The New Palladas, in Six Parts


Book Description




New Epigrams of Palladas


Book Description

P.CtYBR inv. 4000, owned by Yale University's Beinecke Library, is a fragmentary papyrus codex that comprises parts of six bifolia (24 pages) and contains Greek elegiac epigrams. Of the approximately 60 epigrams that are partially extant, two were previously known from the Greek Anthology, but the others survive nowhere else and appear here for the first time in a modern edition. In spite of the fact that there is no explicit declaration of authorship in the remaining portions of the codex, all signs point to a single author that can be identified with confidence as Palladas of Alexandria, who is known from approximately 150 epigrams preserved in the Greek Anthology. Because both the manuscript itself and the poetry that it contains are demonstrably from the early fourth century A.D., it is now virtually certain that this poet was active, not around the turn of the fifth century, as has often been assumed in modern scholarship, but almost a hundred years earlier. Palladas has a distinctive poetic voice - highly personal and topical, with a tendency towards bitterly pessimistic observation on the world around him. Despite the lacunose state of the codex, these traits are clearly on display in the new poems. Among other points of interest, there is a satire of the victory titles claimed by the emperors Diocletian and Galerius, a lament on the destruction of Alexandria, a curious mention of the sufferings of the Egyptian goddess Triphis, and lampoons of men from Hermopolis. This editio princeps contains a substantial introduction (codicological reconstruction, paleography, orthography, contents, metrics, authorship and date, and historical notes), diplomatic transcription and edited Greek text on facing pages, commentary, indexes, and photographic plates. It will be of particular interest to papyrologists, specialists in Greek epigram, and scholars of late antique history and literature.




Palladas and the Yale Papyrus Codex (P. CtYBR inv. 4000)


Book Description

The Yale papyrus codex has significantly enriched our knowledge of ancient Greek epigram, while it also sparked a lively debate around its date, authorship, and the interpretation of individual poems. This book offers the first collection of essays into this fascinating and elusive text.







Greek Epigram from the Hellenistic to the Early Byzantine Era


Book Description

Greek epigram is a remarkable poetic form. The briefest of all ancient Greek genres, it is also the most resilient: for almost a thousand years it attracted some of the finest Greek poetic talents as well as exerting a profound interest on Latin literature, and it continues to inspire and influence modern translations and imitations. After a long period of neglect, research on epigram has surged during recent decades, and this volume draws on the fruits of that renewed scholarly engagement. It is concerned not with the work of individual authors or anthologies, but with the evolution of particular subgenres over time, and provides a selection of in-depth treatments of key aspects of Greek literary epigram of the Hellenistic, Roman, and early Byzantine periods. Individual chapters offer insights into a variety of topics, from explorations of the dynamic interactions between poets and their predecessors and contemporaries, and of the relationship between epigram and its socio-political, cultural, and literary background from the third century BCE up until the sixth century CE, to its interaction with its origins, inscribed epigram more generally, other literary genres, the visual arts, and Latin poetry, as well as the process of editing and compilation which generated the collections which survived into the modern world. Through the medium of individual studies the volume as a whole seeks to offer a sense of this vibrant and dynamic poetic form and its world which will be of value to scholars and students of Greek epigram and classical literature more broadly.







Greek Epigram from the Hellenistic to the Early Byzantine Era


Book Description

Greek epigram is a remarkable poetic form. The briefest of all ancient Greek genres, it is also the most resilient: for almost a thousand years it attracted some of the finest Greek poetic talents as well as exerting a profound influence on Latin literature, and it continues to inspire and influence modern translations and imitations. After a long period of neglect, research on epigram has surged during recent decades, and this volume draws on the fruits of that renewed scholarly engagement. It is concerned not with the work of individual authors or anthologies, but with the complexities of epigram as a genre, and provides a selection of in-depth treatments of key aspects of Greek literary epigram of the Hellenistic, Roman, and early Byzantine periods. Individual chapters offer insights into a variety of topics, from the dynamic interactions between poets and their predecessors and contemporaries, and the relationship between epigram and its sociopolitical, cultural, and literary background from the third century BCE up until the sixth century CE, to its interaction with its origins, inscribed epigram more generally, other literary genres, the visual arts, and Latin poetry, as well as the process of editing and compilation that generated the collections that survived into the modern world. Through the medium of individual studies the volume as a whole seeks to offer a sense of this vibrant and dynamic poetic form and its world, which will be of value to scholars and students of Greek epigram and classical literature more broadly.




Greek and Latin Poetry of Late Antiquity


Book Description

Promotes a bilingual (Latin/Greek) focus to shed new light on the poetics and aesthetics of late antique poetry.




Poems in Context


Book Description

Examining carefully the Egyptian epic hexameter production from the 3rd to the 6th centuries AD, especially that of the southern region (Thebaid), this study provides an image of three centuries in the history of the Graeco-Egyptian literature, in which authors and poetry are related directly to the social-economic, cultural and literary contexts from which they come. The training they could get and the books and authors they came in touch with explain that we know so many names and works, written in a language and metrics that enjoyed the greatest esteem, being considered proofs of the highest culture. Laura Miguélez Cavero demonstrates that the traditional image of a “school of Nonnos” is not justified ‐ rather, Triphiodorus, Nonnus, Musaeus, Colluthus, Cyrus of Panopolis and Christodorus of Coptos are just the tip of a literary iceberg we know only to some extent through the texts that papyri offer us.