The Book of Esther and the Typology of Female Transfiguration in American Literature


Book Description

The enduring search for female salvation in American literature is first expressed through typology, an interpretive framework that pairs type with antitype, historical scriptural promise with future spiritual fulfillment. When Cotton Mather invokes the typos of Esther in Ornaments of the Daughters of Zion, a Puritan conduct book, he offers a female type of divine wisdom, authority and force. In the biblical Book of Esther, Esther acts as a female type of wisdom and redemption, but her story also engages the larger history of Hebrew salvation. In nineteenth-century America, Margaret Fuller seeks to extend the spiritual claims once made by Mather and establish the role of the divine female in the salvation of American culture and society. Fuller supplants the type of male sacrifice with a type of female transfiguration in works such as Woman in the Nineteenth Century. Nathaniel Hawthorne then transforms these iconoclastic ideals into literary life by engaging the multi-faceted figure of Esther as a typos of female redemption and salvation in “Legends of the Province House,” The Scarlet Letter, The Blithedale Romance, and The Marble Faun. Through his female characters -- Esther Dudley, Hester Prynne, Zenobia, and Miriam -- he seeks to fulfill the divine destiny of the American woman. Hawthorne discovers, however, that female redemption is followed by revenge, as Esther turns from saving her people to ensuring an end to their oppression. When Henry Adams later revives Esther Dudley in his novel Esther, he rejects male redemption for the American woman. In Democracy, Esther, Mont Saint Michel, and The Education of Henry Adams, Adams envisions an independent, eternal woman who can rival the political, scientific, artistic, and theological power of men. The movement from male to female salvation is achieved when the terms of female redemption are transformed and the American woman is established as her own source of divine wisdom, power, retribution, and force. The typology of female transfiguration in America is fulfilled by Fuller, Hawthorne, and Adams through the promise extended by the type of Esther.




Hawthorne's Redemption


Book Description

This book serves to feed human nature with both a religious and literary mood. It may bring the reader a little closer to an understanding of life's complexities, or it may challenge the reader's own philosophical self, as he or she discovers the unraveling of Hawthorne's. The editor of the book, which has been composed from his memory of an unknown student's work, claims to have unearthed a rare discovery that may unveil a mystery that has puzzled the best of minds in the literary field for many years. In the words of its author, his purpose is clear: "I have thought to publish my interpretations of Hawthorne's novel so that those critics in the field of literature, who will, may have additional cause for which to expound their intelligence, either in trying to better understand this mystery, or to salvage the old cherished ambiguities by which the public brain is presently intoxicated. If I am correct in only a few of my impressions, hopefully the main ones, we shall have to reappraise Hawthorne as a literary prophet who hoped for and predicted a future time when mankind would look more favorable upon the creation, man." Both the author and editor send the reader on a journey into the mind and heart of an American icon which have too long been misunderstood and underappreciated. He asks the reader to drink deep from the depths of his or her own intuitive awakenings, and encourages each to rediscover the man who created The Scarlet Letter. In so doing, one may see the vexations and conflicts in his own life as a "dark necessity" to be endured, as in the character of his beloved Hester, who speaks to the heart of every human, and in behalf of our own human nature.




CliffsNotes on Hawthorne's The Scarlet Letter


Book Description

The original CliffsNotes study guides offer expert commentary on major themes, plots, characters, literary devices, and historical background. The latest generation of titles in this series also feature glossaries and visual elements that complement the classic, familiar format. In CliffsNotes on Hawthorne's The Scarlet Letter, you explore life in 17th-century Massachusetts as you follow the ordeal of Hester Prynne, who has been found guilty of adultery and sentenced to wear a scarlet letter A on her dress as a sign of shame. The Scarlet Letter is considered to be Hawthorne's finest work, depicting a world where the real meets the unreal, the actual meets the imaginary—in a classic story that is difficult to forget. This study guide carefully walks you through every step of Hester's journey by providing summaries and critical analyses of each chapter of the novel. You'll also explore the life and background of the author, Nathaniel Hawthorne, and gain insight into how he came to write The Scarlet Letter. Other features that help you study include Character analyses of major players A character map that graphically illustrates the relationships among the characters Critical essays on the novel's setting and structure, symbolism, and classification as a gothic romance A review section that tests your knowledge A Resource Center full of books, articles, films, and Internet sites Classic literature or modern-day treasure—you'll understand it all with expert information and insight from CliffsNotes study guides.




Hawthorne, Gender, and Death


Book Description

This book draws on a range of critical approaches, including cultural anthropology, psychoanalytic theory, political justice theory, and feminist theory, to consider the ways that strategies of death denial and their compensatory consolations offer insight into the ethical, gender, and religious questions raised by Hawthorne's novels.




Hawthorne


Book Description

Handsome, reserved, almost frighteningly aloof until he was approached, then playful, cordial, Nathaniel Hawthorne was as mercurial and double-edged as his writing. “Deep as Dante,” Herman Melville said. Hawthorne himself declared that he was not “one of those supremely hospitable people who serve up their own hearts, delicately fried, with brain sauce, as a tidbit” for the public. Yet those who knew him best often took the opposite position. “He always puts himself in his books,” said his sister-in-law Mary Mann, “he cannot help it.” His life, like his work, was extraordinary, a play of light and shadow. In this major new biography of Hawthorne, the first in more than a decade, Brenda Wineapple, acclaimed biographer of Janet Flanner and Gertrude and Leo Stein (“Luminous”–Richard Howard), brings him brilliantly alive: an exquisite writer who shoveled dung in an attempt to found a new utopia at Brook Farm and then excoriated the community (or his attraction to it) in caustic satire; the confidant of Franklin Pierce, fourteenth president of the United States and arguably one of its worst; friend to Emerson and Thoreau and Melville who, unlike them, made fun of Abraham Lincoln and who, also unlike them, wrote compellingly of women, deeply identifying with them–he was the first major American writer to create erotic female characters. Those vibrant, independent women continue to haunt the imagination, although Hawthorne often punishes, humiliates, or kills them, as if exorcising that which enthralls. Here is the man rooted in Salem, Massachusetts, of an old pre-Revolutionary family, reared partly in the wilds of western Maine, then schooled along with Longfellow at Bowdoin College. Here are his idyllic marriage to the youngest and prettiest of the Peabody sisters and his longtime friendships, including with Margaret Fuller, the notorious feminist writer and intellectual. Here too is Hawthorne at the end of his days, revered as a genius, but considered as well to be an embarrassing puzzle by the Boston intelligentsia, isolated by fiercely held political loyalties that placed him against the Civil War and the currents of his time. Brenda Wineapple navigates the high tides and chill undercurrents of Hawthorne’s fascinating life and work with clarity, nuance, and insight. The novels and tales, the incidental writings, travel notes and children’s books, letters and diaries reverberate in this biography, which both charts and protects the dark unknowable core that is quintessentially Hawthorne. In him, the quest of his generation for an authentically American voice bears disquieting fruit.




Psychoanalytic Readings of Hawthorne’s Romances


Book Description

Offering innovative, psychoanalytic readings of Nathaniel Hawthorne’s four romances, this volume systematically applies Freudian theory to present significant new insights into the psychology of Hawthorne’s characters and their fates. By critically examining scenes in which the protagonists confront past traumas, Diamond underscores the transformative potential which Hawthorne attributes to encounters with the unconscious. Psychoanalytic narrative technique is employed to interpret the psychogical crises, all hidden by Hawthorne in narrative gaps, in The Scarlet Letter, The House of the Seven Gables, The Blithedale Romance, and The Marble Faun. The protagonists' transformations that are illuminated are crucial to an understanding of the trajectory and resolution of the romances. The text will benefit both academic and non-academic readers who seek a deeper understanding of the psychology of Hawthorne's romances. It will be of particular interest to educators and researchers of applied psychoanalysis and psychoanalytic technique. Since its conclusions challenge many currently held critical views, this volume is especially relevant to scholars of Hawthorne studies, interdisciplinary literary studies, and 19th century American literature.




Invalid Women


Book Description

"A fine example of politically engaged literary criticism.--Belles Lettres "Price Herndl's compelling individual readings of works by major writers (Harriet Beecher Stowe, Hawthorne, Wharton, James, Fitzgerald) and minor ones complement her examination of germ theory, psychic and somatic cures, medicine's place in the rise of capitalism, and the cultural forms in which men and women used the trope of female illness.--Choice "A rich and provocative study of female illnesses and their textual representations. . . . A major contribution to the feminist agenda of literature and medicine.--Medical Humanities Review "[An] important book.--Nineteenth-Century Literature "[This] sophisticated new study . . . brings the best current strategies of a thoroughly historicized feminist literary criticism to bear on textual representations of female invalidism.--Feminist Studies "An outstanding study of the representation of female invalidism in American culture and literature. There emerges from this work a striking sense of the changing meanings of female invalidism even as the conjunction of these terms has remained a constant in American cultural history. . . . Moreover, Invalid Women provides fascinating readings of female illness in a variety of texts.--Gillian Brown, University of Utah "A provocative study based on imaginative historical research and very fine close readings. The book provides a useful American complement to Helena Michie's The Flesh Made Word and Margaret Homans's Bearing the World. It should prove enlightening and otherwise useful not just to scholars of American literature, but also to those engaged in American studies, feminist criticism and theory, women's studies, the sociology of medicine and illness, and the history of science and medicine.--Cynthia S. Jordan, Indiana University




Comparative Romanticisms


Book Description

Essays on key aspects of Romanticism, viewed in a wider European context.




In Hawthorne's Shadow


Book Description

"The world is so sad and solemn," wrote Nathaniel Hawthorne, "that things meant in jest are liable, by an overwhelming influence, to become dreadful earnest; gaily dressed fantasies turning to ghostly and black-clad images of themselves." From the radical dualism of Hawthorne's vision, Samuel Coale argues, springs a continuing tradition in the American novel. In Hawthorne's Shadow is the first critical study to describe precisely the formal shape of Hawthorne's psychological romance and to explore his themes and images in relation to such contemporary writers as John Cheever, Norman Mailer, Joan Didion, John Gardner, Joyce Carol Oates, William Styron, and John Updike. When viewed from this perspective, certain writers—particularly Cheever, Mailer, Oates, and Gardner—appear in a new and very different light, leading to a considerable reevaluation of their achievement and their place in American fiction. Mr. Coale's long interviews and conversations with John Cheever, John Gardner, William Styron, and others have provided insights and perspectives that make this book particularly valuable to students of contemporary American literature. Coale links contemporary writers to an on-going American romantic tradition, represented by such earlier authors as Melville, Harold Frederic, Faulkner, Flannery O'Connor, and Carson McCullers. He explores the distinctly Manichean matter of much American romance, linking it to America's Puritan past and to the almost schizophrenic dynamics of American culture in general. Finally, he reexamines the post-modernist writers in light of Hawthorne's "shadow" and shows that, however similar they may be in some ways, they differ remarkably from the previous American romantic tradition.




Gender Protest and Same-Sex Desire in Antebellum American Literature


Book Description

Expanding our understanding of the possibilities and challenges inherent in the expression of same-sex desire before the Civil War, David Greven identifies a pattern of what he calls ’gender protest’ and sexual possibility recurring in antebellum works. He suggests that major authors such as Margaret Fuller, Edgar Allan Poe, Herman Melville, and Nathaniel Hawthorne consciously sought to represent same-sex desire in their writings. Focusing especially on conceptions of the melancholia of gender identification and shame, Greven argues that same-sex desire was inextricably enmeshed in scenes of gender-role strain, as exemplified in the extent to which The Narrative of Arthur Gordon Pym depicts masculine identity adrift and in disarray. Greven finds similarly compelling representations of gender protest in Fuller’s exploration of the crisis of gendered identity in Summer on the Lakes, in Melville’s representation of Redburn’s experience of gender nonconformity, and in Hawthorne’s complicated delineation of desire in The Scarlet Letter. As Greven shows, antebellum authors not only took up the taboo subjects of same-sex desire and female sexuality, but were adept in their use of a variety of rhetorical means for expressing the inexpressible.