The Expositor


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The Expositor


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The Obscurity of Scripture: Disputing Sola Scriptura and the Protestant Notion of Biblical Perspicuity


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Turn on Christian radio anywhere in the United States and see how long it takes before someone declares that “Scripture clearly teaches [fill in the blank].” There’s a reason for that, and it has to do with the very origins of Protestant Christianity more than five hundred years ago. The Protestant Reformation coalesced around five core doctrines: sola scriptura, sola fide, sola gratia, solus Christus, and soli Deo gloria. But another founding principle served as bedrock for all of them: the doctrine of clarity, or perspicuity. According to this doctrine, which was upheld in various forms by all the major Reformers and remains central to Protestantism today, the Bible is clear enough so that any Christian, relying on the Holy Spirit, will be able to determine at least what is necessary for salvation, if not much more. The Obscurity of Scripture: Disputing Sola Scriptura and the Protestant Notion of Biblical Perspicuity catalogues and analyzes the historical, theological, and philosophical dimensions of perspicuity and finds the doctrine not only confused but erroneous, destructive, and self-defeating. The Obscurity of Scripture exposes the hopeless dead ends of clarity and, through a consideration of Catholic teaching on the Bible, offers the only way out.




The Performance of Conviction


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Graham shows how plainness functions not only as a literary style, but also as a mode of political and religious rhetoric that reflects powerful historical currents.




Biblical Readings and Literary Writings in Early Modern England, 1558-1625


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The Bible had a profound impact on early modern culture, and bible-reading shaped the period's drama, poetry, and life-writings, as well as sermons and biblical commentaries. This volume provides an account of the how the Bible was read and applied in early modern England. It maps the connection between these readings and various forms of writing and argues that literary writings bear the hallmarks of the period's dominant exegetical practices, and do interpretative work. Tracing the impact of biblical reading across a range of genres and writers, the discussion demonstrates that literary reimaginings of, and allusions to, the Bible were common, varied, and ideologically evocative. The book explores how a series of popularly interpreted biblical narratives were recapitulated in the work of a diverse selection of writers, some of whom remain relatively unknown. In early modern England, the figures of Solomon, Job, and Christ's mother, Mary, and the books of Song of Songs and Revelation, are enmeshed in different ways with contemporary concerns, and their usage illustrates how the Bible's narratives could be turned to a fascinating array of debates. In showing the multifarious contexts in which biblical narratives were deployed, this book argues that Protestant interpretative practices contribute to, and problematize, literary constructions of a range of theological, political, and social debates.




Lancelot Andrewes: Selected Sermons and Lectures


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This is the first annotated critical edition of works of Lancelot Andrewes (1555-1626), a writer recognized by literary critics, historians, and theologians as one of the most important figures in Elizabethan and Jacobean England. Peter McCullough, a leading expert on religious writing in the early modern period, presents fourteen complete sermons and lectures preached by Andrewes across the whole range of his adult career, from Cambridge in the 1580s to the court of James I and VI in the 1620s. Through a radical reassessment of Andrewes's life, influence, and surviving texts, the editor presents Andrewes as his contemporaries saw, heard, and read him, and as scholars are increasingly recognizing him: one of the most subtle, yet radical critics of mainstream Elizabethan Protestantism, and a literary artist of the highest order. The centuries-old influence of William Laud's authorized edition of Andrewes (1629) is here complicated and contextualized by the full use for the first time of the whole range of Andrewes's works printed before and after his lifetime, as well as manuscript sources. The edition also showcases the aesthetic brilliance of Andrewes's remarkable prose, and suggests new ways for scholars to carry forward the modern literary appreciation of Andrewes famously begun by T. S. Eliot. A full introductory essay sets study of Andrewes on a new footing by placing his works in the context of his life and career, surveying the history of responses to his writings, and summarizing the history of the transmission of his texts. The texts here are edited to high modern critical standards. The exhaustive commentary sets each selection in its historical context, documents Andrewes's myriad sources, glosses important and unfamiliar words and allusions, and translates his frequent quotations from the ancient Biblical languages.




Notes and Queries


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