Introductions, Notes, and Commentaries to Texts in 'The Dramatic Works of Thomas Dekker'


Book Description

Companion guide to the third volume of Dekker's plays, with introductions and commentary on The Roaring Girl, If this be Not a Good Play, the Devil is in it, Troia-Nova Triumphans, Match me in London, The Virgin Martyr, The Witch of Edmonton and The Wonder of a Kingdom.




Introductions, Notes and Commentaries to Texts in 'The Dramatic Works of Thomas Dekker': Volume 4, The Sun's Darling; Britannia Honor; London's Tempe; Lust's Dominion; The Noble Spanish Soldier; The Welsh Embassador


Book Description

Companion guide to the fourth volume of Dekker's plays, with introductions and commentary on The Sun's Darling, Britannia Honour, London's Tempe, Lust's Dominion, The Noble Spanish Soldier, The Welsh Ambassador.







Copyright Law Revision


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Framed for murder in the town of Valley Shadow, Dave Norton finds himself on the run with saloon singer Nina Voles from both the sheriff and saloon owner Jeff Kelvin.




Copyright Law Revision


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Introductions, Notes and Commentaries to Texts in ' The Dramatic Works of Thomas Dekker ': Volume 1, Sir Thomas More: Dekker's Addition; The Shoemakers' Holiday; Old Fortunatus; Patient Grissil; Satiromastix; Sir Thomas Wyatt


Book Description

Four of the plays in this volume are based on important source materials, so that the relationship of plays to sources looms large in Cyrus Hoy's introductory essays. There is an extensive account of the relation of The Shoemakers' Holiday to Deloney's Gentle Craft. The Introduction to Old Fortunatus relates in detail that play's relationship to the German Volksbuch, and to the German Comoedia von Fortunate und seinem Seckel und Wünschhütlein (1620), a redaction of Dekker's play. The Introduction to Patient Grissil relates Dekker, Chettle and Haughton's play to the tradition of the Griselda story generally. The chronicle-history sources (Foxe, Grafton, Stow, Holinshed) of Sir Thomas Wyatt are surveyed in the Introduction, in his Introduction also, Professor Hoy considers the play's relationship to the lost play, Lady Jane, by Dekker, Chettle, Heywood, Webster and W. Smith. Satiromastix has no known source, but as Dekker's contribution to the stage quarrel of Marston and Jonson, this is a play that has always had particular interest for the student of Elizabethan theatrical history, and Professor Hoy therefore bestows on it the most elaborate Commentary in all these four volumes.