Author : S. Allyn Schaeffer
Publisher :
Page : 152 pages
File Size : 19,36 MB
Release : 1985
Category : Art
ISBN :
50 lessons in painting masses of trees, individual trees and leaves, bark, flowers and fruit in all weather and seasons.
Author : John F. Carlson
Publisher : Courier Corporation
Page : 146 pages
File Size : 32,49 MB
Release : 2013-07-04
Category : Art
ISBN : 0486317455
The whys and hows of the various aspects of landscape painting: angles and consequent values, perspective, painting of trees, more. 34 black-and-white reproductions of paintings by Carlson. 58 explanatory diagrams.
Author : Emile A. Gruppé
Publisher :
Page : 176 pages
File Size : 50,38 MB
Release : 1976
Category : Art
ISBN :
Dust jacket notes: "Vibrant, fresh, immediate! The direct oil painting technique is an intense reaction to nature, a race with time to capture the color, the light and shadow, the design and the spirit of a subject in a few short hours. And now, Emile Gruppe - master of the direct oil painting technique - shows how you can use the broad strokes and lively colors of this spontaneous approach to infuse your own paintings with vitality, vigor, and on-the-spot freshness. A firm believer in using the best materials for the best results, Gruppe begins with a quick review of his favorite brushes, colors, easels, and painting surfaces. Next, he covers the basics of good design, what to look for and how to orchestrate what you see: masses, lines, values, and relationships. Turning to color, a fundamental element of his painting technique, Gruppe discusses complements, color harmony, color vibration, local color, reflected color, and using color to create atmospheric perspective. He explains how color appears on various kinds of days - foggy, clear, cloudy - and under different lighting conditions - front lighting, backlighting, sidelighting. In subsequent chapters, the author focuses on composing seascapes and landscapes; he explains how to paint rocks, ocean, lighthouses, boats, piers, pilings, roads, trees, streams, snow, mountains, valleys. Then, in full-color step-by-step demonstrations, the author shows how he captures a subject in his unique, exuberant, on-the-spot style.
Author : Suzanne Brooker
Publisher : Watson-Guptill
Page : 210 pages
File Size : 18,1 MB
Release : 2015-08-18
Category : Art
ISBN : 0804137552
A landscape painting guide for oil painters that breaks landscapes down into component elements from nature, and showcases tools and techniques used by classic and modern oil painters for bringing these scenes to life. Landscape painting is one of the most popular subjects for painters working in the medium of oils--from classic masters to contemporary artists. In The Elements of Landscape Oil Painting, established Watson-Guptill author and noted instructor/painter Suzanne Brooker presents the fundamentals necessary for mastering landscape oil painting, breaking landscapes down into component parts: sky, terrain, trees, and water. Each featured element builds off the previous, with additional lessons on the latest brushes, paints, and other tools used by artists. Key methods like observation, rendering, and color mixing are supported by demonstration paintings and samples from a variety of the best landscape oil painters of all time. With The Elements of Landscape Oil Painting, oil painters looking to break into landscape painting or enhance their work will find all the necessary ingredients for success.
Author : Edgar Alwin Payne
Publisher :
Page : 170 pages
File Size : 49,32 MB
Release : 2005-11-01
Category : Composition (Art)
ISBN : 9780939370115
7th Edition, 8th printing of the original 1941 publication, many added color plates and addenda by Evelyn Payne Hatcher, the artist/author's daughter. A must for art collectors, artists, teachers and art dealers.
Author : Deborah Paris
Publisher : Texas A&M University Press
Page : 195 pages
File Size : 18,94 MB
Release : 2020-12-11
Category : Art
ISBN : 1623499194
When first-time author and artist Deborah Paris stepped into Lennox Woods, an old-growth southern hardwood forest in northeast Texas, she felt a disruption that was both spatial and temporal. Walking the remnants of an old wagon trail past ancient stands of pine, white oak, elm, hickory, sweetgum, maple, hornbeam, and red oak, she felt drawn into a reverie that took her back to “the beginning, both physically and metaphorically.” Painting the Woods: Nature, Memory and Metaphor explores the experience of landscape through the lens of art and art-making. It is a place-based meditation on nature, art, memory, and time, grounded in Paris’s experiences over the course of a year in Lennox Woods. Her account unfolds through the twin arcs of the changing seasons and her creative process as a landscape painter. In the tradition of Annie Dillard’s Pilgrim at Tinker Creek, narrative passages interweave with observations about the natural history of Lennox Woods, its flora and fauna, art history, the science of memory, Transcendentalist philosophy, the role of metaphor in creative work, and even loop quantum gravity theory. Each chapter explores a different aspect of the forest and a different step in the art-making process, illuminating our connection to the natural world through language, comprehension of time, and visual depictions of the landscape. The complex layers of the forest and Paris’s journey through it emerge as metaphors for the larger themes of the book, just as the natural world underpins the art-making drawn from it. Like the trail that winds through Lennox Woods, memory and time intertwine to provide a path for understanding nature, art, and our relationship to both.
Author : Gregg Kreutz
Publisher : Watson-Guptill
Page : 148 pages
File Size : 35,50 MB
Release : 1997-04-01
Category : Art
ISBN : 9780823040971
Finally - a book to help you solve all your painting problems! Inside you'll learn how to study a painting and correct problematic areas. Study topics include: Ideas - Is there a good abstract idea underlying the picture? - What details could be eliminated to strengthen the composition? - Does the painting have a focus? - Are the unessential parts subbordinated? - Does the painting "read"? - Could you finish any part of the painting? Shapes - Are the dominant shapes as strong and simple as possible? - Are the shapes too similiar? Value - Could the value range be increased? - Could the number of values be reduced? Light - Is the subject effectively lit? - Is the light area big enough? - Would the light look stronger with a suggestion of burnout? - Do the lights have a continuous flow? - Is the light gradiated? Shadows - Do the shadow shapes describe the form? - Are the shadows warm enough? Depth - Would the addition of foreground material deepen the space? - Does the background recede far enough? - Are the halftones properly related to the background? Solidity - Is the underlying form being communicated? - Is the symmetry in perspective? Color - Is there a color strategy? - Could a purer color be used? - Do the whites have enough color in them? - Are the colors overbended on the canvas? - would the color look brighter if it were saturated into its adjacent area? Paint - Is your palette efficiently organized? - Is the painting surface too absorbent? - Are you using the palette knife as much as you could? - Are you painting lines when you should be painting masses? - Are the edges dynamic enough? - Is there enough variation in the texture of the paint?
Author : Claudia Nice
Publisher : North Light Books
Page : 160 pages
File Size : 13,95 MB
Release : 2011-09-13
Category : Art
ISBN : 9781440305375
Draw & Paint Realistic Trees in All Four Seaons Bestselling author and naturalist Claudia Nice is back with another studio essential for every landscape artist. Drawing & Painting Trees in the Landscape features Claudia's best tips and techniques for painting trees of all kinds in their natural settings—from the majesty of mountain evergreens to the delicate pink blossoms of cherry trees in spring. With her inspiring artistic style and in-depth visual instruction, Claudia starts with the basics, showing you how to break down reference photos and open-air vistas into simple shapes, colors and textures. Follow along as she skillfully guides you through every step of creating vibrant compositions anchored by glorious trees and foliage, including: Drawing and sketching techniques for mapping out successful compositions A variety of basic tree shapes you can reference and copy; featuring more than 40 conifers, hardwoods and deciduous trees Proven color mixes for painting an array of vibrant hues—from the many different greens of foliage to the soft pastels of spring blossoms—using watercolor, oil, acrylics or mixed media Step-by-step instructions on drawing and painting important details, such as the weathered textures of bark, the sculptural shapes of bare branches in winter, aged mossy trunks and more Techniques for working smart in any medium, such as using simple watercolor washes for distant foliage, adding details with pen & ink, and "knife painting" in oils for interesting dimensional effects Whether your goal is to make accurate field sketches for your journal, paint what you see on your travels through the countryside, or just capture familiar views of your own back yard, Claudia makes the process fun, easy and satisfying. Like a walk in the woods, with every step you'll relax, enjoy and learn something new.
Author : Kathleen Staiger
Publisher : Watson-Guptill
Page : 178 pages
File Size : 41,75 MB
Release : 2013-05-15
Category : Art
ISBN : 0770434541
Everything you always wanted to know about oil painting...but were afraid to ask. Or maybe you weren’t afraid—maybe you just didn’t know what to ask or where to start. In The Oil Painting Course You’ve Always Wanted, author Kathleen Staiger presents crystal clear, step-by-step lessons that build to reinforce learning. Brush control, creating the illusion of three dimensions, foolproof color mixing, still-life painting, landscapes, and portraits—every topic is covered in clear text, diagrams, illustrations, exercises, and demonstrations. Staiger has taught oil painting for more than thirty-five years; many of her students are now exhibiting and selling their paintings. Everyone from beginning hobby painters, to art students, to BFA graduates has questions about oil painting. Here at last are the answers!
Author : Ken Salaz
Publisher : The Monacelli Press, LLC
Page : 241 pages
File Size : 43,24 MB
Release : 2019-03-19
Category : Art
ISBN : 1580935060
Landscapes in Oil is the first-ever comprehensive guide to classical landscape painting reinterpreted for the twenty-first century. Drawing from the tradition established by American painters of the Hudson River School--artists like Thomas Cole, Frederic Church, and George Inness--author and painter Ken Salaz reveals great masters' philosophy and methods, updating their approaches for the contemporary landscape painter. Beginning painters are given the basic tools and step-by-step demonstrations, intermediate painters are challenged with unpublished techniques that allow them to break through to the next level, and advanced painters learn to apply their skills under unified theories. Landscapes in Oil devotes a chapter to each of the fundamental elements of landscape painting--drawing, value, color, composition, and light quality--and offers critical advice on selecting tools and materials, choosing colors, and structuring your palette for best results. Emphasizing the necessity of plein air drawing and painting, Salaz demonstrates how to translate small, quick studies made outdoors into full-scale studio paintings. He provides detailed step-by-step breakdowns of the creation of four of his own paintings, focusing not only on application but also on the ideas that underpin every decision a landscape painter must make. The scores of landscape masterworks, past and present, that illustrate this book have been carefully chosen for their aesthetic power and because each embodies a specific aspect of the landscape painter's craft. For Salaz, landscape painting is a noble pursuit, and the goal of the landscape artist is not to paint "pretty pictures" but to create compelling images that express human beings' profound connection to nature in all its diversity and grandeur. At a time when classical landscape is enjoying a renaissance in art schools, ateliers, and galleries across North America, this book is an essential resource for beginning and experienced painters alike.
