The Oxford Book of Humorous Prose


Book Description

A collection of literature primarily from the 19th and 20th centuries.










Middlebrow Wodehouse


Book Description

While he is best known for his Jeeves and Bertie Wooster stories, P.G. Wodehouse was a prolific writer who penned many other novels, stories, and musical comedy libretti, the latter of which played an enormous role in the development of American musical theater. This collection re-examines Wodehouse in the context of recent scholarship on the middlebrow, attending to his self-conscious relationship to the literary marketplace and his role in moving musical comedy away from vaudeville’s lowbrow associations towards the sophistication of the Wodehouse style. The focus on the middlebrow creates a critical context for serious critical consideration of Wodehouse’s linguistic playfulness and his depictions of social class within England. The contributors explore Wodehouse’s fiction and libretti in reference to philosophy, depictions of masculinity, World War I Britain, the periodical market, ideas of Englishness, and cultural phenomena such as men’s fashion, food culture, and popular songwriting. Taken together, the essays draw attention to the arbitrary divide between high- and middlebrow culture and make a case for Wodehouse as a writer whose games with language are in keeping with modernist experimentation with artistic expression.




The Primer of Humor Research


Book Description

The book is intended to provide a definitive view of the field of humor research for both beginning and established scholars in a variety of fields who are developing an interest in humor and need to familiarize themselves with the available body of knowledge. Each chapter of the book is devoted to an important aspect of humor research or to a disciplinary approach to the field, and each is written by the leading expert or emerging scholar in that area. There are two primary motivations for the book. The positive one is to collect and summarize the impressive body of knowledge accumulated in humor research in and around Humor: The International Journal of Humor Research. The negative motivation is to prevent the embarrassment to and from the "first-timers," often established experts in their own field, who venture into humor research without any notion that there already exists a body of knowledge they need to acquire before publishing anything on the subject-unless they are in the business of reinventing the wheel and have serious doubts about its being round! The organization of the book reflects the main groups of scholars participating in the increasingly popular and high-powered humor research movement throughout the world, an 800 to 1,000-strong contingent, and growing. The chapters are organized along the same lines: History, Research Issues, Main Directions, Current Situation, Possible Future, Bibliography-and use the authors' definitive credentials not to promote an individual view, but rather to give the reader a good comprehensive and condensed view of the area.




Sitting in the Earth and Laughing


Book Description

The work includes many of Dr. Eckardt's own fanciful stories, essays, and verses as well as material derived from student malapropisms, from children, and from professional humorists and comedians. Appearing at a time of burgeoning scholarly and popular interest in the domain of humor, Sitting in the Earth and Laughing shows how humor and laughter lie within the realm of human mysteries--together with tragedy, suffering, and love--that can be comprehended and relished.




The Language of Humor


Book Description

Explores how humor can be explained across the various sub-disciplines of linguistics, in order to aid communication.




The Language of Comic Narratives


Book Description

The book offers a comprehensive account of how humor works in short stories, by presenting a model of narrative comedy that is pragmatically as well as semantically, grammatically and stylistically informed. It is the first study to combine a sequential analysis of the comic short story with a hierarchical one, merging together horizontal and vertical narratological perspectives in a systematic way. The book covers the main areas of linguistic analysis and is deliberately interdisciplinary, using input from philosophy, sociology and psychology so as to touch upon the nature, motivations and functions of humor as a cognitive phenomenon in a social context. Crucially, The Language of Comic Narratives combines a scholarly approach with a careful explanation of key terms and concepts, making it accessible to researchers and students, as well as non-specialists. Moreover, it reviews a broad range of historical critical data by examining the source texts, and it provides many humorous examples, from jokes to extracts from comic narratives. Thus, it seeks to anchor theory in specific texts, and also to show that many linguistic mechanisms of humor are common to jokes and longer, literary comic narratives. The book tests the model of humorous narratives on a set of comic short stories by British and American writers, ranging from Evelyn Waugh and Dorothy Parker, through Graham Greene and Corey Ford, to David Lodge and Woody Allen. The validity of the model is confirmed through a subsequent discussion of apparent counter-examples.




Preaching the Manifold Grace of God, Volume 1


Book Description

Preaching the Manifold Grace of God is a two-volume work describing theologies of preaching from the historical and contemporary periods. Volume 1 focuses on historical theological families: Orthodox, Roman Catholic, Lutheran, Reformed, Anabaptist, Anglican/Episcopal, Wesleyan, Baptist, African American, Stone-Campbell, Friends, and Pentecostal. Volume 2 focuses on families that are evangelical, liberal, neo-orthodox, postliberal, existential, radical orthodox, deconstructionist, Black liberation, womanist, Latinx liberation, Mujerista, Asian American, Asian American feminist, LGBTQAI, Indigenous, postcolonial, and process. In each case, the author describes the circumstances in which the theological family emerged and describes the purposes and characteristics of preaching from that perspective.




Confucius and the Analects Revisited


Book Description

Edited by Michael Hunter and Martin Kern and featuring contributions by preeminent scholars of early China, Confucius and the Analects Revisited: New Perspectives on Composition, Dating, and Authorship critically examines the long-standing debates surrounding the history of the Analects, for two millennia considered the most authoritative source of the teachings of Confucius (551–479 BCE). Unlike most previous scholarship, it does not take the traditional view of the Analects’ origins as given. Instead, it explores the validity and the implications of recent revisionist critiques from historical, philosophical, and literary perspectives, and further draws on recently discovered ancient manuscripts and new technological advances in the Digital Humanities. As such, it opens up new ways for productive engagement with the text. Contributors: Mark Csikszentmihalyi, Paul van Els, Robert Eno, Joachim Gentz, Paul R. Goldin, Michael Hunter, Martin Kern, Esther Klein, John Makeham, Matthias L. Richter.