The Place of the Antique in Early Modern Europe


Book Description

A scholar's desk, a warlord's castle, a pope's altar, the mouth of a volcano: in the minds of early modern Europeans, all evoked memories of ancient times, from Egyptian pharaohs to Roman emperors. The essays in this catalog explore the influence of antiquity on a broad spectrum of artistic production in Europe, from the sixteenth through eighteenth centuries. They include investigations of proto-scientific imagery, Ovidian myth, allegorical devices, the papal banquet, and the growing importance of Greece to understandings of the ancient world. Together, these essays reveal much about the continual remaking of the antique in the visual culture of Europe.




Beyond Greece and Rome


Book Description

Classical reception in early modern Europe is often perceived in modern scholarship as being dominated by engagements with Greece and Rome. The essays in this volume aim to challenge this prevailing view by collectively arguing for the significance and familiarity of the ancient near east to early modern Europe as part of a wider classical world.




Inky Fingers


Book Description

An Open Letters Review Best Book of the Year “Grafton presents largely unfamiliar material...in a clear, even breezy style...Erudite.” —Michael Dirda, Washington Post In this celebration of bookmaking in all its messy and intricate detail, Anthony Grafton captures both the physical and mental labors that went into the golden age of the book—compiling notebooks, copying and correcting proofs, preparing copy—and shows us how scribes and scholars shaped influential treatises and forgeries. Inky Fingers ranges widely, from the theological polemics of the early days of printing to the pathbreaking works of Jean Mabillon and Baruch Spinoza. Grafton draws new connections between humanistic traditions and intellectual innovations, textual learning and the delicate, arduous, error-riddled craft of making books. Through it all, he reminds us that the life of the mind depends on the work of the hands, and the nitty gritty labor of printmakers has had a profound impact on the history of ideas. “Describes magnificent achievements, storms of controversy, and sometimes the pure devilment of scholars and printers...Captivating and often amusing.” —Wall Street Journal “Ideas, in this vivid telling, emerge not just from minds but from hands, not to mention the biceps that crank a press or heft a ream of paper.” —New York Review of Books “Grafton upends idealized understandings of early modern scholarship and blurs distinctions between the physical and mental labor that made the remarkable works of this period possible.” —Christine Jacobson, Book Post “Scholarship is a kind of heroism in Grafton’s account, his nine protagonists’ aching backs and tired eyes evidence of their valiant dedication to the pursuit of knowledge.” —London Review of Books




Visual Cultures of Secrecy in Early Modern Europe


Book Description

Secrets in all their variety permeated early modern Europe, from the whispers of ambassadors at court to the emphatically publicized books of home remedies that flew from presses and booksellers’ shops. This interdisciplinary volume draws on approaches from art history and cultural studies to investigate the manifestations of secrecy in printed books and drawings, staircases and narrative paintings, ecclesiastical furnishings and engravers’ tools. Topics include how patrons of art and architecture deployed secrets to construct meanings and distinguish audiences, and how artists and patrons manipulated the content and display of the subject matter of artworks to create an aura of exclusive access and privilege. Essays examine the ways in which popes and princes skillfully deployed secrets in works of art to maximize social control, and how artists, printers, and folk healers promoted their wares through the impression of valuable, mysterious knowledge. The authors contributing to the volume represent both established authorities in their field as well as emerging voices. This volume will have wide appeal for historians, art historians, and literary scholars, introducing readers to a fascinating and often unexplored component of early modern culture.




What was History?


Book Description

One of the world's leading cultural historians on writing about history in early modern Europe.




Writing Royal Entries in Early Modern Europe


Book Description

Royal and ducal entries into major cities were an important aspect of political life in Renaissance and early modern Europe and the New World. The festivities provided an opportunity for the municipal authorities to show off their wealth, learning, political nous, and aspiration while allowing writers, painters, sculptors, architects, set-designers, scene-painters, dancers, musicians, choreographers, and others an unparalleled opportunity to showcase their wares. The essays in this volume cover a range of royal and ducal entries, some well documented and well known, others less so, some barely documented at all. Each essay tackles an aspect of the business of putting together an entry festivity, discusses a particular difficulty posed for the contemporary scholar by the extant documentation, or offers a consideration of issues central to the development of this type of festivity or the literature associated with it. The entries and royal progresses of members of the Habsburg, Medici, Valois, Bourbon, and Tudor dynasties are examined, as are the festivities commissioned and mounted by powerful and strategically important cities such as Berlin, Antwerp, Paris, Florence, London, and Mexico City to welcome these great personages or their marginally less great ducal representatives.




Baroque Antiquity


Book Description

As if in a Bright Mirror -- Conclusion -- Notes -- Abbreviations -- Bibliography of Cited Works -- Index




Women and Art in Early Modern Europe


Book Description

While most of the projects discussed are consistent with the period's male-sanctioned concept of female patronage as an expression of conjugal devotion or dynastic promotion, at the same time the women involved devised strategies that circumvented these rules, allowing them to explore the potential or art as a means of proclaiming their own identity and taste.




The Ancient City


Book Description

This book provides a survey of modern debates on Greek and Roman cities, and a sketch of the cities' chief characteristics.




Possessing Nature


Book Description

In 1500 few Europeans regarded nature as a subject worthy of inquiry. Yet fifty years later the first museums of natural history had appeared in Italy, dedicated to the marvels of nature. Italian patricians, their curiosity fueled by new voyages of exploration and the humanist rediscovery of nature, created vast collections as a means of knowing the world and used this knowledge to their greater glory. Drawing on extensive archives of visitors' books, letters, travel journals, memoirs, and pleas for patronage, Paula Findlen reconstructs the lost social world of Renaissance and Baroque museums. She follows the new study of natural history as it moved out of the universities and into sixteenth- and seventeenth-century scientific societies, religious orders, and princely courts. Findlen argues convincingly that natural history as a discipline blurred the border between the ancients and the moderns, between collecting in order to recover ancient wisdom and the development of new textual and experimental scholarship. Her vivid account reveals how the scientific revolution grew from the constant mediation between the old forms of knowledge and the new.