The New Poets. American and British Poetry Since World War II.
Author : Macha Louis ROSENTHAL
Publisher :
Page : pages
File Size : 25,54 MB
Release : 1967
Category :
ISBN :
Author : Macha Louis ROSENTHAL
Publisher :
Page : pages
File Size : 25,54 MB
Release : 1967
Category :
ISBN :
Author : Alison Stilwell Cameron
Publisher :
Page : pages
File Size : 20,85 MB
Release : 1967
Category :
ISBN :
Author : Macha L. Rosenthal
Publisher :
Page : 350 pages
File Size : 44,73 MB
Release : 1973
Category :
ISBN :
Author : M. L. Rosenthal
Publisher :
Page : 350 pages
File Size : 50,83 MB
Release : 1970
Category :
ISBN :
Author : Macha Louis Rosenthal
Publisher : New York, Oxford University Press
Page : 370 pages
File Size : 46,65 MB
Release : 1967
Category : American poetry
ISBN :
Critical study of major poets.
Author : Macha Louis Rosenthal
Publisher : New York : Macmillan
Page : 326 pages
File Size : 45,89 MB
Release : 1967
Category : American poetry
ISBN :
The best poets, many of them young, of the United States, Canada, and Britain, are richly represented in this unique collection. One hundred and four poets are included; their names appear on the back of this volume. You will find many names with which you are familiar.
Author : Harvey Shapiro
Publisher :
Page : 310 pages
File Size : 16,89 MB
Release : 2003-01-27
Category : History
ISBN :
Acclaimed poet and World War II veteran Shapiro's pathbreaking gathering of work by more than 60 poets of the war years includes Randall Jarrell, Anthony Hecht, George Oppen, Richard Eberhart, William Bronk, and Woody Guthrie.
Author : Robert Lowell, Allen Ginsberg, Randall Jarrell, Sylvia Plath, Theodore Roethke, Ted Hughes, Richard Wilbur, Robert Duncan, Austin Clarke, Thomas Kinsella and many others
Publisher :
Page : 324 pages
File Size : 20,99 MB
Release : 1967
Category :
ISBN :
Author : Edward Lucie-Smith
Publisher :
Page : 436 pages
File Size : 18,24 MB
Release : 1985
Category : Poetry
ISBN :
This revised edition contains new sections which recognize the increased influence of the Northern Irish and university poets, and, throughout, the commentaries render each poet - Larkin, Hughes, Porter, Heaney, Fenton, Raine, among others - immediately accessible. From the post-war movement to the post-expressionist movement, the poetic terrain is mapped out since the World War II.
Author : John R. Woznicki
Publisher : Rowman & Littlefield
Page : 305 pages
File Size : 33,11 MB
Release : 2013-12-24
Category : Literary Criticism
ISBN : 1611461251
The New American Poetry: Fifty Years Later is a collection of critical essays on Donald Allen’s 1960 seminal anthology, The New American Poetry, an anthology that Marjorie Perloff once called “the fountainhead of radical American poetics.” The New American Poetry is referred to in every literary history of post-World War II American poetry. Allen’s anthology has reached its fiftieth anniversary, providing a unique time for reflection and reevaluation of this preeminent collection. As we know, Allen’s anthology was groundbreaking—it was the first to distribute widely the poetry and theoretical positions of poets such as Charles Olson, Allen Ginsberg and the Beats, and it was the first to categorize these poets by the schools (Black Mountain, New York School, San Francisco Renaissance, and the Beats) by which they are known today. Over the course of fifty years, this categorization of poets into schools has become one of the major, if not only way, that The New American Poetry is remembered or valued; one certain goal of this volume, as one reviewer invites, is to “pry The New American Poetry out from the hoary platitudes that have encrusted it.” To this point critics mostly have examined The New American Poetry as an anthology; former treatments of The New American Poetry look at it intently as a whole. Though the almost singularly-focused study of its construction and, less often, reception has lent a great deal of documented, highly visible and debated material in which to consider, we have been left with certain notions about its relevance that have become imbued ultimately in the collective critical consciousness of postmodernity. This volume, however, goes beyond the analysis of construction and reception and achieves something distinctive, extendingthose former treatments by treading on the paths they create. This volume aims to discover another sense of “radical” that Perloff articulated—rather than a radical that departs markedly from the usual, we invite consideration of The New American Poetry that isradical in the sense of root, of harboring something fundamental, something inherent, as we uncover and trace further elements correlated with its widespread influence over the last fifty years.