The Oxford Book of Humorous Prose


Book Description

A collection of literature primarily from the 19th and 20th centuries.










The New Oxford Book of English Prose


Book Description

This is a unique anthology. Drawing on the full range of English prose, wherever it has been written, it illustrates the growth, development, and resources of the language from the legends of Sir Thomas Malory to the novels of Kashuo Ishiguro. In the process it reveals a variety ofachievements which no other language can match. The book represents an enormous diversity of men and women - from John Bunyan to John Updike, from Brendan Behan to Chinua Achebe, from Dorothy Wordsworth to Patrick White. As the centuries progress, American writers increase their presence, and by the twentieth century there are contributions fromIndia, Australia, Canada, Nigeria, the Caribbean and many other parts of the world. The selection is no less remarkable for its breadth in terms of subject-matter and treatment. Fiction is generously represented, but many other kinds of writing have also been drawn on: letters, diaries, and memoirs; history and philosophy; criticism and reportage; sermons and satire; travel-books;reflections on art, science, politics and sport. There are classic and well-loved passages, and also a great deal that is unfamiliar. John Gross has chosen with consummate skill to produce a volume that is both a testimonial to English prose and an endless source of pleasurable browsing.




The Oxford Book of Comic Verse


Book Description

From limericks to social satire, The Oxford Book of Comic Verse offers a remarkable collection of outstanding light poetry. John Gross has brought together the finest writers in the history of the English language - from Chaucer and Skelton to Shakespeare and Swift, Lord Byron to Robert Browning, Emily Dickinson to John Updike, as well as witty song lyrics from such artists as Irving Berlin and Cole Porter - offering delightful examples of their comic verse. Drawing on many different types of verse, including epigrams, street ballads, advertising jingles, clerihew, music-hall lyrics, and the doubledactyl of the calypso, this highly entertaining collection offers an exceptionally wide range of comic pleasures. The poems are by turns subtle, down-to-earth, macabre, ingenious, acerbic, ribald, and cheerful. Written to amuse, they call forth laughter and delight in equal measure. Compiled by one of our finest critics and anthologists, this reissue boasts a stylish new design and a fresh contemporary feel.







Oxford Dictionary of Humorous Quotations


Book Description

This hilarious collection of humorous quotations, full of wisecracks and wit, snappy comments and inspired fantasy, has been specially compiled by the late broadcaster and raconteur Ned Sherrin, with a foreword by leading British satirist, Alistair Beaton. Now packed with even more quotes and covering more subjects than before, from Weddings to the Supernatural, Australia to Headlines. Find the best lines from your favourite jokesters and wordsmiths, add that extra something to a speech or presentation, or just enjoy a good laugh. 'A chair is a piece of furniture. I am not a chair because no one has ever sat on me.' Ann Widdecombe on the announcement that Parliamentary language will now be gender-neutral. 'No wonder Bob Geldof is such an expert on famine. He's been feeding off 'I don't like Mondays' for 30 years.' Russell Brand On deciding to run for governor of California: 'The most difficult decision I've ever made in my entire life, except for the one in 1978 when I decided to get a bikini wax.' Arnold Schwarzenegger 'Wanting to know an author because you like his work is like wanting to know a duck because you like p--acirc--;t--eacute--;.' Margaret Atwood 'I am so sorry. We have to stop there. I have just come to the end of my personality.' Quentin Crisp, closing down an interview




The Oxford Book of Narrative Verse


Book Description

This is a story-book, universal in its appeal and representative of a literary tradition from Chaucer to Auden. Its tales are of various kinds - romantic, humorous, ghostly, and gory, written over the past six hundred years.Here will be found Pope's 'Rape of the Lock' and Coleridge's 'Ancient Mariner'; the tale of John Gilpin and of the Idiot Boy; 'The Lady of Shalott', 'The Pied Piper', and Lewis Carroll's 'The Hunting of the Snark'. In the twentieth century the narrative tradition is exemplified by Chesterton andMasefield, Charles Causley and C. Day-Lewis, amongst others.Most of the fifty-nine poems in this collection are given in their entirety, but abridgements and extracts from book-length narratives such as 'The Faerie Queene' and 'Paradise Lost' add to the richness and variety.




The Oxford Book of Scottish Short Stories


Book Description

From tales of the supernatural to pungent social realism, and from the humorous to the disturbing, whether rural or urban, this anthology shows the vitality of the Scottish short story.Douglas Dunn's eclectic selection displays the marvellous range of Scottish story-telling, beginning with three early traditional tales, and including a wealth of writers from the last three centuries: amongst them Sir Walter Scott, Robert Louis Stevenson, J. M. Barrie, Violet Jacob, Neil Gunn, Eric Linklater, Alasdair Gray, James Kelman, and younger talents such as Ronald Frame, Janice Galloway, and A. L. Kennedy.




Surprised by Laughter


Book Description

Surprised by Laughter looks at the career and writings of C. S. Lewis and discovers a man whose life and beliefs were sustained by joy and humor. All of his life, C. S. Lewis possessed a spirit of individuality. An atheist from childhood, he became a Christian as an adult and eventually knew international acclaim as a respected theologian. He was known worldwide for his works of fiction, especially the Chronicles of Narnia; and for his books on life and faith, including Mere Christianity, A Grief Observed, and Surprised by Joy. But perhaps the most visible difference in his life was his abiding sense of humor. It was through this humor that he often reached his readers and listeners, allowing him to effectively touch so many lives. Terry Lindvall takes an in-depth look at Lewis's joyful approach toward living, dividing his study of C. S. Lewis's wit into the four origins of laughter in Uncle Screwtape's eleventh letter to a junior devil in Lewis's The Screwtape Letters: joy, fun, the joke proper, and flippancy. Lindvall writes, "One bright and compelling feature we can see, sparking in his sunlight and dancing in his moonlight, is laughter. Yet it is not too large to see at once because it inhabited all Lewis was and did." Surprised by Laughter reveals a Lewis who enjoyed the gift of laughter, and who willingly shared that gift with others in order to spread his faith.