The Oxford Handbook of the Reception History of the Bible


Book Description

This wide-ranging volume looks at the reception history of the Bible's many texts; Part I surveys the outline, form, and content of twelve key biblical books that have been influential in the history of interpretation. Part II offers a series of in-depth case studies of the interpretation of particular biblical passages or books.




The New Testament as Reception


Book Description

In this book a new concept is systematically explored: that of the New Testament as a "reception" of various antecedents. Three chapters cover its reception of the Old Testament, of Second Temple Judaism and of Graeco-Roman culture. Three further chapters explore the reception of Jesus, using as examples the Synoptic parables, Matthew's Messianic Teacher, and the Christology of the Book of Revelation. Paul is considered in a chapter on his reception in Acts, and three final chapters survey broader themes: feminist reception, reception history within the New Testament (using the Annunciation as an example), and translation.




Biblical Reception, 5


Book Description

In this guest-edited issue of Biblical Reception, edited by Diane Apostolos-Cappadona, contributors examine the reception of the bible in art. Most of the contributions focus on biblical women, or on encounters with women in the bible. The volume is roughly chronological in structure, beginning with two pieces on Eve, one of which compares representations of Eve with those of the Virgin Mary, the other which considers how Eve is presented in Islamic texts and images. Following a contribution on Esther and Sarah the volume moves on to consider New Testament texts, with notable focus on women at the peripheries of society (the woman with the hemorrhage in Mark's gospel and the woman of Samaria). Attention is also paid to representations of Mary Magdalene and of Judith and Salome. The volume concludes with a piece on apocalyptic imagery and the woman clothed with the sun of Revelation 12. Featuring over 50 high quality color images, this volume provides scholarship of the highest level on biblical art.




Exegesis and History of Reception


Book Description

"Why should we take into account the history of reception in biblical methods? It is because as exegetes we have no choice. Recognizing our dependence on interpretations of the past is not a new method, but it is the very way we understand texts. Régis Burnet shows how this allows us to put our current interpretations into perspective, but also to dialogue with those of the past." --




Paul's 'Works of the Law' in the Perspective of Second Century Reception


Book Description

Paul writes that we are justified by faith apart from 'works of the law', a disputed term that represents a fault line between 'old' and 'new' perspectives on Paul. Was the Apostle reacting against the Jews' good works done to earn salvation, or the Mosaic Law's practices that identified the Jewish people? Matthew J. Thomas examines how Paul's second century readers understood these points in conflict, how they relate to 'old' and 'new' perspectives, and what their collective witness suggests about the Apostle's own meaning. Surprisingly, these early witnesses align closely with the 'new' perspective, though their reasoning often differs from both viewpoints. They suggest that Paul opposes these works neither due to moralism, nor primarily for experiential or social reasons, but because the promised new law and covenant, which are transformative and universal in scope, have come in Christ.




The Question of Canon


Book Description

For many years now, the topic of the New Testament canon has been the main focus of my research and writing. It is an exciting field of study that probes into questions that have long fascinated both scholars and laymen alike, namely when and how these 27 books came to be regarded as a new scriptural deposit. But, the story of the New Testament canon is bigger than just the "when" and the "how". It is also, and perhaps most fundamentally, about the "why". Why did Christians have a canon at all? Does the canon exist because of some later decision or action of the second- or third-century church? Or did it arise more naturally from within the early Christian faith itself? Was the canon an extrinsic phenomenon, or an intrinsic one? These are the questions this book is designed to address. And these are not micro questions, but macro ones. They address foundational and paradigmatic issues about the way we view the canon. They force us to consider the larger framework through which we conduct our research - whether we realized we had such a framework or not. Of course, we are not the first to ask such questions about why we have a canon. Indeed, for many scholars this question has already been settled. The dominant view today, as we shall see below, is that the New Testament is an extrinsic phenomenon; a later ecclesiastical development imposed on books originally written for another purpose. This is the framework through which much of modern scholarship operates. And it is the goal of this volume to ask whether it is a compelling one. To be sure, it is no easy task challenging the status quo in any academic field. But, we should not be afraid to ask tough questions. Likewise, the consensus position should not be afraid for them to be asked.




The Cultural Reception of the Bible


Book Description

The Bible is undoubtedly the most influential 'book' that the world has ever known. In thirty essays, this wide-ranging volume examines the cultural impact of biblical texts, from the early Middle Ages to the present day, on areas such as theology, philosophy, ethics, ecology, politics, literature, art, music and film. Contributions range from Saadia Gaon's tenth-century Arabic translation of the Pentateuch to Martin Scorsese's 1988 film adaptation of The Last Temptation of Christ; from the biblically inspired writings of a late seventeenth-century French galley slave to Paul Ricouer's reading of The Song of Songs; and from the deep biblical culture of fifth-century Rome to the divisions that biblical verses perpetuated in late twentieth-century Ulster. Contributors include: Cardinal Joseph W. Tobin, CSsR (Newark); Thomas O'Loughlin (U Nottingham); Cornelius Casey, CSsR (TCD); Jeremy Corley (SPCM); Noel O'Sullivan (SPCM); Michael A. Conway (SPCM); Jessie Rogers (SPCM); Martin O'Kane (U Wales, Trinity Saint David); Kerry Houston (DIT); and more.




Engaging Economics


Book Description

'Emerging Economics' reveals the economic dimentisons of the theology of the early Jesus movement & explains how this is reflected in the texts of the New Testament & the reception of those texts within the patristic era.




Reception History and Biblical Studies


Book Description

How do we begin to carry out such a vast task-the examination of three millennia of diverse uses and influences of the biblical texts? Where can the interested scholar find information on methods and techniques applicable to the many and varied ways in which these have happened? Through a series of examples of reception history practitioners at work and of their reflections this volume sets the agenda for biblical reception, as it begins to chart the near-infinite series of complex interpretive 'events' that have been generated by the journey of the biblical texts down through the centuries. The chapters consider aspects as diverse as political and economic factors, cultural location, the discipline of Biblical Studies, and the impact of scholarly preconceptions, upon reception history. Topics covered include biblical figures and concepts, contemporary music, paintings, children's Bibles, and interpreters as diverse as Calvin, Lenin, and Nick Cave.




The Bible in Motion


Book Description

This two-part volume contains a comprehensive collection of original studies by well-known scholars focusing on the Bible’s wide-ranging reception in world cinema. It is organized into sections examining the rich cinematic afterlives of selected characters from the Hebrew Bible and New Testament; considering issues of biblical reception across a wide array of film genres, ranging from noir to anime; featuring directors, from Lee Chang-dong to the Coen brothers, whose body of work reveals an enduring fascination with biblical texts and motifs; and offering topical essays on cinema’s treatment of selected biblical themes (e.g., lament, apocalyptic), particular interpretive lenses (e.g., feminist interpretation, queer theory), and windows into biblical reception in a variety of world cinemas (e.g., Indian, Israeli, and Third Cinema). This handbook is intended for scholars of the Bible, religion, and film as well as for a wider general audience.