The Old Bachelor


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he Old Bachelor is the first play written by British playwright William Congreve, produced in 1693. The 'Old Bachelor' is Heartwell, 'a surly old pretended woman-hater', who falls in love with Silvia, not knowing her to be the forsaken mistress of Vainlove, and is lured into marrying her, only discovering her true character afterwards, from the gibes of his acquaintances. The parson who has been brought in to marry them, however, is in fact Vainlove's friend Belmour, who has assumed the disguise for the purpose of an intrigue with Laetitia, the young wife of an uxorious old banker, Fondlewife; and Heartwell is relieved to discover that the marriage was a pretence. The comedy includes the amusing characters of Sir Joseph Wittol, a foolish knight, who allows himself to be really married to Silvia, under the impression that she is the wealthy Araminta; and his companion, the cowardly bully, Captain Bluffe, who under the same delusion is married to Silvia's maid. The success of this comedy was in part due to the acting of performers Thomas Betterton and Anne Bracegirdle




The Old Bachelor


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Reproduction of the original: The Old Bachelor by William Congreve




The Old Bachelor, 1693


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The Old Bachelor


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DigiCat Publishing presents to you this special edition of "The Old Bachelor" (A Comedy) by William Congreve. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.




The Old Bachelor - a Comedy


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The 'Old Bachelor' is Heartwell, 'a surly old pretended woman-hater', who falls in love with Silvia, not knowing her to be the forsaken mistress of Vainlove, and is lured into marrying her, only discovering her true character afterwards, from the gibes of his acquaintances. The parson who has been brought in to marry them, however, is in fact Vainlove's friend Belmour, who has assumed the disguise for the purpose of an intrigue with Laetitia, the young wife of an uxorious old banker, Fondlewife; and Heartwell is relieved to discover that the marriage was a pretence. The comedy includes the amusing characters of Sir Joseph Wittol, a foolish knight, who allows himself to be really married to Silvia, under the impression that she is the wealthy Araminta; and his companion, the cowardly bully, Captain Bluffe, who under the same delusion is married to Silvia's maid.







The Old Bachelor. a Comedy. by MR William Congreve


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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T119723 Also issued as part of: 'The theatre: or, select works of the British dramatic poets', vol.5, Edinburgh, 1768. Edinburgh: printed by and for Martin & Wotherspoon, 1768. 83, [1]p.; 12°




The end of the old drama. Philip Massinger (1583-1640) ; Nathaniel Field (1587-1633) ; John Webster (died c1630) ; Cyril Tourneur (fl. 1603-c1613) ; John Ford (1586-c1640 or post) ; James Shirley (1596-1666) ; Minor dramatists of this period ; Dramatists who wrote both before and after the Civil War and Commonwealth periods ; Academical plays ; Masque-writers of the reigns of James I and Charles I ; Historical review of the period from Shakspere to the Civil War ; The stage under James I and Charles I ; Summary of the literary history of the drama in this period ; Summary of the achievements of our dramatic literature in this period


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The Old Bachelor By: William Congreve


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William Congreve (24 January 1670 - 19 January 1729) was an English playwright and poet of the Restoration period. He is known for his clever, satirical dialogue and influence on the comedy of manners style of that period. He was also a minor political figure in the British Whig Party. Early life: William Congreve was born in Bardsey, Yorkshire, England near Leeds.[note 1] His parents were William Congreve (1637-1708) and Mary nee Browning (1636?-1715). The family moved to London in 1672. They relocated again in 1674 to the Irish port town of Youghal where his father served as a lieutenant in the British army. Congreve spent his childhood in Ireland, where his father, a Cavalier, had settled during the reign of Charles II. Congreve was educated at Kilkenny College where he met Jonathan Swift, and at Trinity College in Dublin. Upon graduation, he matriculated in the Middle Temple in London to study law, but preferred literature, drama, and the fashionable life. Congreve used the pseudonym Cleophil, under which he published Incognita: or, Love and Duty reconcil'd in 1692. This early work, written when he was about 17 years of age, gained him recognition among men of letters and an entrance into the literary world. He became a disciple of John Dryden whom he met through gatherings of literary circles held at Will's Coffeehouse in the Covent Garden District of London. John Dryden supported Congreve's work throughout his life, taking the form of complimentary introductions written for some of Congreve's publications. Literary career: William Congreve shaped the English comedy of manners through his use of satire and well-written dialogue. Congreve achieved fame in 1693 when he wrote some of the most popular English plays of the Restoration period. This period was distinguished by the fact that female roles were beginning to be played predominately by women, and was evident in Congreve's work. One of Congreve's favorite actresses was Mrs. Anne Bracegirdle, who performed many of the female lead roles in his plays. His first play The Old Bachelor, written to amuse himself while convalescing, was produced at the Drury Lane Theatre in 1693 and later produced by the Theatre Royale. It was recognized as a success, and ran for a two-week period when it opened. Congreve's mentor John Dryden gave the production rave reviews and proclaimed it to be a brilliant first piece. The second play to be produced was called The Double-Dealer which was not nearly as successful as the first production. By the age of thirty, he had written four comedies, including Love for Love (premiered 30 April 1695) staged in Lincoln's Inn Field which was nearly as well received as the first major success for Congreve, and The Way of the World (premiered March 1700). This play was a failure at the time of production but is seen as one of his masterpieces today, and is still revived. He wrote one tragedy, The Mourning Bride (1697) which was extremely popular at the time of creation but is now one of his least regarded dramas. After the production of Love for Love, Congreve became one of the managers for the Lincoln's Inn Fields in 1695. During that time, he wrote public occasional verse. As a result of his success and literary merit, he was awarded one of the five positions of commissioner for licensing hackney coaches................




The Old Drama and the New


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