The Noir of Matt Baker


Book Description

No one drew dames like Baker, pally! In fact, no one drew anything quite like Baker. The art of Matt Baker, one of the very first African-American artists in comics, was more than simply beautifully rendered. His art, particularly the women, had a realism and honesty that few others could even approach. Baker was one of the most imitated artists of his time with skilled illustrators like John Forte and Jack Kamen among the best.




The Cambridge Companion to the American Graphic Novel


Book Description

The Cambridge Companion to the American Graphic Novel explores the important role of the graphic novel in reflecting American society and in the shaping of the American imagination. Using key examples, this volume reviews the historical development of various subgenres within the graphic novel tradition and examines how graphic novelists have created multiple and different accounts of the American experience, including that of African American, Asian American, Jewish, Latinx, and LGBTQ+ communities. Reading the American graphic novel opens a debate on how major works have changed the idea of America from that once found in the quintessential action or superhero comics to show new, different, intimate accounts of historical change as well as social and individual, personal experience. It guides readers through the theoretical text-image scholarship to explain the meaning of the complex borderlines between graphic novels, comics, newspaper strips, caricature, literature, and art.




A Companion to Film Noir


Book Description

An authoritative companion that offers a wide-ranging thematic survey of this enduringly popular cultural form and includes scholarship from both established and emerging scholars as well as analysis of film noir's influence on other media including television and graphic novels. Covers a wealth of new approaches to film noir and neo-noir that explore issues ranging from conceptualization to cross-media influences Features chapters exploring the wider ‘noir mediascape’ of television, graphic novels and radio Reflects the historical and geographical reach of film noir, from the 1920s to the present and in a variety of national cinemas Includes contributions from both established and emerging scholars




Encyclopedia of Comic Books and Graphic Novels [2 volumes]


Book Description

The most comprehensive reference ever compiled about the rich and enduring genre of comic books and graphic novels, from their emergence in the 1930s to their late-century breakout into the mainstream. At a time when graphic novels have expanded beyond their fan cults to become mainstream bestsellers and sources for Hollywood entertainment, Encyclopedia of Comic Books and Graphic Novels serves as an exhaustive exploration of the genre's history, its landmark creators and creations, and its profound influence on American life and culture. Encyclopedia of Comic Books and Graphic Novels focuses on English-language comics—plus a small selection of influential Japanese and European works available in English—with special emphasis on the new graphic novel format that emerged in the 1970s. Entries cover influential comic artists and writers such as Will Eisner, Alan Moore, and Grant Morrison, major genres and themes, and specific characters, comic book imprints, and landmark titles, including the pulp noir 100 Bullets, the post-apocalyptic Y: The Last Man, the revisionist superhero drama, Identity Crisis, and more. Key franchises such as Superman and Batman are the center of a constellation of related entries that include graphic novels and other imprints featuring the same characters or material.




Tumult


Book Description

Adam Whistler has it all, so why does he feel so empty? When he breaks his ankle on a Mediterranean holiday he impulsively ends his relationship, toppling himself into emotional free fall. At a house party he meets--and beds--the lovely Morgan. But when he encounters her a few days later she has no memory of him and introduces herself as Leila. Leila has dissociative identity disorder, or multiple personalities. People are being murdered and Leila fears that Morgan, the personality Adam first met, is the killer. He doesn't believe that any part of her is capable of it, so he sets out to unravel the mystery of her past. Tumult is a stylish, contemporary psychological thriller in the vein of Alfred Hitchcock and Patricia Highsmith.




Matt Baker


Book Description

"Presents an impressive career cut tragically short, featuring a wealth of essays, interviews with Baker's friends, family, and co-workers, a complete checklist of his work, and a treasure trove of his finest artwork, including several complete stories"--P. [4] of cover.




The Little Black Book of Innovation


Book Description

Innovation may be the hottest discipline around today, in business circles and beyond. And for good reason. Innovation transforms companies and markets. It is the key to solving vexing social problems. And it makes or breaks professional careers. For all the enthusiasm the topic inspires, however, the practice of innovation remains stubbornly impenetrable. No longer. In this book the author draws on stories from his research and field work with companies like Procter & Gamble to demystify innovation. He presents a simple definition of innovation, breaks down the essential differences between types of innovation, and illuminates innovation's vital role in organizational success and personal growth. This unique hybrid of professional memoir and business guidebook also provides a powerful 28-day program for mastering innovation's key steps: (1) Finding insight, (2) Generating ideas, (3) Building businesses, and (4) Strengthening innovation prowess in workforces and organizations. Using several illustrative case studies and vignettes from a range of companies around the globe, this playbook teaches people how to turn themselves or their companies into true innovation powerhouses.




The Ten-Cent Plague


Book Description

In the years between the end of World War II and the mid-1950s, the popular culture of today was invented in the pulpy, boldly illustrated pages of comic books. But no sooner had comics emerged than they were beaten down by mass bonfires, congressional hearings, and a McCarthyish panic over their unmonitored and uncensored content. Esteemed critic David Hajdu vividly evokes the rise, fall, and rise again of comics in this engrossing history. "Marvelous . . . a staggeringly well-reported account of the men and women who created the comic book, and the backlash of the 1950s that nearly destroyed it....Hajdu’s important book dramatizes an early, long-forgotten skirmish in the culture wars that, half a century later, continues to roil."--Jennifer Reese,Entertainment Weekly(Grade: A-) "Incisive and entertaining . . . This book tells an amazing story, with thrills and chills more extreme than the workings of a comic book’s imagination."--Janet Maslin,The New York Times "A well-written, detailed book . . . Hajdu’s research is impressive."--Bob Minzesheimer,USA Today "Crammed with interviews and original research, Hajdu’s book is a sprawling cultural history of comic books."--Matthew Price,Newsday "To those who think rock 'n' roll created the postwar generation gap, David Hajdu says: Think again. Every page ofThe Ten-Cent Plagueevinces [Hajdu’s] zest for the 'aesthetic lawlessness' of comic books and his sympathetic respect for the people who made them. Comic books have grown up, but Hajdu’s affectionate portrait of their rowdy adolescence will make readers hope they never lose their impudent edge."--Wendy Smith, Chicago Tribune "A vivid and engaging book."--Louis Menand,The New Yorker "David Hajdu, who perfectly detailed the Dylan-era Greenwhich Village scene in Positively 4th Street, does the same for the birth and near death (McCarthyism!) of comic books inThe Ten-Cent Plague." --GQ "Sharp . . . lively . . . entertaining and erudite . . . David Hajdu offers captivating insights into America’s early bluestocking-versus-blue-collar culture wars, and the later tensions between wary parents and the first generation of kids with buying power to mold mass entertainment."--R. C. Baker,The Village Voice "Hajdu doggedly documents a long national saga of comic creators testing the limits of content while facing down an ever-changing bonfire brigade. That brigade was made up, at varying times, of politicians, lawmen, preachers, medical minds, and academics. Sometimes, their regulatory bids recalled the Hays Code; at others, it was a bottled-up version of McCarthyism. Most of all, the hysteria over comics foreshadowed the looming rock 'n' roll era."--Geoff Boucher, Los Angeles Times "A compelling story of the pride, prejudice, and paranoia that marred the reception of mass entertainment in the first half of the century."--Michael Saler,The Times Literary Supplement(London) David Hajdu is the author ofLush Life: A Biography of Billy StrayhornandPositively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña and Richard Fariña.




The Lost Art of Matt Baker


Book Description

Every Canteen Kate story ever published--22 in all--is collected for the first time in "The Lost Art of Matt Baker (Vol. 1)," judiciously restored and enlarged 20 percent over their original published size. A rich introduction by veteran comics writer Steven Ringgenberg provides insightful historical and biographical context, and a bonus gallery spotlights Baker's skills as a cover artist. Best of all, Baker and his good-time gal bring you weapons-grade guffaws as well as art that will leave you eager to see more from this master draftsman. Regardless of what comics Baker drew, one quality always emerged: his naturalistically gorgeous women. This master of "good girl" art drew every installment of the candid wartime cutie, from her premiere in "Fightin' Marines" (1951) to her final bow in "Anchors Andrews" (1953), all contained in this volume. Unlike the jingoistic comics typically published during the Korean War, Canteen Kate tales were designed to be morale-boosting screwball fun. Volume 2 in "The Lost Art of Matt Baker" series will collect his entire output for the "Wartime Romances" comic, and Volume 3 will provide a sampling of his best war, western, and suspense stories (forthcoming in 2014). This volume on Matt Baker represents the sixth release from the much-lauded Lost Art Books line. Lost Art Books, the flagship series from Picture This Press, collects and preserves the works of illustrators and cartoonists from the first half of the 20th century. Too many of these artists have gone underappreciated for too long, with much of their work uncollected or unexamined for decades, if at all. The Lost Art Books series aims to preserve this cultural heritage by re-introducing these artists to new generations of working illustrators, historians, and admirers of things beautiful.




The Supergirls


Book Description

A cultural history of comic book heroines. Is their world of fantasy different from our own-- or an alternative saga of modern American women?