Dissertation Abstracts International


Book Description

Abstracts of dissertations available on microfilm or as xerographic reproductions.







The Effect of Learning and Playing Songs by Ear on the Performance of Middle School Band Students


Book Description

This study sought to examine the effect of playing songs by ear on the musical performance of middle school instrumental music students in order to clarify the efficacy of non-traditional methods of instrumental music instruction. Subjects were students in grades six through eight (N=114) in three schools. Classes were designated as control and experimental groups and two experienced instrumental music teachers delivered instruction to classes in both groups. Portions of the Music Aptitude Profile (MAP) and the pretest version of the Instrumental Performance Test (IPT), designed by the researcher, were administered to students prior to the study. The IPT included subtests for music reading, aural response, and ear-tune performance. During a twelve-week treatment period students in both groups learned a repertoire of common folk songs. Students in experimental group learned songs by singing and echoing them following a teacher model and then were introduced to the musical notation. Students in the control group were given the musical notation for the songs from the outset and were asked to perform and sing the songs after studying the notation. A posttest version of the IPT was administered after the treatment period. Three expert judges evaluated student performances in the areas of pitch, rhythm, and expression using a criteria-specific rating scale. A series two-way ANCOVAs using group and aptitude as independent variables and corresponding pretest scores as covariates were conducted on each subtest of the IPT. Though trends in the data could be identified none proved to be statistically significant. Based on the results of the study it was not possible to conclude that the experimental treatment had an effect on the performance of middle school band students. However, it could also be noted that learning to perform songs by ear did not significantly hinder students' ability to perform music using notation. As a result of the study, several conclusions about the nature and design of future research could be made.







Understanding the Effects of Sequential Instrumental Music Instruction on Achievement in Literacy for Eighth Grade Students


Book Description

During the past decade urban American schools saw a decline in music programs due to value-based decisions favoring investment in subjects with high stakes testing. At the same time advances in neuroscience research point to a link between playing a musical instrument and increased literacy skills. The purpose of this case study was to understand how playing a musical instrument for five consecutive years relates to measures of literacy achievement for urban middle school students. Furthermore, how the perceptions and beliefs of educators about this relationship affect their value-based decisions was explored. The findings indicate that in seven out of eight independent t-tests of eighth grade scores from the 2014 English Language Arts MCAS exam, a statistically significant difference was found suggesting that instrumental students outscore their non-instrumental peers. Focus groups of administrators, music educators and English Language Arts educators were conducted separately and findings yielded nine major themes relating to educators' perceptions, beliefs and values. They indicate that educators have a belief system that is built on personal experiences and research. Across all three focus groups the belief was expressed that students who study a musical instrument have higher achievement on measures of literacy. This belief paired with the parallel belief that band builds skills for success, guided educators to advocate for decisions that allocate resources to increase opportunity for instrumental instruction in the studied district. Recommendations for practice include increasing opportunity for sequential instrumental instruction in urban public schools and convening small discussion groups of educators, parents or other to discuss perceptions, beliefs and values..










Studio-Based Instrumental Learning


Book Description

Kim Burwell investigates the nature of lesson interactions in studio-based instrumental teaching and learning. Focusing on a single case study of two clarinet lessons, Burwell analyses collaborative lesson activity and creates a framework to support reflection among practitioners as they continually develop their work, not only experientially - through the tradition of 'vertical transmission' from one musician to another - but collaboratively, through the 'horizontal' sharing of good practice.