highgrove,Christopher Llyod’s garden at Great Dixter and Arabella Lennox-Boyd’s garden at Gresgarth right up to the Olympic Park in 2012.




Jane Austen and the English Landscape


Book Description

Jane Austen was deeply inspired by the landscape and rural comforts of southern England. Her family's final move to Chawton, in the depths of the Hampshire countryside and so near the Steventon rectory of her childhood, gave her great satisfaction and led to her most creative period.




Reading the Forested Landscape


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Chronicles the forest in New England from the Ice Age to current challenges




A Landscape History of New England


Book Description

This book takes a view of New England's landscapes that goes beyond picture postcard-ready vistas of white-steepled churches, open pastures, and tree-covered mountains. Its chapters describe, for example, the Native American presence in the Maine Woods; offer a history of agriculture told through stone walls, woodlands, and farm buildings; report on the fragile ecology of tourist-friendly Cape Cod beaches; and reveal the ethnic stereotypes informing Colonial Revivalism. Taken together, they offer a wide-ranging history of New England's diverse landscapes, stretching across two centuries. The book shows that all New England landscapes are the products of human agency as well as nature. The authors trace the roles that work, recreation, historic preservation, conservation, and environmentalism have played in shaping the region, and they highlight the diversity of historical actors who have transformed both its meaning and its physical form. Drawing on a wide range of disciplines, including history, geography, environmental studies, literature, art history, and historic preservation, the book provides fresh perspectives on New England's many landscapes: forests, mountains, farms, coasts, industrial areas, villages, towns, and cities. Illustrated, and with many archival photographs, it offers readers a solid historical foundation for understanding the great variety of places that make up New England.




The English Landscape Garden


Book Description

The eighteenth-century phenomenon of the English landscape garden was so widespread that even today, when so much has been built over or otherwise changed, examples remain throughout England. Although seemingly natural, the English landscape was generally the result of considerable effort, contrivance, and design skill, the glorious outcome of "the art that conceals art." Taking many forms, the landscape garden might involve digging lakes, raising or leveling hills, or planting vast numbers of trees--whatever was required to show nature to best advantage. Richly illustrated throughout, this book uncovers the complex, multi-layered, and wide-ranging story of the landscape garden in England.




Landscape and Englishness


Book Description

In the papers collected in this, the first volume of the Spatial Practices series, Englishness is reflected in the spaces it occupies or dwells in. Broadly influenced by a renewed and growing interest in questions of cultural identity, its emergence in Victorian theories and fictions of nationality, and the new cultural geography, the papers cover a rich variety of spaces and places which have been appropriated for cultural meanings: the rural countryside and farmland of the Home Counties in the early nineteenth century as Arcadian idyll in Cobbett, as the land to die for in war propaganda, and as nostalgia for a unified, organic English culture in Lawrence, Morton and Priestley’s travel writing, but also in the Shell Tourist Guides to motoring in rural England; English moorland; the sacred geographies of monuments in Hardy and others; the traditional seaside deconstructed in Martin Parr’s photography, and the sea as English Victorian imperial territory and its symbolic breezes in Froude’s travel writing. The English landscape is also a paradigm for the description of other places in D. H. Lawrence’s travel writing or for the colonial territory itself in Rushdie’s writing India, a displacement of other landscapes. This collection of papers examines the assumption that constructions of rural England provide the basis for an understanding of Englishness.




English Landscapes and Identities


Book Description

Long before the Norman Conquest of 1066, England saw periods of profound change that transformed the landscape and the identities of those who occupied it. The Bronze and Iron Ages saw the introduction of now-familiar animals and plants, such as sheep, horses, wheat, and oats, as well as new forms of production and exchange and the first laying out of substantial fields and trackways, which continued into the earliest Romano-British landscapes. The Anglo-Saxon period saw the creation of new villages based around church and manor, with ridge and furrow cultivation strips still preserved today. The basis for this volume is The English Landscapes and Identities project, which synthesised all the major available sources of information on English archaeology to examine this crucial period of landscape history from the middle Bronze Age (c. 1500 BC) to the Domesday survey (c. 1086 AD). It looks at the nature of archaeological work undertaken across England to assess its strengths and weaknesses when writing long-term histories. Among many other topics it examines the interaction of ecology and human action in shaping the landscape; issues of movement across the landscape in various periods; changing forms of food over time; an understanding of spatial scale; and questions of enclosing and naming the landscape, culminating in a discussion of the links between landscape and identity. The result is the first comprehensive account of the English landscape over a crucial 2500-year period. It also offers a celebration of many centuries of archaeological work, especially the intensive large-scale investigations that have taken place since the 1960s and transformed our understanding of England's past.




The English Landscape Garden in Europe


Book Description

This book provides an overview of the extent to which the 18th-century English Landscape Garden spread through Europe and Russia. While this type of garden acted widely as an inspiration, it was not slavishly copied but adapted to local conditions, circumstances and agendas. A garden 'in the English style' is commonly used to denote a landscape garden in Europe, while the term 'landscape garden' is used for layouts that are naturalistic in plan and resemble natural scenery, though they might be highly contrived and usually large in scale. The landscape garden took hold in mainland Europe from about 1760. Due to the differing geopolitical character of several of the countries, and a distinct division between Catholic and Protestant, the notion of the landscape garden held different significance and was interpreted and applied variously in those countries: in other words, they found it a very flexible medium. Each country is considered individually, with a special chapter devoted to 'Le Jardin Anglo-Chinois', since that constitutes a major issue of its own. The gardens have been chosen to illustrate the range and variety of applications of the landscape garden, though they are also those about which most is known in English.