The Permanent Guillotine


Book Description

When the Bastille was stormed on July 14, 1789, it wasn’t a crowd of breeches-wearing professionals that attacked the prison, freed the internees, and killed its superintendent, carrying off his head on a pike. It was the working people of Paris, who didn’t wear breeches, the sans-culottes. In the course of the French Revolution the sans-culottes questioned the economic system, the nature of property, the role and even the legitimacy of religion, and for the first time placed class relations at the heart of a revolutionary upheaval. They did so in an often-inchoate fashion, but they were new players on the stage of history, and the Revolution constituted their learning curve. The Permanent Guillotine is an anthology of figures who expressed the will and wishes of this nascent revolutionary class, in all its rage, directness, and contradictoriness. Taken together, these documents provide a full portrait of the left of the left of the Revolution, of the men whose destruction by Robespierre allowed for Robespierre himself to be destroyed and for all the progressive measures they advocated and he implemented to be rolled back. The Revolution they made was ultimately stolen from them, but their attempt was a fertile one, as their ideas flourished in the actions of generations of French revolutionaries.




The Man Who Thought He Was Napoleon


Book Description

The Man Who Thought He Was Napoleon is built around a bizarre historical event and an off-hand challenge. The event? In December 1840, nearly twenty years after his death, the remains of Napoleon were returned to Paris for burial—and the next day, the director of a Paris hospital for the insane admitted fourteen men who claimed to be Napoleon. The challenge, meanwhile, is the claim by great French psychiatrist Jean-Étienne-Dominique Esquirol (1772–1840) that he could recount the history of France through asylum registries. From those two components, Laure Murat embarks on an exploration of the surprising relationship between history and madness. She uncovers countless stories of patients whose delusions seem to be rooted in the historical or political traumas of their time, like the watchmaker who believed he lived with a new head, his original having been removed at the guillotine. In the troubled wake of the Revolution, meanwhile, French physicians diagnosed a number of mental illnesses tied to current events, from “revolutionary neuroses” and “democratic disease” to the “ambitious monomania” of the Restoration. How, Murat asks, do history and psychiatry, the nation and the individual psyche, interface? A fascinating history of psychiatry—but of a wholly new sort—The Man Who Thought He Was Napoleon offers the first sustained analysis of the intertwined discourses of madness, psychiatry, history, and political theory.




The Last Libertines


Book Description

An enthralling work of history about the Libertine generation that came up during—and was eventually destroyed by—the French Revolution. The Last Libertines, as Benedetta Craveri writes in her preface to the book, is the story of a group of “seven aristocrats whose youth coincided with the French monarchy’s final moment of grace—a moment when it seemed to the nation’s elite that a style of life based on privilege and the spirit of caste might acknowledge the widespread demand for change, and in doing so reconcile itself with Enlightenment ideals of justice, tolerance, and citizenship.” Here we meet seven emblematic characters, whom Craveri has singled out not only for “the romantic character of their exploits and amours—but also by the keenness with which they experienced this crisis in the civilization of the ancien régime, of which they themselves were the emblem.” Displaying the aristocratic virtues of “dignity, courage, refinement of manners, culture, [and] wit,” the Duc de Lauzun, the Vicomte de Ségur, the Duc de Brissac, the Comte de Narbonne, the Chevalier de Boufflers, the Comte de Ségur, and the Comte de Vaudreuil were at the same time “irreducible individualists” and true “sons of the Enlightenment,” all of them ambitious to play their part in bringing around the great changes that were in the air. When the French Revolution came, however, they found themselves condemned to poverty, exile, and in some cases execution. Telling the parallel lives of these seven dazzling but little-remembered historical figures, Craveri brings the past to life, powerfully dramatizing a turbulent time that was at once the last act of a now-vanished world and the first act of our own.










The French Revolution and the Psychology of Revolution


Book Description

In his discussion of the general psychological causes of revolution, LeBon draws detailed illustrations of fundamental points from the French Revolution, especially the period from 1789 to 1800. LeBon's treatment of psychological causes is not confined to crowd actions or to the immediate descriptions of violent episodes in revolutions. He draws upon contemporary French clinical psychology to describe the pathological characteristics of the revolutionary leadership in France and explains many of the events of the period as a consequence of their influence.










Unbelief and Revolution


Book Description

God's word illumines the darkness of society. Groen van Prinsterer's Unbelief and Revolution is a foundational work addressing the inherent tension between religion and modernity. As a historian and politician, Groen was intimately familiar with the growing divide between secular culture and the church in his time. Rather than embrace this division, these lectures, originally published in 1847, argue for a renewed interaction between the two spheres. Groen's work served as an inspiration for many contemporary theologians, and as a mentor to Abraham Kuyper, he had a profound impact on Kuyper's famous public theology. Harry Van Dyke, the original translator, reintroduces this vital contribution to our understanding of the relationship between religion and society.




The Stranger in France. or, a Tour from Devonshire to Paris


Book Description

In 'The Stranger in France. or, a Tour from Devonshire to Paris' by John Sir Carr, the reader is taken on a journey across the channel to France through the eyes of a British traveler. The book, written in a detailed and descriptive style, provides a vivid account of the cultural differences and experiences encountered on the way to Paris. Carr's work is reminiscent of other travelogues of the time, offering a glimpse into the life and customs of early 19th-century Europe. The narrative is rich in historical and geographical details, making it a valuable source for students and scholars interested in the period. Additionally, Carr's observations on social interactions and landscapes add depth to the overall reading experience. John Sir Carr's background as a seasoned traveler and keen observer likely influenced his decision to write 'The Stranger in France.' His firsthand experiences and sharp eye for detail shine through in the narrative, providing readers with an authentic and engaging account of his journey. Carr's dedication to capturing the essence of his travels adds credibility to his work, making it a compelling read for history enthusiasts and literary scholars alike. I highly recommend 'The Stranger in France. or, a Tour from Devonshire to Paris' to readers interested in historical travel literature and cultural studies. Carr's informative and descriptive writing style, combined with his unique perspective as a British traveler in France, offers a fascinating glimpse into the past and the diverse landscapes of early 19th-century Europe.