Faith Speaking Understanding


Book Description

In this volume, highly esteemed scholar Kevin Vanhoozer introduces readers to a way of thinking about Christian theology that takes the work he began in the groundbreaking 2005 book, The Drama of Doctrine, to its next level. Vanhoozer argues that theology is not merely a set of cognitive beliefs, but is also something we do that involves speech and action alike. He uses a theatrical model to explain the ways in which doctrine shapes Christian understanding and forms disciples. The church, Vanhoozer posits, is the preeminent theater where the gospel is "performed," with doctrine directing this performance. Doctrines are not simply truths to be stored, shelved, and stacked, but indications and directions to be followed, practiced, and enacted. In "performing" doctrine, Christians are shaped into active disciples of Jesus Christ. He goes on to examine the state of the church in today's world and explores how disciples can do or perform doctrine. Written in an accessible and engaging style, Faith Speaking Understanding sets forth a compelling vision of what the church is and what it should be doing, and demonstrates the importance of Christian doctrine for this mission. Disciples who want to follow Christ in all situations need doctrinal direction as they walk onto the social stage in the great theater of the world. The Christian faith is about acknowledging, and participating in, the great thing God is doing in our world: making all things new in Christ through the Holy Spirit. Doctrine ministers understanding: of God, of the drama of redemption, of the church as a company of faithful players, and of individual actors, all of whom have important roles to play. In an age where things fall apart and centers fail to hold, doctrine centers us in Jesus Christ, in whom all things hold together.




Faith & Play


Book Description

In this revised and expanded edition of Faith & Play(TM) Quaker Stories for Friends Trained in the Godly Play(R) Method, stories published before 2015 have been revised based on experience and feedback, and new stories have been added along with additional supplementary materials developed to support storytellers. Faith & Play(TM) is a story-based curriculum focused on building spiritual community with children and offering them images and language to express their wonder and experience of the Divine. Faith & Play(TM) grew out of Friends' work with the Godly Play(R) story curriculum, which embodies the Montessori belief that play is children's work and has dignity. These curricula support continuing revelation; multiple perspectives on a story; silence, reflection, and corporate sharing as valuable components of the spiritual life; and the diversity of ways the Spirit works within each person. While the Godly Play stories used by Friends are based on the Bible, Faith & Play stories include Quaker faith, practice and witness, as well as some Bible content told in ways that reflect Quaker sensibilities. Faith & Play stories are meant to be used in conjunction with Godly Play and we do not recommend using either resource without adequate training.




Godly Play


Book Description

Meaningful, lasting learning comes from childlike curiosity and play. The approach of this book is to make relgious instruction fun, spontaneous and deeply spiritual. Godly Play is a practical yet innovative approach to religious education--becoming childlike in order to teach children.




Body of Faith


Book Description

"Cast: Flexible cast. As many as 19, as few as 8. This play is part of Cornerstone Theatre's Faith-Based Theater Cycle, a four-and-a-half-year series of projects exploring the question: How does faith unite and divide us? It is a theatrical celebration and examination of a lesbian/gay/bisexual/transgender interfaith community, examining the complex and dynamic relationship between faith and identity. The story is told in a vignette, modern-vaudeville-style, at once a choral assemblage and a presentation of monologues and scenes that chronicle a community in search of its authenticity. The play was created by the playwright and 19 participants whose life stories form the basis for this multidisciplined theatre piece. Flexible staging. Approximate running time: 1 hour, 20 minutes."--Publisher's website.




Religion, Theatre, and Performance


Book Description

The intersections of religion, politics, and performance form the loci of many of the most serious issues facing the world today, sites where some of the world’s most pressing and momentous events are contested and played out. That this circumstance warrants continued, thoughtful, and imaginative engagement from those within the fields of theatre and performance is one of the guiding principles of this volume. This collection features a diverse set of perspectives, written by some of the top scholars in the relevant fields, on the many modern intersections of religion with theatre and performance. Contributors argue that religion can no longer be conceived of as a cultural phenomenon that is safely sequestered in the "private sphere." It is instead an explicitly public force that stimulates and complicates public actions, and thus a crucial component of much performance. From mystic theologies of acting to the neuroscience of spirituality in rituals to the performance of secularism, these essays address a broad variety of religious traditions, sharing a common conception of religion as a crucial object of discourse—one that is formed by, and significantly formative of, performance.




Crazy Faith


Book Description

NEW YORK TIMES BESTSELLER • From the author of Relationship Goals . . . Will you be remembered as a person who claimed to follow God but liked to play it safe? Or as a person who lived your life out on the limb and trusted God enough to live in crazy faith? Noah looked crazy when he started building the ark . . . until it started raining. It was crazy for Moses to lead a nation of people into the desert away from Egypt . . . until the Red Sea parted. It was crazy to believe that a fourteen-year-old virgin would give birth to the Son of God . . . until Mary held Jesus in her arms. There are many things that seem normal or average today that at one point in time seemed absolutely crazy. Smartphones, Wi-Fi, and even the electric light bulb were all groundbreaking, history-making inventions that started out as crazy ideas. Our see-it-to-believe-it generation tends to have a hard time exercising true faith—one that steps out, takes action, and sees mountain-moving results. Many of us would rather play it safe and stand on the sidelines, but it’s crazy faith that helps us see God move and reveals His promises. In Crazy Faith, Pastor Michael Todd shows us how to step out in faith and dive into the purposeful life of trusting God for the impossible. Even if you have to start with baby faith or maybe faith, you can become empowered to let go of your lazy faith, trust God through your hazy faith, and learn to live a lifestyle of crazy faith. With powerful stories of modern-day faith warriors who take their cues from biblical heroes, Michael Todd equips you to • believe for the impossible • choose hope over fear • be alert to the voice of God • cope with loss and doubt • develop a deeper level of trust in God • speak faith-filled declarations • inspire crazy faith in others God’s not looking for somebody to give Him all the reasons why His plans can’t happen. He’s looking for somebody to believe they will happen. In fact, He has so much He wants to do through you. The question is, Are you crazy enough to believe it?




Faith in Shakespeare


Book Description

Rather than exploring faith as it relates to various political and historical controversies of the early modern period, Richard McCoy argues that "faith" in Shakespearean drama is best viewed as secular and poetic instead of an exclusively religious phenomenon.




The Plays


Book Description




Theatrical Theology


Book Description

Theology is inherently theatrical, rooted in God's performance on the world stage and oriented toward faith seeking performative understanding in the theatre of everyday life. Following Hans Urs von Balthasar's magisterial, five-volume Theo-Drama, a growing number of theologians and pastors have been engaging more widely with theatre and drama, producing what has been recognized as a "theatrical turn" in theology. This volume includes thirteen essays from theologians and pastors who have contributed in distinct ways to this theatrical turn and who desire to deepen interdisciplinary dialogue between theology and theatre. The result is an unprecedented collection of essays that embodies and advances theatrical theology for the purpose of enriching theological reflection and edifying the church.




Staging Faith


Book Description

- "Lively descriptions... compelling analysis... and careful attention to historical contexts." - Judith Weisenfeld, author of Hollywood Be Thy Name "Methodically and brilliantly probes the nuances... One of the most brilliant and engaging studies on African American theater." - David Krasner, author of A Beautiful Pageant