The Painted Hallway


Book Description

Thirteen-year-old Jennifer Scott, left to her own devices in her great-grandmother's rambling mansion, wants to know the answer. Her research takes her deep into her family's past. Suddenly she is waking up to snowfall in summer, hearing violin music from the deserted music room and seeing visions of Thistle Manor's first occupants. There are new questions to answer. Who is the angelic little girl in the white dress Jennifer sees in the library? What is the significance of the book she clasps in her lap? Is she trying to tell Jennifer something? What happened on the first Christmas Eve in Thistle Manor and why was the red-haired man Jennifer glimpses in the doorway so angry? Aided by the town librarian, Mina Dassel, Jennifer is about to uncover a long-buried family secret. Like her heroine, Nancy-Lou Patterson's favourite books as a child included The Secret Garden and The Chronicles of Narnia. Her new young adult novel The Painted Hallway pays tribute to both of these works. Set in southwestern Ontario and inspired by a real-life house in the village of Baden, it is likely to become a Canadian children's classic. According to novelist Jane Urquhart, `Nancy-Lou Patterson has magically combined family history, romance and the mysterious to create a lyrical and engaging coming-of-age story which is, ultimately, about the power of love and art to transcend time and sorrow.'




The Painted Hall


Book Description

Published to mark the reopening of the spectacular baroque interior of the Old Royal Naval College in Greenwich after a landmark conservation project, 'The Painted Hall' is a wonderful celebration of what has been called "the Sistine Chapel of the UK". The ceiling and wall decorations of the Painted Hall were conceived and executed by the artist Sir James Thornhill between 1707 and 1726 - years that witnessed the Act of Union during the reign of Queen Anne and Great Britain's rise to become a dominant Protestant power in a predominantly Catholic Europe. The accessions to the throne of William III and Mary II in 1688 and George I in 1714 form the central narrative of a scheme that also honours Britain's maritime successes and mercantile prosperity. The artist drew on a cast of around 200 figures - a mixture of historical, contemporary, allegorical and mythological characters - to tell a story of political change, scientific and cultural achievements, naval endeavours, and commercial enterprise against a series of magnificent backdrops.




Hall of Mirrors


Book Description

The arts: general issues.




The Painted Hall Collection


Book Description

A curse binds the City of Winter and the Dragon's prophecy holds the key to breaking it. But will a poor fisherman from the South have the means to fulfil the prophecy? Or will the foreignness of the North itself repel him and his efforts? The Painted Hall Collection is a series of four short, old-school fairy-tales designed to open your eyes to wonder. Each story can be purchased separately as a single, or together in this compilation. --- *When Winds Blow Cold* Go north, little human. Go north until the winds blow cold and you walk on water. Go north, and there you will find her. With the Dragon's prophecy ringing in his ears, Danis travels from town to town, seeking a wife. But at every stop, he is turned away, until he enters the City of Winter itself... --- * The Flame of the North* Ten-year-old Mica hates the cold. Yet he’s bound by duty—and prophecy—to rule over the City of Winter as his grandfather’s heir. All signs seem to indicate that something is wrong and the reappearance of the Yuki-Onna in the Painted Hall is an additional worrisome detail… --- *Beneath the Rumbling Earth* In the Deep where none dare go Beneath the rumbling earth Before the Flame is doused You must rekindle birth Mica’s only comfort in the City of Winter is the once-cursed Painted Hall. When the deep sea creatures start speaking to him, he must decide if he should listen… or if this new magical event is related to the Dragon’s new prophecy. --- *The Still, Small Voice* On her eighteenth birthday, Hono is to be crowned Queen of the City of Winter but the Dragon disrupts the coronation ceremony with a peculiar cry: Listen. Listen. Listen! There is one more task to free the City of Winter of all enchantment—and Hono must listen carefully for it. --- *BONUS STORY: Shattered Memories* For generations upon generations, Memories have been passed from mother to daughter in an unbroken line of Secretkeepers. Not this time. When Nek Ramalan dies, her granddaughter, Rahsia, does not inherit the Memories. Instead, Iman struggles to fulfil a role she's not prepared for... piecing together shards of Memories she's not equipped to understand. A sneak peek into the current trilogy Anna's working on!







Painted Hallway


Book Description

What appealed to me as a researcher in parapsychology particularly was the knowledgeability and sensitivity of Nancy-Lou's depictions of otherworldly events. Here is no overwrought, Disneyland-type Haunted Mansion but events such as have actually been reported. Fantasy writers have long been fond of the return-to-the-past motif, but in employing it they usually strain parapsychological credulity by making visits to the past quite protracted, with extensive physical and verbal interaction between the time traveler and the past characters. Nancy-Lou conveys the numinous chill all the better by making her retrocognitive scenes comparatively brief, without explicit interaction between Jennifer and her ancestors, but with intimations that behind these visionary episodes is a mind or minds seeking to communicate with Jennifer. It was meant. In this regard the sequence of retrocognitive scene is reminiscent of several historical cases: Kate Wingfield's 1889 vision of a seventeenth-century scene in Salisbury Cathedral, and Anne Moberly and Eleanor Jourdain's interpretation of their 1901 vision of eighteenth-century scenes at Versailles. The motionless apparition of a young girl that Jennifer sees at one point, and the contrast of seasons between present and past, suggest Coleen Buterbaugh's 1963 vision at Nebraska Wesleyan University of a scene fifty years earlier. Other comparisons could be made.' -- Mythlore Nancy-Lou Patterson is the author of one previous young-adult novel, a fantasy entitled Apple Staff & Silver Crown which is also published by The Porcupine's Quill. She has taught in the Department of Fine Arts at the University of Waterloo for over twenty years. Before this shetaught Fine Arts at Seattle University and was the curator of the University of Waterloo Art Gallery. Nancy-Lou Patterson was born in Worcester, Massachusetts, but for most of her adult years she has lived in Waterloo, Ontario.







How to Paint a Dead Man


Book Description

Italy in the early 1960s: a dying painter considers the sacrifices and losses that have made him an enigma, both to strangers and those closest to him. He begins his last life painting, using the same objects he has painted obsessively for his entire career - a small group of bottles. In Cumbria 30 years later, a landscape artist - and admirer of the Italian recluse - finds himself trapped in the extreme terrain that has made him famous. And in present-day London, his daughter, an art curator struggling with the sudden loss of her twin brother while trying to curate an exhibition about the lives of the twentieth-century European masters, is drawn into a world of darkness and sexual abandon. Covering half a century, this is a luminous and searching novel, and Hall's most accomplished work to date.







Color and Meaning


Book Description

Recent restoration campaigns, particularly to the Sistine Chapel, have focused attention on the importance of colour in our experience of paintings, but until recently it has been neglected by art historians. The author believes that the work of art can only be fully appreciated when it is regarded as the product of both the artist's hand and mind. This study utilizes the traditional sources, such as contemporary theoretical writings and iconographical analysis, but in addition draws on the scientific findings of the conservation laboratories. This is a new body of data assembled in large part since World War II, which art historians are only beginning to exploit to fill out the history of technique. Rather than writing merely a history of technique, however, the author has integrated this material with traditional approaches to cultural history. She undertakes to examine twenty major paintings of the period from Giotto to Tintoretto to elucidate how colour and technique contribute to their meaning. She gives us then, the first modern consideration of Renaissance paintings both as physical objects and as monuments of cultural history.