The Pewter Plate;


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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Pewter Plate


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The Pewter Collector


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Hugh Wallis (1871 - 1943)


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The Pewter Plate


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Pewter at Colonial Williamsburg


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Pewter was the metal of choice for household goods in England and America in the seventeenth and into the eighteenth centuries. Immense quantities of porringers, candlesticks, plates, and other items could be found on both sides of the Atlantic. The collection of British pewter at Colonial Williamsburg, which illustrates the development of basic forms and types of decoration, is remarkable for its breadth and detail. The collection also contains a number of American examples that often exhibit regional and individual preferences.




Oil Painting Techniques and Materials


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Stimulating, informative guide by noted teacher covers painting technique, painting from life, materials — paints, varnishes, oils and mediums, grounds, etc. — a painter's training, more. 64 photos. 5 line drawings.




American Pewter


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Light and Shade


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“Form,” writes the author, “is developed by means of light and shade; without these every object would appear flat.” Originally published in the mid-nineteenth century, this classic approach to three-dimensional drawing was the first book to provide art students with instructions for correctly illustrating perspective outlines of various objects. An art historian noted for her authoritative reference works, Merrifield clearly demonstrates the principles of light and shade by revealing the effects of common daylight, sunshine, and candle or artificial light on geometrical solids. Her simple explanations are accompanied by illustrations of cubes, prisms, pyramids, cylinders, spheres, ovals, and cones. As useful and practical today as it was when first published well over a century ago, Light and Shade provides beginning and advanced art students with valuable insights into effective drawing and sketching.