The Poems of Emma Lazarus


Book Description

With biographical sketch by her sister, Josephine Lazarus, originally published in Century magazine, Oct., 1888. cf. Jewish ency. Part of the poems are reprinted from the Century, Lippincott's magazine, the Critic, and the American Hebrew. CONTENTS.- I. Narrative, lyric, and dramatic.- II. Jewish poems: translations.







The Poems of Emma Lazarus, Volume II


Book Description

Volume II of the two-volume set features verse with historic Jewish themes as well as translations of 11th-century Hebrew poetry and works by Heinrich Heine, Petrarch, and Alfred de Musset.




Emma Lazarus


Book Description

Winner of the National Jewish Book Award Emma Lazarus’s most famous poem gave a voice to the Statue of Liberty, but her remarkable story has remained a mystery until now. Drawing upon a cache of personal letters undiscovered until the 1980s, Esther Schor brings this vital woman to life in all her complexity—as a feminist, a Zionist, and a trailblazing Jewish-American writer. Schor argues persuasively for Lazarus’s place in history as an activist and a prophet of the world we all inhabit today. As a stunning rebuke to fear, xenophobia, and isolationism, Lazarus's life and work are more relevant now than ever before.




The Poems of Emma Lazarus, Volume 2 Jewish Poems


Book Description

The Poems of Emma Lazarus, Volume 2 Jewish poems: Translations by Emma Lazarus One hesitates to lift the veil and throw the light upon a life so hidden and a personality so withdrawn as that of Emma Lazarus; but while her memory is fresh, and the echo of her songs still lingers in these pages, we feel it a duty to call up her presence once more, and to note the traits that made it remarkable and worthy to shine out clearly before the world. Of dramatic episode or climax in her life there is none; outwardly all was placid and serene, like an untroubled stream whose depths alone hold the strong, quick tide. The story of her life is the story of a mind, of a spirit, ever seeking, ever striving, and pressing onward and upward to new truth and light. Her works are the mirror of this progress. In reviewing them, the first point that strikes us is the precocity, or rather the spontaneity, of her poetic gift. She was a born singer; poetry was her natural language, and to write was less effort than to speak, for she was a shy, sensitive child, with strange reserves and reticences, not easily putting herself "en rapport" with those around her. Books were her world from her earliest years; in them she literally lost and found herself. She was eleven years old when the War of Succession broke out, which inspired her first lyric outbursts. Her poems and translations written between the ages of fourteen and seventeen were collected, and constituted her first published volume. Crude and immature as these productions naturally were, and utterly condemned by the writer's later judgment, they are, nevertheless, highly interesting and characteristic, giving, as they do, the keynote of much that afterwards unfolded itself in her life. One cannot fail to be rather painfully impressed by the profound melancholy pervading the book. The opening poem is "In Memoriam,"-on the death of a school friend and companion; and the two following poems also have death for theme. "On a Lock of my Mother's Hair" gives us reflections on growing old. These are the four poems written at the age of fourteen. There is not a wholly glad and joyous strain in the volume, and we might smile at the recurrence of broken vows, broken hearts, and broken lives in the experience of this maiden just entered upon her teens, were it not that the innocent child herself is in such deadly earnest We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.







Jewish American Poetry


Book Description

A rich and provocative overview of Jewish American poetry.







Emma Lazarus


Book Description

The greatest American Jewish author of the nineteenth century, Emma Lazarus was a celebrated poet and humanitarian activist. This edition is a broad collection of her writings, including her essays, previously unpublished poems, her innovative late work, and, in its entirety, her most important book, Songs of a Semite (1882). Her best known poem, “The New Colossus” (the 1883 Statue of Liberty poem that made Lazarus a national icon), is also here, along with a selection of cultural documents that help contextualize her work in relation to contemporary debates about Jewish history, the Russian pogroms of the 1880s, the creation of a Jewish homeland in Palestine, immigration, and antisemitism.




Songs of a Semite: The Dance to Death, and Other Poems (Classic Reprint)


Book Description

Excerpt from Songs of a Semite: The Dance to Death, and Other Poems Scene I. A Street in the Judengasse, outside the Synagogue. During this scene Jews and Jewesses, singly and in groups, with prayer-books in their hands pass across the stage and go into the Synagogue. Among them, enter Baruch and Naphtali. Naphtali. Hast seen him yet? Baruch. Nay; Rabbi Jacob's door Swung to behind him, just as I puffed up O'erblown with haste. See how our years weigh, cousin. Who'd judge me with this paunch a temperate man, A man of modest means, a man withal Scarce overpast his prime? Well, God be praised, If age bring no worse burden! Who is this stranger? Simon the Leech tells me he claims to bear Some special message from the Lord - no doubt To-morrow, fresh from rest, he'll publish it Within the Synagogue Naphtali. To-morrow, man? He will not hear of rest - he comes anon - Shall we within? Baruch. Rather let's wait, And scrutinize him as he mounts the street. Since you denote him so remarkable, You've whetted my desire. Naphtali. A blind, old man, Mayhap is all you'll find him - spent with travel. His raiment fouled with dust, his sandaled feet Road-bruised by stone and. bramble. But his face! - Majestic with long fall of cloud-white beard, And hoary wreath of hair - oh, it is one Already kissed by angels. Baruch. Look, there limps Little Manasseh, bloated as his purse, And wrinkled as a frost-pinched fruit. I hear His last loan to the Syndic will result In quadrupling his wealth. Good Lord! what luck Blesses some folk, while good men stint and sweat And scrape, to merely fill the household larder. What said you of this pilgrim, Naphtali? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.