The Other Europe


Book Description

Jacques Rupnik, one of the foremost experts on Eastern Europe, looks at the countries behind the Iron Curtain not merely as subjects of the Soviet Empire, but from within. Proposing a new way of thinking about the "other Europe"--One which takes seriously the predicament of individual nations squeezed between two superpowers -- Rupnik analyzes what made the Communist takeovers possible in the first place, describes the repressive delirium of the Stalinist era, and examines the demise of Marxism-Leninism both as ideology and as a credible system of government. Rupnik analyzes the lessons learned from previous attempts at reform and concludes that change is now taking place in the context of decay -- economic, social, environmental, and political -- and may bring about the retreat of the Communist Party. Finally he considers the "Gorbachev factor" : will reform in Moscow accelerate the dynamics of change, or will it force the Soviet Union to strengthen its hold on the outposts of its empire, the countries of the "other Europe"? - Jacket flap.




The Other Europe


Book Description

The Other Europe is a general history of Eastern Europe, from the earliest times to the end of World War II. Walters provides an informed and interpretively refreshing focus on this key region. Walters' objective is to acquaint the student and nonspecialist reader with the complex past of this politically and culturally important area. The general lack of knowledge about Eastern Europe is in part due to the vast diversity of its lands (language barriers themselves have daunted many scholars) and to the fact that, before the imposition of the Soviet template in 1944-45, what is now called Eastern Europe was not usually perceived as a distinct geopolitical entity. "The other Europe" as defined by Walters encompasses Poland, Czechoslovakia, Hungary, Romania, Yugoslavia, Bulgaria, and Albania. Today these countries form the strategic zone between Western Europe and the Soviet Union. Walters emphasizes the phenomenon of nationalism because of its varied manifestations in the region, and he examines the way each nation sees itself, its neighbors, and the world beyond. The Other Europe describes the major events—predominantly revolution and war—that have shaped these countries' national consciousnesses and their distinctive cultural heritages.




Cinema of the Other Europe


Book Description

Cinema of the Other Europe: The Industry and Artistry of East Central European Film is a comprehensive study of the cinematic traditions of Poland, Hungary, the Czech Republic and Slovakia from 1945 to the present day, exploring the major schools of filmmaking and the main stages of development across the region during the period of state socialism up until the end of the Cold War, as well as more recent transformations post-1989. In encouraging a more inclusive and comprehensive understanding of European cinema, much needed for the new unified Europe `enlarged' towards its Eastern periphery, this book maps out the interactions, key concerns, thematic spheres and stylistic particularities that make the cinema of East Central Europe a vital part of European film tradition. Cinema of the Other Europe is thus a timely appraisal of Film Studies debates ranging from the representation of history and memory, the reassessment of political content, ethics and society, the rehabilitation of popular cinema, and the rethinking of national and regional cinemas in the context of globalisation.




“The” Other Europe in the Middle Ages


Book Description

Drawing on archaeological and narrative sources, this collection of studies offers a fresh look at some of the most interesting aspects of the current research on the medieval nomads of Eastern Europe.




Cold War Books in the ‘Other’ Europe and What Came After


Book Description

Drawing on analyses of the socio-cultural context of East and Central Europe, with a special focus on the Czech cultural dynamics of the Cold War and its aftermath, this book offers a study of the making and breaking of the centrally-controlled system of book production and reception. It explores the social, material and symbolic reproduction of the printed text, in both official and alternative spheres, and patterns of dissemination and reading. Building on archival research, statistical data, media analyses, and in-depth interviews with the participants of the post-1989 de-centralization and privatization of the book world, it revisits the established notions of ‘censorship’ and ‘revolution’ in order to uncover people’s performances that contributed to both the reproduction and erosion of the ‘old regime’.




European Others


Book Description

Considers the complications of race, religion, sexuality, and gender in Europeanizing from below




The Other Heading


Book Description

Like a navigator, Derrida sets out from a Europe that has always defined itself as the capital of culture, the headland of thought, in whose name and for whose benefit exploration of other lands, other peoples, and other ways of thinking has been carried out. If such Eurocentric biases are not to be repeated, Derrida warns, the question of Europe must be asked in a new way; it must be asked by recalling another heading. Not only is it necessary for Europe to be responsible for the other, but its own identity is actually constituted by the other. Rejecting the easy or programmatic solutions of Euruocentrism or anti-Eurocentrism, of total unification or complete dispersion, Derrida argues for the necessity of working with and from the Enlightenment values of liberal democracy while at the same time recalling that these values do not themselves ensure respect for the other.




Europe and the Other and Europe as the Other


Book Description

This book contributes to the debate on what Europe is by demonstrating the complexities and contradictions inherent in the concept. They are seen most clearly when Europe is viewed from a long historical perspective. During the closing decades of the twentieth century Europe emerged as one of the main points of reference in both the cultural and the political constructs of the global community. An obsession with the concept of European identity is readily identifiable. European identity is usually seen in relation to national identity, either in an uneasy opposition to it, that is, as an alternative to the nation, or in a situation in which it overlaps with and complements the nation. The structure of national identity is «projected» onto European identity, and this projection has an ideological underpinning, for no projection is ever non-interested or non-ideological. This process of identity construction provokes searching questions which the book aims to address. At the same time the book explores the opportunities offered by the concept of Europe to see how it may be used in the construction of the future. The approach is one of both deconstruction and reconstruction. The issue of Europe is closely related in the book to more general issues relating to the cultural construction of community. The book should therefore be seen as the companion of Myth and Memory in the Construction of Community, which also is published by PIE-Peter Lang in the series Multiple Europes.




Staged Otherness


Book Description

The cultural phenomenon of exhibiting non-European people in front of the European audiences in the 19th and 20th century was concentrated in the metropolises in the western part of the continent. Nevertheless, traveling ethnic troupes and temporary exhibitions of non-European humans took place also in territories located to the east of the Oder river and Austria. The contributors to this edited volume present practices of ethnographic shows in Russia, Poland, Czechia, Slovenia, Hungary, Germany, Romania, and Austria and discuss the reactions of local audiences. The essays offer critical arguments to rethink narratives of cultural encounters in the context of ethnic shows. By demonstrating the many ways in which the western models and customs were reshaped, developed, and contested in Central and Eastern European contexts, the authors argue that the dominant way of characterizing these performances as “human zoos” is too narrow. The contributors had to tackle the difficult task of finding traces other than faint copies of official press releases by the tour organizers. The original source material was drawn from local archives, museums, and newspapers of the discussed period. A unique feature of the volume is the rich amount of images that complement every single case study of ethnic shows.




On the Road to Babadag


Book Description

Journey through Poland, Ukraine, Slovenia, and other places neglected by tourists, with “an accomplished stylist with an eye for telling detail” (Irvine Welsh). Andrzej Stasiuk is a restless and indefatigable traveler. By car, train, bus, and ferry, he goes from his native Poland to Slovakia, Hungary, Romania, Slovenia, Albania, Moldova, and Ukraine—to small towns and villages with strangely evocative names. “The heart of my Europe,” he tells us, “beats in Sokolów Podlaski and in Huși. It does not beat in Vienna.” In Comrat, a funeral procession moves slowly down the main street, the open coffin on a pickup truck, an old woman dressed in black brushing away the flies above the face of the deceased. In Soroca, he locates a baroque-Byzantine-Tatar-Turkish encampment, to meet Gypsies. And all the way to Babadag, between the Baltic Coast and the Black Sea, Stasiuk indulges his curiosity and his love for the forgotten places and people of Europe. “There isn’t quite a name for the region that holds the Polish writer Andrzej Stasiuk in thrall. The general drift is from ‘the land of King Ubu to the land of Count Dracula’, Poland to Romania. . . . Its nucleus is the landlocked centre of Central Europe; its protoplasm spreads like an amoeba through the Balkans. It cannot be convincingly mapped. . . . As travel writing, this is unconventional, but as literature profoundly authentic.” —The Independent (UK) “A mesmerizing, not-to-be-missed trek through a little-visited region of the world.” —Kirkus Reviews “A eulogy for the old Europe, the Europe both in and out of time, the Europe now lost in the folds of the map.” —The Guardian (UK)