The Oxford Edition of the Works of Robert Burns: Volume IV


Book Description

This new edition of the songs that Robert Burns wrote for the civil servant George Thomson between 1792 and 1796 is the first to fully explore the nature of the collaboration between the two men. It constitutes the first presentation and examination of the songs as a body of work, and is accompanied by detailed explanatory notes.




The Oxford Edition of the Works of Robert Burns


Book Description

The Scots Musical Museum is perhaps the core canonical collection of Scottish song, with over 200 of its 600 songs claimed for Robert Burns. This is the first research edition of the Scots Musical Museum in its entirety in over two centuries and the first ever edition of the first edition of any kind, unearthing hundreds of previously unacknowledged variants between the first and 1803 editions. It will claim that up to fifty songs should be removed from the Burns canon. It is a landmark text for understanding the history and development of Scottish song and music. A full and detailed introduction sets out the social, textual, musical and historical context in which Robert Burns and James Johnson worked, while extensive notes on the songs provide a detailed history and context of each one, and a brief critical analysis of some of the most famous of these songs. There is a comprehensive glossary based, where available, on contemporary dictionary definitions and ample appendices. The items included here have never before been published complete together.




The Oxford Edition of the Works of Robert Burns


Book Description

The first volume in Oxford's new edition of The Collected Works of Robert Burns, this volume brings together Burns' prose works for the first time.




The Oxford Handbook of Robert Burns


Book Description

The Oxford Handbook of Robert Burns treats the extensive writing of and culture surrounding Scotland's national 'bard'. Robert Burns (1759-96) was a producer of lyrical verse, satirical poetry, in English and Scots, a song-writer and song-collector, a writer of bawdry, journals, commonplace books and correspondence. Sculpting his own image, his untutored rusticity was a sincere persona as much as it was not entirely accurate. Burns was an antiquarian, national patriot, pioneer of what today we would call 'folk culture', and a man of the Enlightenment and Romanticism. The Handbook considers Burns's reception in his own time and beyond, extending to his iconic status as a world-writer. Burns was important to the English Romantic poets, in the context of debates about Abolition in the US, in the Victorian era he was widely utilised as a model for different kinds of popular poetry and he has been utilised as a contestant in debates surrounding Scottish and, indeed, British politics, in peacetime and in wartime down to the present day. The writer's afterlife includes not only a large number of biographies but a whole culture of commemoration in art, architecture, fiction, material culture, museum-exhibition and even forged manuscripts and memorabilia as well as appearances, apparently, via Spiritualist seances. The politics of his work channel the fierce debates of late eighteenth-century Scottish ecclesiastical controversy as well as the ages of American, Agrarian and French revolutions. All of this ground is traversed in this Handbook, the largest critical compendium ever assembled about Robert Burns.










The Songs of Robert Burns


Book Description

In this definitive work for our generation, Donald Low brings together, for the first time, the words and tunes of all Burns' known songs, both `polite' and bawdy. The Songs of Robert Burns were, in their author's eyes, the crown of his achievement as a poet. After years of study and investigation, many hours spent listening to old airs, as he recalled the living, daily, song-life of the people of Scotland, and through the creation of some of the finest lyric poetry produced in the British Isles, Burns' success is beyond doubt.