Imagining the Byzantine Past


Book Description

Two lavish, illustrated histories confronted and contested the Byzantine model of empire. The Madrid Skylitzes was created at the court of Roger II of Sicily in the mid-twelfth century. The Vatican Manasses was produced for Ivan Alexander of Bulgaria in the mid-fourteenth century. Through close analysis of how each chronicle was methodically manipulated, this study argues that Byzantine history was selectively re-imagined to suit the interests of outsiders. The Madrid Skylitzes foregrounds regicides, rebellions, and palace intrigue in order to subvert the divinely ordained image of order that Byzantine rulers preferred to project. The Vatican Manasses presents Byzantium as a platform for the accession of Ivan Alexander to the throne of the Third Rome, the last and final world-empire. Imagining the Byzantine Past demonstrates how distinct visions of empire generated diverging versions of Byzantium's past in the aftermath of the Crusades.




Eastern Medieval Architecture


Book Description

Aside from Hagia Sophia, the monuments of the Byzantine East are poorly understood today. This is in sharp contrast to the well-known architectural marvels of Western Europeâs Middle Ages. In this landmark survey, distinguished art historian Robert Ousterhout introduces readers to the rich and diverse architectural traditions of the medieval Eastern Mediterranean. The focus of the book is the Byzantine (or East Roman) Empire (324-1453 CE), with its capital in Constantinople, although the framework expands chronologically to include the foundations of Christian architecture in Late Antiquity and the legacy of Byzantine culture after the fall of Constantinople in 1453. Geographically broad as well, this study includes architectural developments in areas of Italy, the Caucasus, the Near East, the Balkans, and Russia, as well as related developments in early Islamic architecture. Alternating chapters that address chronological or regionally-based developments with thematic studies that focus on the larger cultural concerns, the book presents the architectural developments in a way that makes them accessible, interesting, and intellectually stimulating. In doing so, it also explains why medieval architecture in the East followed such a different trajectory from that of the West. Lavishly illustrated with hundreds of color photographs, maps, and line drawings, Eastern Medieval Architecture will establish Byzantine traditions to be as significant and admirable as those more familiar examples in Western Europe, and serve as an invaluable resource for anyone interested in architectural history, Byzantium, and the Middle Ages.




Experiencing the Last Judgement


Book Description

Experiencing the Last Judgement opens up new ways of understanding a Byzantine image type that has hitherto been considered largely uniform in its manifestations and to a great extent frightening, coercive and paralysing. It moves beyond a purely didactic understanding of the Byzantine image of the Last Judgement, as a visual eschatological text to be ‘read’ and learned from, and proposes instead an appreciation of each unique image as a dynamic site to be experienced. Paintings, icons and mosaics from the tenth to the fourteenth century, from inside and outside of the Byzantine Empire, are placed within their specific socio-historical milieus, their immediate decorative programmes and their architectural contexts to demonstrate that each unique image constituted a carefully orchestrated and immersive experience of judgement. Each case study outlines the differences that exist in reality between these images that are often subsumed under one iconographic label, making a case against condensing dynamic, lived images into apparently static pictorial ‘types’. Images of the Last Judgement needed the body, mind and memory of the viewer for the creation of meaning, and so the experience of these images was unavoidably spatial, gendered, corporeal, mnemonic, emotional, rhetorical and most often liturgical. Unpacking Byzantine images of judgement in light of these various facets of experience for the first time helps to elucidate the interaction of past individuals with the image, and the ways in which such encounters were intended to benefit the communities that made and lived alongside them.




Eclecticism in Late Medieval Visual Culture at the Crossroads of the Latin, Greek, and Slavic Traditions


Book Description

This volume builds upon the new worldwide interest in the global Middle Ages. It investigates the prismatic heritage and eclectic artistic production of Eastern Europe between the fourteenth and seventeenth centuries, while challenging the temporal and geographical parameters of the study of medieval, Byzantine, post-Byzantine, and early-modern art. Contact and interchange between primarily the Latin, Greek, and Slavic cultural spheres resulted in local assimilations of select elements that reshaped the artistic landscapes of regions of the Balkan Peninsula, the Carpathian Mountains, and further north. The specificities of each region, and, in modern times, politics and nationalistic approaches, have reinforced the tendency to treat them separately, preventing scholars from questioning whether the visual output could be considered as an expression of a shared history. The comparative and interdisciplinary framework of this volume provides a holistic view of the visual culture of these regions by addressing issues of transmission and appropriation, as well as notions of cross-cultural contact, while putting on the global map of art history the eclectic artistic production of Eastern Europe.




Waiting for the End of the World


Book Description

The French president Charles de Gaulle spoke of a Europe “from the Atlantic to the Urals”. Europe was spatially formed with these topographic parameters from the late 10th century onwards, with the massive Christianization of its inhabitants. At that time, however, all three monotheistic religions already had a steady presence there. Could such a macro-space be thought-and-narrated from a macro-perspective, in view of its medieval past? This has already been done through common ʻdenominatorsʻ such as the Migration Period, wars, trade, spread of Christianity. Could it also be seen through a common religious-philosophical and spiritual phenomenon – the Anticipation of the End of the world among Christians, Muslims, and Jews? This book gives a positive answer to the last question.




The Eloquence of Art


Book Description

For those within the fields of art history and Byzantine studies, Professor Henry Maguire needs no introduction. His publications transformed the way art historians approach medieval art through his insightful integration of rhetoric, poetry and non-canonical objects into the study of Byzantine art. His ground-breaking studies of Byzantine art that consider the natural world, magic and imperial imagery, among other themes, have redefined the ways medieval art is interpreted. From notable monuments to small-scale and privately used objects, Maguire’s work has guided a generation of scholars to new conclusions about the place of art and its function in Byzantium. In this volume, 23 of Henry Maguire’s colleagues and friends have contributed papers in his honour, resulting in studies that reflect the broad range of his scholarly interests.




The Armenian Apocalyptic Tradition


Book Description

The Armenian Apocalyptic Tradition: A Comparative Perspective comprises a collection of essays on apocalyptic literature in the Armenian tradition. This collection is unprecedented in its subject and scope and employs a comparative approach that situates the Armenian apocalyptic tradition within a broader context. The topics in this volume include the role of apocalyptic literature and apocalypticism in the conversion of the Armenians to Christianity, apocalyptic ideology and holy war, the significance of the Book of Daniel in Armenian thought, the reception of the Apocalypse of Ps.-Methodius in Armenian, the role of apocalyptic literature in political ideologies, and the expression of apocalypticism in the visual arts.




Arms and Armour of the Warrior Saints


Book Description

This study investigates whether military equipment shown in images of warrior saints reflects items used by the mid-Byzantine Army or repeats Classical forms. This in turn answers questions on the originality of Byzantine art and its reliability as a historical source.




Architecture and Ritual in the Churches of Constantinople


Book Description

This book examines the interchange of architecture and ritual in the Middle and Late Byzantine churches of Constantinople (ninth to fifteenth centuries). It employs archaeological and archival data, hagiographic and historical sources, liturgical texts and commentaries, and monastic typika and testaments to integrate the architecture of the medieval churches of Constantinople with liturgical and extra-liturgical practices and their continuously evolving social and cultural context. The book argues against the approach that has dominated Byzantine studies: that of functional determinism, the view that architectural form always follows liturgical function. Instead, proceeding chapter by chapter through the spaces of the Byzantine church, it investigates how architecture responded to the exigencies of the rituals, and how church spaces eventually acquired new uses. The church building is described in the context of the culture and people whose needs it was continually adapted to serve. Rather than viewing churches as frozen in time (usually the time when the last brick was laid), this study argues that they were social constructs and so were never finished, but continually evolving.




The Routledge Handbook of East Central and Eastern Europe in the Middle Ages, 500-1300


Book Description

The Routledge Handbook of East Central and Eastern Europe in the Middle Ages, 500–1300 is the first of its kind to provide a point of reference for the history of the whole of Eastern Europe during the Middle Ages. While historians have recognized the importance of integrating the eastern part of the European continent into surveys of the Middle Ages, few have actually paid attention to the region, its specific features, problems of chronology and historiography. This vast region represents more than two-thirds of the European continent, but its history in general—and its medieval history in particular—is poorly known. This book covers the history of the whole region, from the Balkans to the Carpathian Basin, and the Bohemian Forest to the Finnish Bay. It provides an overview of the current state of research and a route map for navigating an abundant historiography available in more than ten different languages. Chapters cover topics as diverse as religion, architecture, art, state formation, migration, law, trade and the experiences of women and children. This book is an essential reference for scholars and students of medieval history, as well as those interested in the history of Central and Eastern Europe.