The River Mouth


Book Description

Fifteen-year-old Darren Davies is found facedown in the Weymouth River with a gunshot wound to his chest. The killer is never found and his death remains a mystery. Ten years later, his mother receives a visit from the local police. Sandra' s best friend has been found dead on a remote Pilbara road. And Barbara' s DNA matches the DNA found under Darren' s fingernails. When the investigation into her son' s murder is reopened, Sandra begins to question what she knew about her best friend. As she digs, she discovers that there are many secrets in her small town, and that her murdered son had secrets too.PRAISE FOR THE BOOK'The River Mouth marks the debut of a brilliant new voice in Australian crime fiction.' David Whish-Wilson&‘ The River Mouth is the kind of crime novel which hooks you in from the first chapter and doesn' t let up until the very end.' Better Reading&‘ ... works to gradually ramp up the suspense as Herbert advances her intricate and deftly handled puzzle of a plot ... ' West Australian&‘ ... a stunning debut that will keep you guessing till the




The People of the River's Mouth


Book Description

Intro -- Contents -- Acknowledgments -- Introduction -- 1. The Origins of the Missouria: Woodland, Mississippian, and Oneota Cultures -- 2. The Europeans Arrive: Change and Continuity -- 3. Early French and Spanish Contacts -- 4. Turmoil in Upper Louisiana -- 5. The Americans: Rapid and Dramatic Change -- 6. The End of the Missouria Homeland -- Epilogue: Allotment and a New Beginning -- For Further Reading and Research -- Index.




At the Mouth of the River of Bees


Book Description

A sparkling debut collection from one of the hottest writers in science fiction: her stories have received the Nebula Award the last two years running. These stories feature cats, bees, wolves, dogs, and even that most capricious of animals, humans, and have been reprinted in The Year's Best Fantasy & Horror, Best Science Fiction and Fantasy of the Year, and The Secret History of Fantasy. At the Mouth of the River of Bees 26 Monkeys, Also the Abyss The Horse Raiders Spar Fox Magic Names for Water Schrodinger’s Cathouse My Wife Reincarnated as a Solitaire Chenting, in the Land of the Dead The Bitey Cat The Empress Jingu Fishes Wolf Trapping The Man Who Bridged the Mist Ponies The Cat Who Walked a Thousand Miles The Evolution of Trickster Stories Among the Dogs of North Park After the Change Kij Johnson's stories have won the Sturgeon and World Fantasy awards. She has taught writing; worked at Tor, Dark Horse, and Microsoft; worked as a radio announcer; run bookstores; and waitressed in a strip bar.




People of the River


Book Description

People of the River is the first major publication to focus exclusively on the rich artistic traditions of the Native Americans who traditionally lived along the lower Columbia River from the mouth of the Snake River to the Pacific Ocean. In this richly illustrated volume, author Bill Mercer eloquently describes the Columbia River art style as an indigenous development that emerged over the course of countless generations and whose forms reveal a unique combination of designs, motifs, materials, and techniques. The book includes more than two hundred objects organized into sections that focus on sculptural forms, basketry, and beadwork spanning the pre-contact era to the middle of the twentieth century. People of the River features many objects that have never before been published and provides keen insight into a previously unrecognized area of Native American art. With insightful texts, lavish reproductions, and an extensive bibliography, People of the River promises to be a key resource on this compelling body of work for years to come.




A Mouth Is Always Muzzled


Book Description

Longlisted for the PEN/Diamonstein-Spielvogel Award “A deeply felt and passionately expressed manifesto.” —Kirkus Reviews (starred) A meditation in the spirit of John Berger and bell hooks on art as protest, contemplation, and beauty in politically perilous times As people consider how to respond to a resurgence of racist, xenophobic populism, A Mouth Is Always Muzzled tells an extraordinary story of the ways art brings hope in perilous times. Weaving disparate topics from sugar and British colonialism to attacks on free speech and Facebook activism and traveling a jagged path across the Americas, Africa, India, and Europe, Natalie Hopkinson, former culture writer for the Washington Post and The Root, argues that art is where the future is negotiated. Part post-colonial manifesto, part history of British Caribbean, part exploration of art in the modern world, A Mouth Is Always Muzzled is a dazzling analysis of the insistent role of art in contemporary politics and life. In crafted, well-honed prose, Hopkinson knits narratives of culture warriors: painter Bernadette Persaud, poet Ruel Johnson, historian Walter Rodney, novelist John Berger, and provocative African American artist Kara Walker, whose homage to the sugar trade Sugar Sphinx electrified American audiences. A Mouth Is Always Muzzled is a moving meditation documenting the artistic legacy generated in response to white supremacy, brutality, domination, and oppression. In the tradition of Paul Gilroy, it is a cri de coeur for the significance of politically bold—even dangerous—art to all people and nations.




South of the Mouth of Sandy


Book Description

The May 1927 issue of True Detective magazine dealt with the shooting of Tommy Evans and subsequent investigation of the case in the Old 23rd District of Henry County, Tennessee. The True Detective article read in part, "They told me of the existence of a 'whiskey ring,' in which it was estimated that seventy-five percent of the population ... was alleged to have been engaged in this illicit whiskey business. And it was contended that (Tommy Evans), a respectable and law-abiding citizen, member of the minority faction in the moonshine domain, had openly defied the moonshiners – had became a crusader against them – and died a martyr to the cause of his convictions. Thus the motive for the assassination of (Evans) was apparent." The magazine article quoted a Paris, Tenn., minister, J.H. Buchanan, as saying that, "There are twelve men in this immediate section ready to stand for 'four-square for the right,' and there are twenty-five men over there, and I might be able to name them, who are banded together to protect and promulgate the liquor interests. The remaining citizens in this district are in the middle of the road – either in sympathy with the devil's gang, or they lack the courage to say where they stand." It was amid such a climate that this book is set. South of the Mouth of Sandy focuses on the Evans family that settled near the confluence of the Big Sandy and Tennessee rivers during the middle part of the 19th century. It traces the ancestry of Tommy Evans and tells the story of his death on a dirt road and the trial of his killer.




Bitter In The Mouth


Book Description

Growing up in Boiling Springs, North Carolina, in the '70s and '80s, Linda Hammerick knows that she is different. She has strong, almost paralysing associations between words and tastes; she doesn't look like everyone else; and she isn't popular at school. She finds her way through life with the help of her great uncle 'Baby' Harper, who loves her and loves to dance, and her best friend fat-thin-fat Kelly with whom she has been exchanging letters since they were seven. But then a tragedy and a revelation will make her question everything she thought she knew about herself and her family.




Eat the Mouth That Feeds You


Book Description

WINNER OF THE WHITING AWARD PEN AMERICA LITERARY FINALIST Recommended by Héctor Tobar as an essential Los Angeles book in the New York Times. Carribean Fragoza's debut collection of stories reside in the domestic surreal, featuring an unusual gathering of Latinx and Chicanx voices from both sides of the U.S./Mexico border, and universes beyond. "Eat the Mouth That Feeds You is an accomplished debut with language that has the potential to affect the reader on a visceral level, a rare and significant achievement from a forceful new voice in American literature."—Kali Fajardo-Anstine, New York Times Book Review, and author of Sabrina and Corina Carribean Fragoza's imperfect characters are drawn with a sympathetic tenderness as they struggle against circumstances and conditions designed to defeat them. A young woman returns home from college, only to pick up exactly where she left off: a smart girl in a rundown town with no future. A mother reflects on the pain and pleasures of being inexorably consumed by her small daughter, whose penchant for ingesting grandma's letters has extended to taking bites of her actual flesh. A brother and sister watch anxiously as their distraught mother takes an ax to their old furniture, and then to the backyard fence, until finally she attacks the family’s beloved lime tree. Victories are excavated from the rubble of personal hardship, and women's wisdom is brutally forged from the violence of history that continues to unfold on both sides of the US-Mexico border. "Eat the Mouth that Feeds You renders the feminine grotesque at its finest."—Myriam Gurba, author of Mean "Eat the Mouth that Feeds You will establish Fragoza as an essential and important new voice in American fiction."—Héctor Tobar, author of The Barbarian Nurseries "Fierce and feminist, Eat the Mouth That Feeds You is a soul-quaking literary force."—Dontaná McPherson-Joseph, The Foreword, *Starred Review ". . . a work of power and a darkly brilliant talisman that enlarges in necessary ways the feminist, Latinx, and Chicanx canons."—Wendy Ortiz, Alta Magazine "Fragoza's surreal and gothic stories, focused on Latinx, Chicanx, and immigrant women's voices, are sure to surprise and move readers."—Zoe Ruiz, The Millions "This collection of visceral, often bone-chilling stories centers the liminal world of Latinos in Southern California while fraying reality at its edges. Full of horror and wonder."—Kirkus Reviews, *Starred Review "Fragoza's debut collection delivers expertly crafted tales of Latinx people trying to make sense of violent, dark realities. Magical realism and gothic horror make for effective stylistic entryways, as Fragoza seamlessly blurs the lines between the corporeal and the abstract."—Publishers Weekly "The magic realism of Eat the Mouth that Feeds You is thoroughly worked into the fabric of the stories themselves . . . a wonderful debut."—Brian Evenson, author of Song for the Unraveling of the World




Peoples of the River Valleys


Book Description

Seventeenth-century Indians from the Delaware and lower Hudson valleys organized their lives around small-scale groupings of kin and communities. Living through epidemics, warfare, economic change, and physical dispossession, survivors from these peoples came together in new locations, especially the eighteenth-century Susquehanna and Ohio River valleys. In the process, they did not abandon kin and community orientations, but they increasingly defined a role for themselves as Delaware Indians in early American society. Peoples of the River Valleys offers a fresh interpretation of the history of the Delaware, or Lenape, Indians in the context of events in the mid-Atlantic region and the Ohio Valley. It focuses on a broad and significant period: 1609-1783, including the years of Dutch, Swedish, and English colonization and the American Revolution. An epilogue takes the Delawares' story into the mid-nineteenth century. Amy C. Schutt examines important themes in Native American history—mediation and alliance formation—and shows their crucial role in the development of the Delawares as a people. She goes beyond familiar questions about Indian-European relations and examines how Indian-Indian associations were a major factor in the history of the Delawares. Drawing extensively upon primary sources, including treaty minutes, deeds, and Moravian mission records, Schutt reveals that Delawares approached alliances as a tool for survival at a time when Euro-Americans were encroaching on Native lands. As relations with colonists were frequently troubled, Delawares often turned instead to form alliances with other Delawares and non-Delaware Indians with whom they shared territories and resources. In vivid detail, Peoples of the River Valleys shows the link between the Delawares' approaches to land and the relationships they constructed on the land.




Watch Your Mouth


Book Description

Tolstoy wrote that happy families are alike and that each unhappy family is unhappy in a different way.In Watch Your Mouth, Daniel Handler takes "different" to a whole new level....