Eerie Archives Volume 9


Book Description

Eerie Archives Volume 9 collects issues #42-#46 of the original Eerie magazine run. This volume features classic stories from comic-book legends Richard Corben, Doug Moench, Reed Crandall, and Paul Neary, color covers by Luis Dominguez and Sanjulian, as well as mind-melting contributions from Eerie regulars Tom Sutton, Steve Skeates, Esteban Maroto, and Jerry Grandenetti. Whether traveling through space in "Someday" or trapped in a mad scientist's greenhouse in "The Root of Evil," you'll be mesmerized by these timeless tales of horror! This collection also reprints all color stories, letters pages, and articles from the original magazines and features a new foreword by Timothy Truman (modern Creepy, King Conan).




Creepy Archives Volume 9


Book Description

The latest volume in Dark Horse's award—winning Creepy Archives hardcover run will shake, rattle, and obliterate your sanity, as the stories from issues #42—#45 of Warren Publishing's landmark horror series arrive as perfect antidotes to seasonal melancholy. In the early 1970s, comic-book legends like Bruce Jones, Gardner Fox, Richard Corben, Dave Cockrum, and Mike Ploog conspired to bring readers wonderfully mixed anthologies of terror and suspense! This volume also features a cover by celebrated fantasy and horror illustrator Sanjulian and a brand—new foreword by comic—book historian and writer Richard Arndt. * Each volume of Creepy Archives includes all the fan pages, features, and bonus materials found in the original Creepy magazines! * Eisner Award-winning series. * New York Times graphic-novel bestseller. * Features work from comic book legends like Richard Corben, Bruce Jones, and Sanjulian.




Popular Photography


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Kallitype: The Processes And The History


Book Description

The title of my current Book is Kallitype: The Processes and The History The book is a detailed report of the major kallitype processes described with sufficient particulars for modem photographers to apply and work. The book discusses Kallitype I, Kallitype II, Kallitype III, and the Brown Print, tracing the published history of the invention, and improvements of all significant historical contributors to the development of each process. The historical framework of the book documents the original invention and the sale of each of the four processes. It discusses the many published kallitype printmakers from 1890 to 1930 who wrote about their way of working the process. It includes process information from kallitype entrepreneurs. It reports the critical responses to the published processes of many kallitype artists. Their writing elucidates approaches to the various processes, provides principles which govern successful kallitype practice and inform s current printmaker s about causes of failure and their resolution. The book includes discussion of the social, techno logic al, and artistic milieu that led kalliltypists and many amateurs, to elevate photography from what it was-a basically reproductive medium-into a creative, expressive art characterized by media plasticity. The book attempts to enlighten why and how photography carne to be a pictorial art that displayed creative work heavily involved with radical manipulation of negative and print possibilities.




The Electrical Journal


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Good Pictures


Book Description

A picture-rich field guide to American photography, from daguerreotype to digital. We are all photographers now, with camera phones in hand and social media accounts at the ready. And we know which pictures we like. But what makes a "good picture"? And how could anyone think those old styles were actually good? Soft-focus yearbook photos from the '80s are now hopelessly—and happily—outdated, as are the low-angle portraits fashionable in the 1940s or the blank stares of the 1840s. From portraits to products, landscapes to food pics, Good Pictures proves that the history of photography is a history of changing styles. In a series of short, engaging essays, Kim Beil uncovers the origins of fifty photographic trends and investigates their original appeal, their decline, and sometimes their reuse by later generations of photographers. Drawing on a wealth of visual material, from vintage how-to manuals to magazine articles for working photographers, this full-color book illustrates the evolution of trends with hundreds of pictures made by amateurs, artists, and commercial photographers alike. Whether for selfies or sepia tones, the rules for good pictures are always shifting, reflecting new ways of thinking about ourselves and our place in the visual world.




Journal of the Photographic Society of London


Book Description

Vols. for 1853- include the transactions of the Royal Photographic Society of Great Britain.




Photo-era


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Popular Photography


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