The Parochial Psalmist


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Parochial Psalmist, Or a Selection of Psalms and Hymns, Set to Appropriate Tunes, Arranged for Four Voices


Book Description

Excerpt from The Parochial Psalmist, or a Selection of Psalms and Hymns, Set to Appropriate Tunes, Arranged for Four Voices: Together With Chants, Sanctuses and Responses In the selection of the tunes contained in this publication, errata. 7 d line Tenor, 2md Bar, first note, C, not B. Psalm 37: ill) line: lst Treble, last Bar, B Crotchet, not Quaver. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.







The Bible in Music


Book Description

There have been numerous publications in the last decades on the Bible in literature, film, and art. But until now, no reference work has yet appeared on the Bible as it appears in Western music. In The Bible in Music: A Dictionary of Songs, Works, and More, scholars Siobhán Dowling Long and John F. A. Sawyer correct this gap in Biblical reference literature, providing for the first time a convenient guide to musical interpretations of the Bible. Alongside examples of classical music from the Middle Ages through modern times, Dowling Long and Sawyer also bring attention to the Bible’s impact on popular culture with numerous entries on hymns, spirituals, musicals, film music, and contemporary popular music. Each entry contains essential information about the original context of the work (date, composer, etc.) and, where relevant, its afterlife in literature, film, politics, and liturgy. It includes an index of biblical references and an index of biblical names, as well as a detailed timeline that brings to the fore key events, works, and publications, placing them in their historical context. There is also a bibliography, a glossary of technical terms, and an index of artists, authors, and composers. The Bible in Music will fascinate anyone familiar with the Bible, but it is also designed to encourage choirs, musicians, musicologists, lecturers, teachers, and students of music and religious education to discover and perform some less well-known pieces, as well as helping them to listen to familiar music with a fresh awareness of what it is about.







Our Last Year in New Zealand


Book Description

William Garden Cowie was born on 8 January 1831 at St John's Wood, London, England. Selected by G. A. Selwyn, formerly bishop of New Zealand, to become the first bishop of Auckland, he was consecrated at Westminster Abbey on 29 June 1869. On 20 July he married Eliza Jane Webber at Spring Grove, Middlesex. They arrived at Auckland in February 1870. Their six children were born within the decade. Elected as Anglican primate of New Zealand in 1895, Cowie announced his intention to resign as bishop shortly before his death at Parnell, Auckland, on 26 June 1902. Our last year in New Zealand was written in anticipation of a visit to England in 1888, to provide information 'concerning the Church and the State of New Zealand'. It gives a significant personal insight into the work of a colonial bishop.