New York Clipper (October 1883)


Book Description

Reprint of the original, first published in 1883.




Eyes on the Sporting Scene, 1870-1930


Book Description

Helms Hall of Fame's brothers William M. and Andrew B. "June" Rankin lived exciting lives covering sports for papers like the New York Sunday Mercury, New York Herald, New York World, Brooklyn Daily Eagle and New York Clipper from 1870 to 1930. Playing for amateur and semiprofessional Rockland County (N.Y.) clubs in the mid-1860s through early 1870s, the brothers developed into baseball writers and editors. Often working with Henry Chadwick, called the Father of Baseball, the brothers became authorities on the sport, writing histories of clubs and players, and scoring for the early New York and Brooklyn clubs. June went on to cover boxing as it transitioned into a gentlemen's sport, football as it emerged on college campuses, and golf through the formative years of the USGA and PGA. He also wrote two baseball books. Filled with sporting details, this book sets the brothers into a period of great changes in the world of American sports.




The American Bookseller


Book Description










The Mechanical Horse


Book Description

In this lively cultural history, Margaret Guroff reveals how the bicycle has transformed American society, from making us mobile to empowering people in all avenues of life. Book jacket.




Anglo-American Media Interactions, 1850-2000


Book Description

This volume reveals the complicated ways in which British and American media have influenced each other over the past two centuries. In doing so, it adds an important transatlantic dimension to media scholarship, while demonstrating the crucial and varied ways in which media have helped build an Anglo-American 'special relationship'.




They All Played Ragtime - The True Story of an American Music


Book Description

Blesh published They All Played Ragtime as first major scholarly work on ragtime music in 1950, which sparked a ragtime revival. He founded Circle Records in 1946, which recorded new material from aging early jazz musicians as well as the Library of Congress recordings of Jelly Roll Morton. He sparked renewed interest in the music of Joseph Lamb, James P. Johnson, and Eubie Blake, among others.