The Plays of John Heywood


Book Description

The series is performing an important service by providing fully annotated editions of Tudor humanists and playwrights in the original Tudor English, with glossaries and listing of textual variants and doubtful readings. COMPARATIVE DRAMA `A first-rate edition that substantially advances the cause of scholarship.' COMPARATIVE DRAMA First complete and fully annotated collection of John Heywood's plays in the original language. It makes possible a reevaluation ofhis remarkable achievement as actor-playwright and an appreciation of his lively contribution to the English language. In all their experimental variety the comedies are seen to have the stamp of an idiosyncratic, theatricalintelligence coupled with a surprising seriousness and Heywood emerges as a resourceful apologist for traditional Catholic doctrine in a time of Reformation. In arguing for a new chronology, the editors suggest that Henry VIII'sservant and entertainer was capable of refreshing irreverence and political daring. Contents: Witty and Witles, Johan Johan, The Pardoner and theFrere, The Foure PP, A Play of Love, The Play of the Wether. Notes.Appendices: Verses from a lost Play of Reason, Translation of . RICHARD AXTON is a Fellow of Christ's College, Cambridge, and University lecturer in English. PETER HAPPÉis the former Principal of Barton PeverilSixth-Form College.




The Play of the Weather


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John Heywood


Book Description

The first comprehensive scholarly biography of the Tudor playwright, poet, musician, singer, proverb-collector, and satirist, John Heywood.




A Play of Love


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The Proverbs of John Heywood


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




English Drama Before Shakespeare


Book Description

English Drama before Shakespeare surveys the range of dramatic activity in English up to 1590. The book challenges the traditional divisions between Medieval and Renaissance literature by showing that there was much continuity throughout this period, in spite of many innovations. The range of dramatic activity includes well-known features such as mystery cycles and the interludes, as well as comedy and tragedy. Para-dramatic activity such as the liturgical drama, royal entries and localised or parish drama is also covered. Many of the plays considered are anonymous, but a coherent, biographical view can be taken of the work of known dramatists such as John Heywood, John Bale, and Christopher Marlowe. Peter Happé's study is based upon close reading of selected plays, especially from the mystery cycles and such Elizabethan works as Thomas Kyd's The Spanish Tragedy. It takes account of contemporary research into dramatic form, performance (including some important recent revivals), dramatic sites and early theatre buildings, and the nature of early dramatic texts. Recent changes in outlook generated by the publication of the written records of early drama form part of the book's focus. There is an extensive bibliography covering social and political background, the lives and works of individual authors, and the development of theatrical ideas through the period. The book is aimed at undergraduates, as well as offering an overview for more advanced students and researchers in drama and in related fields of literature and cultural studies.




Thomas Heywood's Theatre, 1599-1639


Book Description

In this major reassessment of his subject, Richard Rowland restores Thomas Heywood-playwright, miscellanist and translator-to his rightful place in early modern theatre history. Rowland contextualises and historicises this important contemporary of Shakespeare, locating him on the geographic and cultural map of London through the business Heywood conducts in his writing. Thomas Heywood's Theatre, 1599-1639, fits a fascinating piece into the emerging picture of the 'complete' early modern English theatre.




Theatre and Humanism


Book Description

English drama at the beginning of the sixteenth century was allegorical, didactic and moralistic; but by the end of the century theatre was censured as emotional and even immoral. How could such a change occur? Kent Cartwright suggests that some theories of early Renaissance theatre - particularly the theory that Elizabethan plays are best seen in the tradition of morality drama - need to be reconsidered. He proposes instead that humanist drama of the sixteenth century is theatrically exciting - rather than literary, elitist and dull as it has often been seen - and socially significant, and he attempts to integrate popular and humanist values rather than setting them against each other. Taking as examples the plays of Marlowe, Heywood, Lyly and Greene, as well as many by lesser-known dramatists, the book demonstrates the contribution of humanist drama to the theatrical vitality of the sixteenth century.