The Arthurian World


Book Description

This collection provides an innovative and wide-ranging introduction to the world of Arthur by looking beyond the canonical texts and themes, taking instead a transversal perspective on the Arthurian narrative. Together, its thirty-four chapters explore the continuities that make the material recognizable from one century to another, as well as transformations specific to particular times and places, revealing the astonishing variety of adaptations that have made the Arthurian story popular in large parts of the world. Divided into four parts—The World of Arthur in the British Isles, The European World of Arthur, The Material World of Arthur, and The Transversal World of Arthur — the volume tracks the legend’s movement across temporal, geographical, and material boundaries. Broadly chronological, each part views the unfolding Arthurian story through its own lens, while temporal and geographical overlaps between the sections underscore the proximity of these developments in the legend’s history. Ranging from early Latin chronicles and Welsh poetry to twenty-first century anime and political conspiracies, this comprehensive and illuminating book will be of interest to anyone researching Arthurian literature or tracing the evolution of medievalism through literature, the visual arts, and popular culture.




New Medieval Literatures 22


Book Description

New Medieval Literatures is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces the range of European cultures, capaciously defined. Book jacket.




The New Cambridge Companion to Medieval Romance


Book Description

This new Companion introduces the most important medieval vernacular literary genre in Britain and continental Europe.




The Philomena of Chrétien the Jew: The Semiotics of Evil


Book Description

Ovid's gruesome tale of rape, mutilation, and revenge, transformed into Philomena and retold in French octosyllables, found its way into the fourteenth century Ovide moralisé with a signature at its mid-point: Crestiens li gois, the great twelfth century romancer's early avatar. Writing two generations after the Jewish massacres of the First Crusade, Christian the Goy playfully alludes to his hybrid status as a forced convert, even as he hides his identity in order to invent - like Philomena herself - new signs, a new language to speak the unspeakable and construct a fictional universe whose universalist values offer a critique of contemporary society. Such is Peter Haidu's conjecture and argument, combining philology, history and theory to offer a political interpretation and close reading of how a young poet transposed his horror at the holocaust of 1096. Left unpublished at his death, this summa of Peter Haidu's long and distinguished career as medievalist, literary theorist, historian, and master interpreter of Chrétien de Troyes, has been edited by Matilda Tomaryn Bruckner, Professor emerita of French (Boston College).




Witnessing to Christ Today


Book Description

The Centenary of the World Missionary Conference, held in Edinburgh in 1910, is a suggestive moment for many people seeking direction for Christian mission in the twenty-first century. Since 2005 an international group has worked collaboratively to develop an intercontinental and multidenominational project, now known as Edinburgh 2010, and based at New College, University of Edinburgh. Essential to the work of the Edinburgh 1910 Conference, and of abiding value, were the findings of the eight think-tanks or 'commissions'. These inspired the idea of a new round of collaborative reflection on Christian mission - but now focused on nine themes identified as being key to mission in the twenty-first century. The study process is intended to contribute, from a research perspective, to the aim of Edinburgh 2010 - witnessing together to Christ in the twenty-first century - and to the development of a new vision in terms of God's purposes for creation in Christ and a renewed spirituality and mission ethos in the life of churches worldwide. Witnessing to Christ Today contains a summary of what has been achieved through the study process up to the end of 2009 and forms the preparatory volume for the centenary conference to be held in Edinburgh on 2-6 June 2010. There the material will be subjected to rigorous critique from various transversal perspectives and engaged with by church and mission delegates from around the world.




Reading Dante and Proust by Analogy


Book Description

What can Dante tell us about Proust, and what can Proust tell us about Dante? In this book, Hartley follows a process of analogy, reading Dante's Divine Comedy and Proust's À la recherche du temps perdu in light of one another in order to offer new insights into both works. Navigating Dante and Proust's different literary and historical contexts, as well as the rich body of scholarship that their works have generated, Hartley explores in particular their treatments of subjectivity, authorship, and vocation. The book's comparative perspective brings a unique contribution to such debated issues as the universality of Dante's poem, Proust's elevation of art, and the relationship between gender and literary authority. Julia Hartley is a Leverhulme Early Career Fellow in the School of Modern Languages and Cultures, University of Warwick.




Set in Stone


Book Description

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Gender and Christianity in Medieval Europe


Book Description

In Gender and Christianity in Medieval Europe, six historians explore how medieval people professed Christianity, how they performed gender, and how the two coincided. Many of the daily religious decisions people made were influenced by gender roles, the authors contend. Women's pious donations, for instance, were limited by laws of inheritance and marriage customs; male clerics' behavior depended upon their understanding of masculinity as much as on the demands of liturgy. The job of religious practitioner, whether as a nun, monk, priest, bishop, or some less formal participant, involved not only professing a set of religious ideals but also professing gender in both ideal and practical terms. The authors also argue that medieval Europeans chose how to be women or men (or some complex combination of the two), just as they decided whether and how to be religious. In this sense, religious institutions freed men and women from some of the gendered limits otherwise imposed by society. Whereas previous scholarship has tended to focus exclusively either on masculinity or on aristocratic women, the authors define their topic to study gender in a fuller and more richly nuanced fashion. Likewise, their essays strive for a generous definition of religious history, which has too often been a history of its most visible participants and dominant discourses. In stepping back from received assumptions about religion, gender, and history and by considering what the terms "woman," "man," and "religious" truly mean for historians, the book ultimately enhances our understanding of the gendered implications of every pious thought and ritual gesture of medieval Christians. Contributors: Dyan Elliott is John Evans Professor of History at Northwestern University. Ruth Mazo Karras is professor of history at the University of Minnesota, and the general editor of The Middle Ages Series for the University of Pennsyvlania Press. Jacqueline Murray is dean of arts and professor of history at the University of Guelph. Jane Tibbetts Schulenberg is professor of history at the University of Wisconsin—Madison.




Courtly Love Undressed


Book Description

Reading through clothes reveals that the expression of female desire, so often effaced in courtly lyric and romance, can be registered in the poetic deployment of fabric and adornment, and that gender is often configured along a sartorial continuum, rather than in terms of naturally derived categories of woman and man.




The Subject Medieval/Modern


Book Description

This work presents a thorough historicist account of the development of subjectivity in the medieval period, as traced in medieval literature and historical documentation.