The Platonism of Shelley


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The Cambridge Companion to Shelley


Book Description

Percy Bysshe Shelley (1792–1822) was an extraordinary poet, playwright and essayist, revolutionary both in his ideas and in his artistic theory and practice. This 2006 collection of original essays by an international group of specialists is a comprehensive survey of the life, works and times of this radical Romantic writer. Three sections cover Shelley's life and posthumous reception; the basics of his poetry, prose and drama; and his immersion in the currents of philosophical and political thinking and practice. As well as providing a wide-ranging look at the state of existing scholarship, the Companion develops and enriches our understanding of Shelley. Significant new contributions include fresh assessments of Shelley's narratives, his view of philosophy, and his role in emerging views about ecology. With its chronology and guide to further reading, this lively and accessible Companion is an invaluable guide for students and scholars of Shelley and of Romanticism.




Platonism and the English Imagination


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This is the first compendious study of the influence of Plato on the English literary tradition, showing how English writers used Platonic ideas and images within their own imaginative work. Established experts and new writers have worked together to produce individual essays on more than thirty English authors, including Shakespeare, Milton, Blake, Wordsworth, T. S. Eliot, Auden and Iris Murdoch; and the book is divided chronologically, showing how every age has reconstructed Platonism to suit its own understanding of the world.




The Dark Angel: Gothic Elements in Shelley's Works


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By establishing a relationship between Shelley's works and the Gothic tradition, this study offers a new way of approaching the center of Shelley's thought. Consideration of Shelley's application of the Gothic mode as an agency for psychological analysis is preceded by a brief introduction to Gothic sensibility.




The Oxford Handbook of Percy Bysshe Shelley


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The book is an authoritative and up-to-date collection of original essays on one of the greatest of all English poets, Percy Bysshe Shelley. It covers a wide range of topics, exploring Shelley's life and work from various angles.




Thomas Taylor, the Platonist


Book Description

This volume makes available to the modern reader selected writings of Thomas Taylor, the eighteenth-century English Platonist. TO Taylor we are indebted for the first full translation into English of Plato and Aristotle. Platonism, as Taylor saw it, was an informing principle, transmitted through a "golden chain of philosophers," a doctrine received by Socrates and Plato from the Orphic and Pythagorean past and transmitted to the future. It emerged again and again, enriched in the School of Alexandria, in Renaissance art, in the works of Spenser, Shelley, Yeats. Kathleen Raine is well known as a poet. GEorge Mills Harper is Professor of English, University of Florida. Bollingen Series LXXXVIII. Originally published in 1969. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.




Platonism and the English Imagination


Book Description

This is the first comprehensive overview of the influence of Platonism on the English literary tradition, showing how English writers, including Chaucer, Shakespeare, Milton, Blake, Wordsworth, Yeats, Pound and Iris Murdoch, used Platonic themes and images within their own imaginative work.




Shelley's theory of poetry


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The Complete Poetry of Percy Bysshe Shelley


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Winner of the 2013 Richard J. Finneran Award, Society for Textual ScholarshipOutstanding Academic Title, Choice "His name is Percy Bysshe Shelley, and he is the author of a poetical work entitled Alastor, or the Spirit of Solitude.” With these words, the radical journalist and poet Leigh Hunt announced his discovery in 1816 of an extraordinary talent within “a new school of poetry rising of late.” The third volume of the acclaimed edition of The Complete Poetry of Percy Bysshe Shelley includes Alastor, one of Shelley’s first major works, and all the poems that Shelley completed, for either private circulation or publication, during the turbulent years from 1814 to March 1818: Hymn to Intellectual Beauty, Mont Blanc, Laon and Cythna, as well as shorter pieces, such as his most famous sonnet, Ozymandias. It was during these years that Shelley, already an accomplished and practiced poet with three volumes of published verse, authored two major volumes, earned international recognition, and became part of the circle that was later called the Younger Romantics. As with previous volumes, extensive discussions of the poems’ composition, influences, publication, circulation, reception, and critical history accompany detailed records of textual variants for each work. Among the appendixes are Mary W. Shelley’s 1839 notes on the poems for these years, a table of the forty-two revisions made to Laon and Cythna for its reissue as The Revolt of Islam, and Shelley’s errata list for the same. It is in the works included in this volume that the recognizable and characteristic voice of Shelley emerges—unmistakable, consistent, and vital.




The Unfamiliar Shelley


Book Description

Stimulated by new editions of Shelley's writings and the evidence of notebooks, the editors have assembled an outstanding group of international Shelley scholars to work through the implications of recent advances in scholarship. With particular attention to texts that have been neglected or underestimated, the contributors consider many important aspects of Shelley's prolific and remarkably diverse output, including the verse letter, plays, prose essays, satire, pamphlets, political verse, romance, prefaces, translations from the Greek, prose style, artistic representations, fragments and early writings. Revaluations of Shelley's youthful works, often criticized for their over-exuberance, pay dividends as they reveal Shelley's early maturation as a writer and also shed light on his later achievement. Taken as a whole, the collection makes evident that Shelley's reputation has been based largely on surprisingly imperfect and incomplete edited publications, driven by Victorian taste and culture. A writer very different from the one we thought we knew emerges from these essays, which are sure to inspire more reappraisals of Shelley's work.