The Peaceful Liberators


Book Description

Jainism originates in India where it has been practised since the 6th century BC. The Jains have produced a diverse range of art that has been little known in the West. This volume is illustrated with examples from all ages, offering a comprehensive introduction to the art of the Jains and an insight into the practices, principles and beliefs of the religion. Pratapaditya Pal describes the different forms of art produced in each period: temples and shrines, wood, stone and bronze, illuminated manuscripts, monumental cloth paintings, architectural reliefs and votive tablets. The volume also includes an examination of Jain ritual and philosophical thought, an entertaining account of Jain pilgrimages and overviews of Jain cosmological painting and manuscript illustration.




Peaceful Liberators


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Liberators


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Describes the lives and deaths of the seven Liberators, the men who led Latin America's fight for independence and won it in a span of only twenty years after three centuries of Spanish domination.




Art of the Himalayas


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A millennium of paintings, textiles, metal sculptures, ritual objects; aesthetic, religious contexts.




Sacred Matters


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Sacred Matters explores the lives of material objects in South Asian religions. Spanning a range of traditions including Hinduism, Islam, Jainism, Buddhism, and Christianity, the book demonstrates how sacred items influence and enliven the worlds of religious participants across South Asia and into the diaspora. Contributors examine a variety of objects to describe the ways sacred materials derive and confer meaning and efficacy, emerging from and giving shape to religious and nonreligious realms alike. Material forms of deity and divine power are considered along with commonplace ritual items, including images, clay pots, and camphor. The work also attends to materiality's complex role within the "materially suspicious" contexts of Islam, Theravada Buddhism, and Roman Catholicism. This engaging collection presents new frameworks for contemplating the ways in which historical, social, and sacred processes intertwine and collectively shape human and divine activity.




Humanities


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NEH Exhibitions Today


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Representation in Religion


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The role of representation in religion is complex. While often perceived as essential, it is also associated in many traditions with the liability of idolatry and provokes iconoclasm. The essays in this volume examine the nuances of representation in religion and the debate concerning its place across a variety of traditions from the three Abrahamic faiths, to those of antiquity and the East. This volume consists of presentations made at an international conference held in honor of Moshe Barasch, art historian and cultural critic, who has done much to elucidate the light which representation and religion shed on each other. It pays tribute to Barasch by expanding the base of understanding and insight he has erected. It should be of interest to students of religion and of art history.




Portraiture in Early India


Book Description

This book highlights the specificities of Indian portraiture in sculpted and painted images, its relationship with divine images and aims, with the help of textual and epigraphical references, to understand the development of Indian imagery. It questions also the social and religious implications related to this issue.




The India Museum Revisited


Book Description

The museum of the East India Company formed, for a large part of the nineteenth century, one of the sights of London. In recent years, little has been remembered of it beyond its mere existence, while an assumed negative role has been widely attributed to it on the basis of its position at the heart of one of Britain’s arch-colonialist enterprises. Extensively illustrated, The India Museum Revisited provides a full examination of the museum’s founding manifesto and evolving ambitions. It surveys the contents of its multi-faceted collections – with respect to materials, their manufacture and original functions on the Indian sub-continent – as well as the collectors who gathered them and the manner in which they were mobilized to various ends within the museum. From this integrated treatment of documentary and material sources, a more accurate, rounded and nuanced picture emerges of an institution that contributed in major ways, over a period of 80 years, to the representation of India for a European audience, not only in Britain but through the museum’s involvement in the international exposition movement to audiences on the continent and beyond.