The Origins of the American Detective Story


Book Description

Edgar Allan Poe essentially invented the detective story in 1841 with Murders in the Rue Morgue. In the years that followed, however, detective fiction in America saw no significant progress as a literary genre. Much to the dismay of moral crusaders like Anthony Comstock, dime novels and other sensationalist publications satisfied the public's hunger for a yarn. Things changed as the century waned, and eventually the detective was reborn as a figure of American literature. In part these changes were due to a combination of social conditions, including the rise and decline of the police as an institution; the parallel development of private detectives; the birth of the crusading newspaper reporter; and the beginnings of forensic science. Influential, too, was the new role model offered by a wildly popular British import named Sherlock Holmes. Focusing on the late 19th century and early 20th, this volume covers the formative years of American detective fiction. Instructors considering this book for use in a course may request an examination copy here.




A History of American Crime Fiction


Book Description

A History of American Crime Fiction places crime fiction within a context of aesthetic practices and experiments, intellectual concerns, and historical debates generally reserved for canonical literary history. Toward that end, the book is divided into sections that reflect the periods that commonly organize American literary history, with chapters highlighting crime fiction's reciprocal relationships with early American literature, romanticism, realism, modernism and postmodernism. It surveys everything from 17th-century execution sermons, the detective fiction of Harriet Spofford and T. S. Eliot's The Waste Land, to the films of David Lynch, HBO's The Sopranos, and the podcast Serial, while engaging a wide variety of critical methods. As a result, this book expands crime fiction's significance beyond the boundaries of popular genres and explores the symbiosis between crime fiction and canonical literature that sustains and energizes both.




The Cambridge Companion to American Crime Fiction


Book Description

This Companion examines the range of American crime fiction from execution sermons of the Colonial era to television programmes like The Sopranos.




Race, Gender and Empire in American Detective Fiction


Book Description

This book highlights detection's malleability by analyzing the works of particular groups of authors from specific time periods written in response to other texts. It traces the roles that gender, race and empire have played in American detective fiction from Edgar Allan Poe's works through the myriad variations upon them published before 1920 to hard-boiled fiction (the origins of which derive in part from turn-of-the-20th-century notions about gender, race and nationality), and it concludes with a discussion of contemporary mystery series with inner-city settings that address black male and female heroism.




The Oxford Book of English Detective Stories


Book Description

Essential reading for all armchair detectives, this collection of 33 classic whodunits is the cream of crime writing.




Before Sherlock Holmes


Book Description

Traditionally, the history of detective stories as a literary genre begins in the 19th century with the works of Edgar Allan Poe, Charles Dickens, Wilkie Collins, Emile Gaboriau and a handful of other writers. The 19th century was actually awash in detective stories, though many, like the so-called detective notebooks, are so rare that they lay beyond the reach of even the most dedicated readers. This volume surveys the first 50 years of the detective story in 19th century America and England, examining not only major works, but also the lesser known--including contemporary pseudo-biographies, magazines, story papers, and newspapers--only recently accessible through new media. By rewriting the history of the mystery genre, this study opens up new avenues for literary exploration. Instructors considering this book for use in a course may request an examination copy here.




Classic American Crime Fiction of the 1920s


Book Description

Classic American Crime Writing of the 1920s—including House Without a Key, The Benson Murder Case, The Tower Treasure, The Roman Hat Mystery, The Tower Treasure, and Little Caesar—offers some of the very best of that decade’s writing. Earl Derr Biggers wrote about Charlie Chan, a Chinese-American detective, at a time when racism was rampant. S. S. Van Dine invented Philo Vance, an effete, rich amateur psychologist who flourished while America danced and the stock market rose. Edwin Stratemeyer, a man of mystery himself, singlehandedly created the juvenile mystery, with the beloved Hardy Boys series. The quintessential American detective Ellery Queen leapt onto the stage, to remain popular for fifty years. W. R. Burnett, created the indelible character of Rico, the first gangster antihero. Each of the five novels included is presented in its original published form, with extensive historical and cultural annotations and illustrations added by Edgar-winning editor Leslie S. Klinger, allowing the reader to experience the story to its fullest. Klinger's detailed foreword gives an overview of the history of American crime writing from its beginnings in the early years of America to the twentieth century.




American Detective


Book Description

From the Roaring Twenties to the 1970s detectives reigned supreme in police departments across the country. In this tightly woven slice of true crime reportage, Thomas A. Reppetto offers a behind-the-scenes look into some of the most notable investigations to occur during the golden age of the detective in American criminal justice. From William Burns, who during his heyday was known as America’s Sherlock Holmes, to Thad Brown, who probed the notorious Black Dahlia murder in Los Angeles, to Elliott Ness, who cleaned up the Cleveland police but failed to capture the “Mad Butcher” who decapitated at least a dozen victims, American Detective offers an indelible portrait of the famous sleuths and investigators who played a major role in cracking some of the most notorious criminal cases in U.S. history. Along the way Reppetto takes us deep inside the detective bureaus that were once the nerve centers behind crime-fighting on the streets of America’s great cities, including the FBI itself, under the direction of America’s “top cop,” J. Edgar Hoover. According to Reppetto, detectives were once able watchdogs until their role in policing became diluted by patrol strategies ranging from “stop and frisk” to community policing. Reppetto argues against these current policing systems and calls for a return to the primacy of the detective in criminal investigations. Purchase the audio edition.




Detective Fiction


Book Description

'Detective Fiction' is a clear and compelling look at some of the best known, yet least-understood characters and texts of the modern day. Undergraduate students of Detective and Crime Fiction and of genre fiction in general, will find this book essential reading.




The First Detective


Book Description

The 'first detective' of fiction steps out 'The Murders in the Rue Morgue' by Edgar Allan Poe is widely considered to be the first true detective story; also in this volume are the author's two other detective fiction classics featuring the same central character-'The Mystery of Marie Rogêt' & 'The Purloined Letter.' The French detective who features in all three is Chevalier Auguste Dupin, an amateur sleuth who puts himself in the position of the criminal and then uses logical deduction to discover how a crime was committed. This is an opportunity for lovers of classic crime and detective fiction to own and read these important and groundbreaking mysteries in a single volume, available in paperback or hardback with dust jacket for collectors.