The Anthology Of Colonial Australian Adventure Fiction


Book Description

Marauding bushrangers, lost explorers, mad shepherds, new chums and mounted troopers: these are some of the characters who populate the often perilous world of colonial Australian adventure fiction. Squatters defend their hard-earned properties from attack, while floods and other natural disasters threaten to wipe any trace of settlement away. Colonial Australian adventure fiction takes its characters on a journey into remote and unfamiliar territory, often in pursuit of wealth and well-being. But these journeys are invariably fraught with danger, and everything comes at a price. This anthology collects the best examples of colonial Australian adventure fiction, with stories by Ernest Favenc, Louis Becke, Rosa Praed, Guy Boothby, and many others. Also available in this series: The Anthology of Colonial Australian Gothic Fiction The Anthology of Colonial Australian Crime Fiction The Anthology of Colonial Australian Romance Fiction




The Anthology Of Colonial Australian Crime Fiction


Book Description

From the editors of The Anthology of Colonial Australian Gothic Fiction comes this fascinating collection of disturbing mysteries and gruesome tales by authors such as Mary Fortune, James Skipp Borlase, Guy Boothby, Francis Adams, Ernest Favenc, 'Rolf Boldrewood' and Norman Lindsay, among many others. In the bush and the tropics, the goldfields and the city streets, colonial Australia is a troubling, bewildering place and almost impossible to regulate—even for the most vigilant detective. Ex-convicts, bushrangers, ruthless gold prospectors, impostors, thieves and murderers flow through the stories that make up this collection, challenging the nascent forces of colonial law and order. The landscape itself seems to stimulate criminal activity, where identities change at will and people suddenly disappear without a trace. The Anthology of Colonial Australian Crime Fiction is a remarkable anthology that taps into the fears and anxieties of colonial Australian life.




Stingaree Rides Again


Book Description

Stingaree's adventures have long delighted thousands of readers. He is a stylish bushranger, his English origins cloaked in mystery, who operates in New South Wales. He is, after Raffles, the most famous character that E.W. Hornung (1866-1921) ever created. Virtually unknown, however, is the fact that twelve years after the original stories appeared Hornung started to write a fresh batch of tales, relating Stingaree's subsequent history. For various reasons, the project was abandoned but the batch of stories that he completed are now brought together in book-form for the very first time. Peter Rowland is a well-known historian and biographer. He recently transcribed and edited two of Hornung's unfinished novels, His Brother's Blood and The Graven Image, and compiled a fresh collection of Hornung short stories, Tall Tales and short'uns. A revised and much-expanded edition of his 1999 biography of Hornung will appear shortly. (For more information, see www.peterrowland.org.uk).




Women Writers and Detectives in Nineteenth-Century Crime Fiction


Book Description

This book is a study of the 'mothers' of the mystery genre. Traditionally the invention of crime writing has been ascribed to Poe, Wilkie Collins and Conan Doyle, but they had formidable women rivals, whose work has been until recently largely forgotten. The purpose of this book is to 'cherchez les femmes', in a project of rediscovery.




Australian Crime Fiction


Book Description

Australian crime fiction has grown from the country's origins as an 18th-century English prison colony. Early stories focused on escaped convicts becoming heroic bush rangers, or how the system mistreated those who were wrongfully convicted. Later came thrillers about wealthy free settlers and lawless gold-seekers, and urban crime fiction, including Fergus Hume's 1887 international best-seller The Mystery of a Hansom Cab, set in Melbourne. The 1980s saw a surge of private-eye thrillers, popular in a society skeptical of police. Twenty-first century authors have focused on policemen--and increasingly policewomen--and finally indigenous crime narratives. The author explores in detail this rich but little known national subgenre.




The Anthology Of Colonial Australian Romance Fiction


Book Description

The Anthology of Colonial Australian Romance Fiction collects captivating stories of love and passion, longing and regret. In these tales women arriving in the New World make decisions about relationships and marriage, social conventions, finances and career—and even the future of the nation itself. The 'slim and graceful' Australian girl becomes a new character type: independent, self-possessed and full of promise. These stories also show women gaining experience about the world, and the men, around them. They are put to the test by a new life and a new place. And not every relationship works out well. The best of colonial Australian romance fiction is collected in this anthology, from writers such as Ada Cambridge, Rosa Praed, Francis Adams, Henry Lawson, Mura Leigh and many others.




Women Writing Crime Fiction, 1860-1880


Book Description

Arthur Conan Doyle has long been considered the greatest writer of crime fiction, and the gender bias of the genre has foregrounded William Godwin, Edgar Allan Poe, Wilkie Collins, Emile Gaboriau and Fergus Hume. But earlier and significant contributions were being made by women in Britain, the United States and Australia between 1860 and 1880, a period that was central to the development of the genre. This work focuses on women writers of this genre and these years, including Catherine Crowe, Caroline Clive, Elizabeth Cleghorn Gaskell, Mary Elizabeth Braddon, Mrs. Henry (Ellen) Wood, Harriet Prescott Spofford, Louisa May Alcott, Metta Victoria Fuller Victor, Anna Katharine Green, Celeste de Chabrillan, "Oline Keese" (Caroline Woolmer Leakey), Eliza Winstanley, Ellen Davitt, and Mary Helena Fortune--innovators who set a high standard for women writers to follow.




Blockbuster!


Book Description

Before there was Arthur Conan Doyle’s Sherlock Holmes, there was Fergus Hume’s The Mystery of a Hansom Cab—the biggest, and fastest-selling, detective novel of the 1800s, and Australia’s first literary blockbuster. Fergus Hume was an aspiring playwright when he moved from Dunedin to Melbourne in 1885. He wrote The Mystery of a Hansom Cab with the humble hope of bringing his name to the attention of theatre managers. The book sold out its first run almost instantly and it became a runaway word-of-mouth phenomenon—but its author sold the copyright for a mere fifty pounds, missing out on a potential fortune. Blockbuster! is the engrossing story of a book that would help define the genre of crime fiction, and a portrait of a great city in full bloom. Rigorously researched and full of arresting detail, this captivating book is a must-read for all fans of true crime, history and crime fiction alike. Lucy Sussex was born in New Zealand. She has edited four anthologies, including She’s Fantastical, shortlisted for the World Fantasy Award. Her award-winning fiction includes books for younger readers and the novel The Scarlet Rider. Lucy has five short-story collections, including My Lady Tongue, A Tour Guide in Utopia, Absolute Uncertainty and Matilda Told Such Dreadful Lies. Lucy Sussex's latest book is Blockbuster! Fergus Hume and The Mystery of a Hansom Cab. She lives in Melbourne. ‘[Sussex] provides a rich picture of Victorian life and a revealing account of late 19th-century publishing practices...Fascinating.’ Publishers Weekly ‘An absorbing, at times fascinating companion to The Mystery of a Hansom Cab.’ Age/SMH/Brisbane Times ‘Told with wit and lightly worn scholarship...Sussex has written a fine, thoroughly engaging and multifaceted history. Generously, she has shared her fun with the rest of us.’ Australian ‘The book is a must-read for anyone interested in the history of crime fiction or Australian literature, but is highly recommended even if you’re not: Sussex is a superb story-teller and leavens this fascinating account with dry wit. It deserves to be a blockbuster.’ Tara Sharp ‘This is a fine book about a novel that defined the burgeoning genre of crime fiction, full of wit, important discoveries and fascinating insights – like its subject, a real page-turner.’ Wormwoodiana ‘Sussex skillfully assembles the known information about a very private man and his times, and reveals a Victorian world whose machinations and mysteries are equal to those of his most famous fiction.’ Stuff NZ ‘A very interesting whodunit about a whodunit.’ North and South ‘Blockbuster! is almost too much to take in. It’s a wealth of well researched information, but readable and informative just the same. The book is equipped with bibliography, end notes, epitaphs and reviews, enough to keep the curious occupied for hours.’ Otago Daily Times ‘A wealth of well-researched information, readable, informative and enough to keep the curious occupied for hours.’ Otago Daily Times, 2015’s Must Read Books ‘Blockbuster! makes for highly enjoyable and informative reading.’ Washington Post




Colonial Australian Fiction


Book Description

Over the course of the nineteenth century a remarkable array of types appeared – and disappeared – in Australian literature: the swagman, the larrikin, the colonial detective, the bushranger, the “currency lass”, the squatter, and more. Some had a powerful influence on the colonies’ developing sense of identity; others were more ephemeral. But all had a role to play in shaping and reflecting the social and economic circumstances of life in the colonies. In Colonial Australian Fiction: Character Types, Social Formations and the Colonial Economy, Ken Gelder and Rachael Weaver explore the genres in which these characters flourished: the squatter novel, the bushranger adventure, colonial detective stories, the swagman’s yarn, the Australian girl’s romance. Authors as diverse as Catherine Helen Spence, Rosa Praed, Henry Kingsley, Anthony Trollope, Henry Lawson, Miles Franklin, Barbara Baynton, Rolf Boldrewood, Mary Fortune and Marcus Clarke were fascinated by colonial character types, and brought them vibrantly to life. As this book shows, colonial Australian character types are fluid, contradictory and often unpredictable. When we look closely, they have the potential to challenge our assumptions about fiction, genre and national identity. The preliminary pages and introduction to this work are available free to download at the Sydney eScholarship Repository: https://hdl.handle.net/2123/16435 Contents Introduction: The Colonial Economy and the Production of Colonial Character Types 1 The Reign of the Squatter 2 Bushrangers 3 Colonial Australian Detectives 4 Bush Types and Metropolitan Types 5 The Australian Girl Works Cited Index About the series The Sydney Studies in Australian Literature series publishes original, peer-reviewed research in the field of Australian literature. The series comprises monographs devoted to the works of major authors and themed collections of essays about current issues in the field of Australian literary studies. The series offers well-researched and engagingly written re-evaluations of the nature and importance of Australian literature, and aims to reinvigorate its study both in Australia and internationally.