The Peerless Reciter
Author : Henry Davenport Northrop
Publisher :
Page : 556 pages
File Size : 19,91 MB
Release : 1894
Category : Readers and speakers
ISBN :
Author : Henry Davenport Northrop
Publisher :
Page : 556 pages
File Size : 19,91 MB
Release : 1894
Category : Readers and speakers
ISBN :
Author : Henry Davenport Northrop
Publisher :
Page : 560 pages
File Size : 37,89 MB
Release : 1894
Category : Elocution
ISBN :
Author : Henry Davenport Northrop
Publisher :
Page : 296 pages
File Size : 25,55 MB
Release : 1910
Category : Elocution
ISBN :
Author : Joseph Edwards Carpenter
Publisher :
Page : 520 pages
File Size : 13,6 MB
Release : 1868
Category :
ISBN :
Author : Henry Davenport Northrop
Publisher :
Page : 536 pages
File Size : 16,26 MB
Release : 2019-04-09
Category :
ISBN : 9783337771348
Author : Ernest Guy Pertwee
Publisher :
Page : 768 pages
File Size : 33,29 MB
Release : 1912
Category : Elocution
ISBN :
Author : Henry Davenport Northrop
Publisher :
Page : 516 pages
File Size : 41,26 MB
Release : 1899
Category :
ISBN :
Author : Ernest Pertwee
Publisher :
Page : 862 pages
File Size : 37,10 MB
Release : 1904
Category : American poetry
ISBN :
Author : Samuel N. Dorf
Publisher : Oxford University Press, USA
Page : 241 pages
File Size : 28,53 MB
Release : 2019
Category : Music
ISBN : 0190612096
Performing Antiquity: Ancient Greek Music and Dance from Paris to Delphi, 1890-1930 investigates collaborations between French and American scholars of Greek antiquity (archaeologists, philologists, classicists, and musicologists), and the performing artists (dancers, composers, choreographers and musicians) who brought their research to life at the birth of Modernism. The book tells the story of performances taking place at academic conferences, the Paris Op ra, ancient amphitheaters in Delphi, and private homes. These musical and dance collaborations are built on reciprocity: the performers gain new insight into their craft while learning new techniques or repertoire and the scholars gain an opportunity to bring theory into experimental practice, that is, they have a chance see/hear/experience what they have studied and imagined. The performers receive the imprimatur of scholarship, the stamp of authenticity, and validation for their creative activities. Drawing from methods and theory from musicology, dance studies, performance studies, queer studies, archaeology, classics and art history the book shows how new scholarly methods and technologies altered the performance, and, ultimately, the reception of music and dance of the past. Acknowledging and critically examining the complex relationships performers and scholars had with the pasts they studied does not undermine their work. Rather, understanding our own limits, biases, dreams, obsessions, desires, loves, and fears enriches the ways we perform the past.
Author : Hackley Public Library
Publisher :
Page : 270 pages
File Size : 29,51 MB
Release : 1919
Category :
ISBN :