Palladas


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Christians and Muslims in Early Islamic Egypt


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This volume collects studies exploring the relationship of Christians and Muslims in everyday life in Early Islamic Egypt (642–10th c.) focusing mainly, but not exclusively on administrative and social history. The contributions concentrate on the papyrological documentation preserved in Greek, Coptic, and Arabic. By doing so, this book transcends traditional disciplinary boundaries and offers results based on a holistic view of the documentary material. The articles of this volume discuss various aspects of change and continuity from Byzantine to Islamic Egypt and offer also the (re)edition of 23 papyrus documents in Greek, Coptic, and Arabic. The authors provide a showcase of recent papyrological research on this under-studied, but dynamically evolving field. After an introduction by the editor of the volume that outlines the most important trends and developments of the period, the first two essays shed light on Egypt as part of the Caliphate. The following six articles, the bulk of the volume, deal with the interaction and involvement of the Egyptian population with the new Muslim administrative apparatus. The last three studies of the volume focus on naming practices and language change.




The New Palladas


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Wandering Poets and Other Essays on Late Greek Literature and Philosophy


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This book presents radically revised and updated versions of the most important and innovative articles published by Alan Cameron in the field of late antique Greek poetry and philosophy, attempting to define pagan and Christian elements in early Byzantine literary culture. The longest chapter presents a new account of the closing of the Academy of Athens, and a new article discusses recent theories on the date of the epigrammatist Palladas.




A Companion to Ancient Epigram


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A delightful look at the epic literary history of the short, poetic genre of the epigram From Nestor’s inscribed cup to tombstones, bathroom walls, and Twitter tweets, the ability to express oneself concisely and elegantly, continues to be an important part of literary history unlike any other. This book examines the entire history of the epigram, from its beginnings as a purely epigraphic phenomenon in the Greek world, where it moved from being just a note attached to physical objects to an actual literary form of expression, to its zenith in late 1st century Rome, and further through a period of stagnation up to its last blooming, just before the beginning of the Dark Ages. A Companion to Ancient Epigram offers the first ever full-scale treatment of the genre from a broad international perspective. The book is divided into six parts, the first of which covers certain typical characteristics of the genre, examines aspects that are central to our understanding of epigram, and discusses its relation to other literary genres. The subsequent four parts present a diachronic history of epigram, from archaic Greece, Hellenistic Greece, and Latin and Greek epigrams at Rome, all the way up to late antiquity, with a concluding section looking at the heritage of ancient epigram from the Middle Ages up to modern times. Provides a comprehensive overview of the history of the epigram The first single-volume book to examine the entire history of the genre Scholarly interest in Greek and Roman epigram has steadily increased over the past fifty years Looks at not only the origins of the epigram but at the later literary tradition A Companion to Ancient Epigram will be of great interest to scholars and students of literature, world literature, and ancient and general history. It will also be an excellent addition to the shelf of any public and university library.




Palladas and the Yale Papyrus Codex (P. CtYBR inv. 4000)


Book Description

The Yale papyrus codex has significantly enriched our knowledge of ancient Greek epigram, while it also sparked a lively debate around its date, authorship, and the interpretation of individual poems. This book offers the first collection of essays into this fascinating and elusive text.




The New Palladas, in Six Parts


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Nakedness is My End


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Edited and Translated from the Greek by Edmund Keeley. A new translation of poetic masterpieces spanning Greece's Archaic and Golden Age to Byzantium. In these beautiful renderings Edmund Keeley displays his sensitivity as a translator and his imagination as a poet. The verses spring to life for a new generation of readers who will delight in the inventiveness, wit, and honesty of essential ancient Greek voices such as Plato, Leonidas, Callimachus, Meleager, Honestus, Strato, and Palladas. One of the foremost translators of the 20th century, Edmund Keeley has received international acclaim for his translations of the Greek poets C.P. Cavafy, George Seferis, Yannis Ritsos, and Odysseas Elytis. "The Ancients did not mince words when it came to love and death. Edmund Keeley's stunning translation brings Ancient Greek pith and urgency into the 21st Century: playful and oracular, Nakedness is My End is an essential study of human life in lyric form."--Karen Emmerich "The Ancients did not mince words when it came to love and death. Edmund Keeley's stunning translation brings Ancient Greek pith and urgency into the 21st Century: playful and oracular, Nakedness is My End is an essential study of human life in lyric form."--Karen Emmerich "In Keeley's lucid translations, we find just what we need: grace, humor, beauty, good advice, and succor; all that poetry has been bringing us through the darkness for these thousands of years. This expertly selected collection will remind you to 'treat yourself entirely to what good things there are.'"--Eleni Sikelianos "A new English translation of ancient masterworks, Nakedness is My End (World Poetry Books) contains poetry from Plato, Strato, Palladas, and others in a way that is accessible and meaningful for the modern reader." -- Princeton Alumni Weekly Poetry.




Greek Epigram from the Hellenistic to the Early Byzantine Era


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Greek epigram is a remarkable poetic form. The briefest of all ancient Greek genres, it is also the most resilient: for almost a thousand years it attracted some of the finest Greek poetic talents as well as exerting a profound interest on Latin literature, and it continues to inspire and influence modern translations and imitations. After a long period of neglect, research on epigram has surged during recent decades, and this volume draws on the fruits of that renewed scholarly engagement. It is concerned not with the work of individual authors or anthologies, but with the evolution of particular subgenres over time, and provides a selection of in-depth treatments of key aspects of Greek literary epigram of the Hellenistic, Roman, and early Byzantine periods. Individual chapters offer insights into a variety of topics, from explorations of the dynamic interactions between poets and their predecessors and contemporaries, and of the relationship between epigram and its socio-political, cultural, and literary background from the third century BCE up until the sixth century CE, to its interaction with its origins, inscribed epigram more generally, other literary genres, the visual arts, and Latin poetry, as well as the process of editing and compilation which generated the collections which survived into the modern world. Through the medium of individual studies the volume as a whole seeks to offer a sense of this vibrant and dynamic poetic form and its world which will be of value to scholars and students of Greek epigram and classical literature more broadly.




Poems in Context


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Examining carefully the Egyptian epic hexameter production from the 3rd to the 6th centuries AD, especially that of the southern region (Thebaid), this study provides an image of three centuries in the history of the Graeco-Egyptian literature, in which authors and poetry are related directly to the social-economic, cultural and literary contexts from which they come. The training they could get and the books and authors they came in touch with explain that we know so many names and works, written in a language and metrics that enjoyed the greatest esteem, being considered proofs of the highest culture. Laura Miguélez Cavero demonstrates that the traditional image of a “school of Nonnos” is not justified ‐ rather, Triphiodorus, Nonnus, Musaeus, Colluthus, Cyrus of Panopolis and Christodorus of Coptos are just the tip of a literary iceberg we know only to some extent through the texts that papyri offer us.