The Photographic Studios of Europe


Book Description

The Photographic Studios of Europe, first published in 1882, is the only detailed account available of working practices and conditions in the studios of the leading photographers of the Victorian period.







The Photographic Studios of Europe


Book Description

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1882 edition. Excerpt: ... It will be seen at once how quickly an arrangement of this kind works. In the first place, the light comes down almost vertical, and therefore it is the hest of all lights for the purpose. In cloudy weather the light is not interfered with in the least; but in bright sunshine a screen of opal glass is employed. The assistant slips the negative to be copied into the camera; he focuses at A, measures with a quarter-plate in his hand the size of the head (for all heads are enlarged to this size), and then calls for a sensitized plate. A lad, whose duty it is to supply him with these, withdraws a collodionised plate from the bath, drains it, and simply places it on the table (A). There is no dark slide required--no loss of time involved in fitting the plate into an apparatus of any kind; it is bare and moist, and laid on the table. An exposure of two minutes suffices, and the film is then carried off for development. All twenty-four lenses are of the same make--No, 1b Dallmeyer's; all the plates are coated with the same collodion, and all are treated with the same developer, &c. Consequently the work of all assistants should be the same if they work well and conscientiously. The Messrs. Taylor thoroughly believe in system, and they have here initiated a self-checking method that cannot fail to work satisfactorily. We have been talking about collodion transfers only, but opalcoated plates are here produced under the same conditions. But we ought, perhaps, to go hack a moment to the preparation of the glass, &c. The chief difficulty in making collodion transfers, or collodion enlargements on opal, as many of our readers know to their cost, is the tendency of these to stain, and on this point we had some conversation with our good friend the...




The Studios of Europe


Book Description




The Photographic Studios of Europe - Primary Source Edition


Book Description

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.







The Studios of Europe (Classic Reprint)


Book Description

Excerpt from The Studios of Europe Let us suppose the reader desires to learn something of collo type or Lichtdruck printing. Under the heading of processes, and Printing, Collotype, he will find the names of the authorities given, together with the pages where the information is to be found. Here are not only all the formulae and the manipulations involved, but they are the formula and manipula tions actually made use of by the chief authorities, and which have been found by experience to be the best. The whole practice, as we have personally viewed it in the studios of such men as Obemetter, Albert, and Lo'wy, is put before the reader as plainly and concisely as it is in our power to do. Or, take a more Simple subject, that of mounting. In five minutes the reader ma refer to the practice of half a dozen of the chief ateliers in urope, and adopt either one or other of the modes of working as pleases him best. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Studios of Europe


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Image Matters


Book Description

Campt explores the affective resonances of two archives of Black European photographs for those pictured, their families, and the community. Image Matters looks at photograph collections of four Black German families taken between 1900 and the end of World War II and a set of portraits of Afro-Caribbean migrants to Britain taken at a photographic studio in Birmingham between 1948 and 1960.