The Photographer František Drtikol


Book Description

"Although the book covers many aspects of Drtikol's career and life-work, it is mainly devoted to his photographs. 120 duotone and 8 colour full-page reproductions of Drtikol's works from the Museum of Decorative Arts in Prague and a number of other public and private collections illustrate representative selections from all his creative periods, with an emphasis on Drtikol's masterly nudes from the second half of the 1920s, when he moved gradually from his beginnings in pictorialism and symbolism to react in his highly individual way to current avant-garde trends. The text, supplemented with almost fifty other reproductions, analyzes and characterizes Drtikol's photographs and locates them in the wider spiritual and artistic context of their time with the help of quotations from Drtikol's notes and correspondence. The monograph also contains a complete exhibition history, bibliographic listing, and a number of little known works, some never before published."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




Samuel Fritz


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Frantisek Drtikol


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Czech Vision


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Edited by Howard Greenberg, Annette Kicken, Rudolf Kicken. Preface by Suzanne Pastor. Text by Vladimir Birgus, et. al.




Jaroslav Rössler


Book Description

Jaroslav Rössler (1902-1990) was one of the Czech avant-garde photographers of the first half of the 20th century whose work has only recently become known outside Eastern Europe. This text documents each stage of Rössler's career with a generous selection of duotone images, some of which have never been published before.




Czech Photography of the 20th Century


Book Description

"Czech Photography of the 20th Century, published simultaneously in Czech and English versions, is the first book to present the main trends, figures, and works of Czech photography from the beginning to the end of the last century to such a large extent. Its 517 plates include not only the most important, well-known photographs and photomontages, but also works that have long been forgotten or are published for the first time. The book is arranged in seventeen chapters, supplemented with chronologies of the most important events in twentieth-century Czech photography and history." --Publisher's website.




The Body


Book Description

The sensual curve of the shoulder, the disturbing line of a scar, the magnetic pull of a lashed eye -- since the birth of photography, images of the human body have attracted, disturbed, fascinated, and obsessed us. The body has been scrutinized by medical and anatomical photographers; it has been celebrated by photographers of sport and dance; it has inspired a long tradition of photographing the nude; and it has been depicted in phantasmagoric terms. In this rich, involving archive of over 360 duotone and color images culled from worldwide collections, renowned photo curator William A. Ewing has compiled the most comprehensive and arresting visual survey ever published of the human form. From nineteenth-century erotica to the politicized images of the 1990s, The Body offers an exciting, elegantly packaged, provocative record of the camera's infatuation with the human figure.




Reflection


Book Description

This book focuses mainly on Banka?s early work and is divided into three areas entitled?Construction, Figuration, and Abstraction?. The title Construction refers to the way an image is constructed by light. Banka photographs panels of mirrors placed in a landscape, he opens windows, thus reflecting and focusing the view into the interior. The mechanisms of light shining through or being reflected, as captured in Banka?s photographs, refine both the vision and the awareness of space. In his kinetic, phased figurative pictures, Banka?s wife, his daughter, or he himself then become the protagonists of a few second-long photographic actions: a simple movement creates a sequence, interconnecting personal and general levels. Other photographs play out almost on the surface so to speak. The term?Abstraction? is not used to suggest the notion that images lose their descriptiveness? rather, they shed the shackles of exact contours, becoming blurry and gaining evocativeness. 00Exhibition: Schilt Gallery, Amsterdam, The Netherlands (20.11.2016-26.02.2017).




Rudolf Koppitz, 1884-1936


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