The Niagara Falls Whimsey
Author : Beverly Gordon
Publisher : Ann Arbor, Mich. : University Microfilms International
Page : 448 pages
File Size : 18,21 MB
Release : 1984
Category : Beadwork
ISBN :
Author : Beverly Gordon
Publisher : Ann Arbor, Mich. : University Microfilms International
Page : 448 pages
File Size : 18,21 MB
Release : 1984
Category : Beadwork
ISBN :
Author : Beverly Gordon
Publisher :
Page : 444 pages
File Size : 12,23 MB
Release : 1984
Category : Indian embroidery
ISBN :
Author : Beverly Gordon
Publisher : Chazen Museum of Art
Page : 76 pages
File Size : 48,97 MB
Release : 1988
Category : Art
ISBN : 9780932900180
Even the earliest European explorers to the Americas collected objects made by native people. The ongoing fascination with the artistic and cultural expressions of American Indian people is documented historically, along with a close look at seven midwestern collections. The wide array of art encompassed is handsomely illustrated, and includes pottery, weavings, basketry, beadwork, and carvings. Distributed for the Chazen Museum of Art, University of Wisconsin-Madison
Author : Kent Blansett
Publisher : University of Oklahoma Press
Page : 461 pages
File Size : 25,22 MB
Release : 2022-02-17
Category : History
ISBN : 0806190507
From ancient metropolises like Pueblo Bonito and Tenochtitlán to the twenty-first century Oceti Sakowin encampment of NoDAPL water protectors, Native people have built and lived in cities—a fact little noted in either urban or Indigenous histories. By foregrounding Indigenous peoples as city makers and city dwellers, as agents and subjects of urbanization, the essays in this volume simultaneously highlight the impact of Indigenous people on urban places and the effects of urbanism on Indigenous people and politics. The authors—Native and non-Native, anthropologists and geographers as well as historians—use the term “Indian cities” to represent collective urban spaces established and regulated by a range of institutions, organizations, churches, and businesses. These urban institutions have strengthened tribal and intertribal identities, creating new forms of shared experience and giving rise to new practices of Indigeneity. Some of the essays in this volume explore Native participation in everyday economic activities, whether in the commerce of colonial Charleston or in the early development of New Orleans. Others show how Native Americans became entwined in the symbolism associated with Niagara Falls and Washington, D.C., with dramatically different consequences for Native and non-Native perspectives. Still others describe the roles local Indigenous community groups have played in building urban Native American communities, from Dallas to Winnipeg. All the contributions to this volume show how, from colonial times to the present day, Indigenous people have shaped and been shaped by urban spaces. Collectively they demonstrate that urban history and Indigenous history are incomplete without each other.
Author : Ruth B. Phillips
Publisher : Univ of California Press
Page : 444 pages
File Size : 20,83 MB
Release : 1999-01-30
Category : History
ISBN : 0520918762
Tourist art production is a global phenomenon and is increasingly recognized as an important and authentic expression of indigenous visual traditions. These thoughtful, engaging essays provide a comparative perspective on the history, character, and impact of tourist art in colonized societies in three areas of the world: Africa, Oceania, and North America. Ranging broadly historically and geographically, Unpacking Culture is the first collection to bring together substantial case studies on this topic from around the world.
Author : Ruth Bliss Phillips
Publisher : University of Washington Press
Page : 384 pages
File Size : 34,24 MB
Release : 1998
Category : Antiques & Collectibles
ISBN : 9780295976488
Indians in northeastern North America produced a variety of art objects for sale to travelers and tourists during the 18th and 19th centuries. This art is of high quality and great aesthetic interest, but has been largely ignored by scholars. This study combines fieldwork, art historical analysis,
Author : William Dean Howells
Publisher : Buffalo [N.Y.] : Underhill and Nichols
Page : 254 pages
File Size : 49,13 MB
Release : 1893
Category : Buffalo (N.Y.)
ISBN :
Author : Cathy Covell Waegner
Publisher : MSU Press
Page : 497 pages
File Size : 36,22 MB
Release : 2015-02-01
Category : Social Science
ISBN : 1628950455
Mediating Indianness investigates a wide range of media—including print, film, theater, ritual dance, music, recorded interviews, photography, and treaty rhetoric—that have been used in exploitative, informative, educative, sustaining, protesting, or entertaining ways to negotiate Native American identities and images. The contributors to this collection are (Native) American and European scholars whose initial findings were presented or performed in a four-panel format at the 2012 MESEA (Society for Multi-Ethnic Studies: Europe and the Americas) conference in Barcelona. The selection of the term Indianness is deliberate. It points to the intricate construction of ethnicity as filtered through media, despite frequent assertions of “authenticity.” From William “Buffalo Bill” Cody’s claim, extravagantly advertised on both sides of the Atlantic, that he was staging “true-to-life” scenes from Indian life in his Wild West shows to contemporary Native hip-hop artist Quese IMC’s announcement that his songs tell his people’s “own history” and draw on their “true” culture, media of all types has served to promote disparate agendas claiming legitimacy. This volume does not shy away from the issue of evaluation and how it is only tangential to medial artificiality. As evidenced in this collection, “the vibrant, ever-transforming future of Native peoples is located within a complex intersection of cultural influences,” said Susan Power, author of Sacred Wilderness.
Author : Elizabeth Hutchinson
Publisher : Duke University Press
Page : 304 pages
File Size : 24,64 MB
Release : 2009-03-23
Category : Art
ISBN : 0822392097
In the early twentieth century, Native American baskets, blankets, and bowls could be purchased from department stores, “Indian stores,” dealers, and the U.S. government’s Indian schools. Men and women across the United States indulged in a widespread passion for collecting Native American art, which they displayed in domestic nooks called “Indian corners.” Elizabeth Hutchinson identifies this collecting as part of a larger “Indian craze” and links it to other activities such as the inclusion of Native American artifacts in art exhibitions sponsored by museums, arts and crafts societies, and World’s Fairs, and the use of indigenous handicrafts as models for non-Native artists exploring formal abstraction and emerging notions of artistic subjectivity. She argues that the Indian craze convinced policymakers that art was an aspect of “traditional” Native culture worth preserving, an attitude that continues to influence popular attitudes and federal legislation. Illustrating her argument with images culled from late-nineteenth- and early-twentieth-century publications, Hutchinson revises the standard history of the mainstream interest in Native American material culture as “art.” While many locate the development of this cross-cultural interest in the Southwest after the First World War, Hutchinson reveals that it began earlier and spread across the nation from west to east and from reservation to metropolis. She demonstrates that artists, teachers, and critics associated with the development of American modernism, including Arthur Wesley Dow and Gertrude Käsebier, were inspired by Native art. Native artists were also able to achieve some recognition as modern artists, as Hutchinson shows through her discussion of the Winnebago painter and educator Angel DeCora. By taking a transcultural approach, Hutchinson transforms our understanding of the role of Native Americans in modernist culture.
Author : Maeve Kane
Publisher : Cornell University Press
Page : 366 pages
File Size : 32,75 MB
Release : 2023-02-15
Category : History
ISBN : 1501767895
Beginning with a purchased shirt and ending with a handmade dress, Shirts Powdered Red shows how Haudenosaunee women and their work shaped their nations from the sixteenth century through the nineteenth century. By looking at clothing that was bought, created, and remade, Maeve Kane brings to life how Haudenosaunee women used access to global trade to maintain a distinct and enduring Haudenosaunee identity in the face of colonial pressures to assimilate and disappear. Drawing on rich oral, archival, material, visual, and quantitative evidence, Shirts Powdered Red tells the story of how Haudenosaunee people worked to maintain their nations' cultural and political sovereignty through selective engagement with trade and the rhetoric of civility, even as Haudenosaunee clothing and gendered labor increasingly became the focus of colonial conversion efforts throughout the upheavals and dispossession of the nineteenth century. Shirts Powdered Red offers a sweeping, detailed cultural history of three centuries of Haudenosaunee women's labor and agency to shape their nations' future.