The Poets Tongues: Multilingualism in Literature


Book Description

Professor Forster studies poetry written in languages other than the poet's native tongue to survey multilingualism and its effects on literature.




Tongues of Fire


Book Description

Access Your Prophetic Advantage in Prayer! What is really happening in the unseen realm when we pray in tongues? In Tongues of Fire, seasoned prophetic teacher and prayer leader, Jennifer LeClaire offers fresh biblical insight into what goes on when we activate our heavenly prayer language. Using directed prayer activations, Jennifer helps you tap into the power of praying in tongues. She examines the physiological effects that praying in tongues has on our bodies as well as the promises of God we access when we pray. Divided into 101 easy to read mini-chapters, you will discover how to: Break Religious Mindsets Strengthen Your Physical Body Tap into Heaven's Revelation and Mysteries Receive Holy Boldness Open Your Seer Eyes to the Unseen Realm Shift Spiritual Atmospheres Pray Perfect Prayers Don't get stuck in a rut of powerless prayer. There’s a whole realm of glory and power awaiting you as you unlock the mysteries of praying in tongues. Tap into it today and see your life transformed from the inside out!




The Poet's Tongue


Book Description




She Speaks Tongues: Poems Asemic Writing


Book Description

She Speaks Tongues is a collection of the rising voices of five women, from silence (her image, ) to gesture, to word. Each section starts with a woman's portrait and follows with her unique rising voice in asemic writing to poems (words). Asemic writing lies between the mystery what is yet to be spoken, and semantics.




Tongue of Water, Teeth of Stones


Book Description

In a 1984 lecture on poetry and political violence, Seamus Heaney remarked that "the idea of poetry was itself that higher ideal to which the poets had unconsciously turned in order to survive the demeaning conditions." Jonathan Hufstader examines the work of Heaney and his contemporaries to discover how poems, combining conscious technique with unconscious impulse, work as aesthetic forms and as strategies for emotional survival. In his powerful study, Hufstader shows how a number of contemporary Northern Irish poets, including Seamus Heaney, Derek Mahon, Michael Longley, Paul Muldoon, Tom Paulin, Ciarán Carson and Medbh McGuckian, explore the resources of language and poetic form in their various responses to cultural conflict and political violence. Focusing on both style and social contexts, Hufstader explores the tension between solidarity and art, between the poet's need to belong and to rebel. He believes that an understanding of the power of lyric points towards an understanding of the source of social violence, and of its cessation.




Firefly Under the Tongue


Book Description

A brilliantly translated bilingual edition of poems by one of Mexico's foremost woman poets.




Mother Tongues


Book Description

Winner of the 2018 Cave Canem Northwestern University Press Poetry Prize Tsitsi Ella Jaji’s second full-length collection of poems, Mother Tongues, begins at home, with the first words and loves we learn, and the most intimate vows we swear. How deep does your language go back? Jaji’s artful verse is a three-tiered gourd of sustenance, vessel, and folklore. The tongues speak the beginnings and the present; they capture and claim the losses, the ironies, and a poet’s human evolution. Mother Tongues is a collection of language unto itself that translates directly to the heart.




Reputations of the Tongue


Book Description

"I have heard writers refer to [William Logan] as 'the most hated man in American poetry,' a title one could be proud of in this time of fawning and favor-trading."--Robert McDowell, Hudson Review "Is there today a more stringent, caring reader of American poetry than William Logan? Reputations of the Tongue may, at moments, read harshly. But this edge is one of deeply considered and concerned authority. A poet-critic engages closely with his masters, with his peers, with those whom he regards as falling short. This collection is an adventure of sensibility."--George Steiner William Logan has been called the most dangerous poetry critic since Randall Jarrell. A critic of intensity and savage wit, he is the most irritating and strong-minded reviewer of contemporary poetry we have. A survey of American, British, and Irish poetry in the eighties and early nineties, Reputations of the Tongue is a book of poetry criticism more honest than any since Jarrell's Poetry and the Age. The book opens with an essay arguing with Eliot over tradition and individual talent; it closes with a close scrutiny of contemporary British and Irish poetry. At the heart of the book are long essays on W. H. Auden, W. D. Snodgrass, Donald Justice, and Geoffrey Hill--and the reviews of major and minor contemporary poets that have earned Logan his reputation. Appearing in publications like the New York Times, Washington Post, Poetry, Parnassus, and Sewanee Review, Logan's reviews have been noted for their violence, intelligence, candor, and humor. Many aroused tempers on first publication, leading one Pulitzer Prize winner to offer to run the critic over with a truck. Even as he tackles the radical excess of Ashbery and Ginsberg, however, Logan lauds the rich quietudes of Elizabeth Bishop and James Merrill, the froth and verbal fervor of Amy Clampitt, the philosophical comedies of Gjertrud Schnackenberg. The essays in this collection take the long view. Aspiring to more than miscellany or gossip, Reputations of the Tongue is the work of a critic for whom the reviewing of poetry is still a high calling. William Logan is the author of four books of poems, Sad-faced Men, Difficulty, Sullen Weedy Lakes, and Vain Empires , and a book of criticism, All the Rage. He has won the Peter I. B. Lavan Younger Poets Award from the Academy of American Poets and the Citation for Excellence in Reviewing from the National Book Critics Circle. He teaches at the University of Florida, where he is Alumni/ae Professor of English. He lives in Gainesville, Florida, and Cambridge, England.




Poet Tongue


Book Description

Violet is an outcast. She's bullied at school, her boyfriend is abusive, and she doesn't have a family to call her own. When a terrible truth emerges, Violet decides she's had enough with the life she's faced with, and desires to end her life. But someone believes she's worth saving. When she's bitten by Tohon, a werewolf warrior, they discover that Violet has the power to destroy an enemy that haunts his pack. These new werewolf abilities might be too much for Violet to handle on her own. In this Young Adult novel about facing your fears, death, friendship, and love, Violet must decide who she really is; a raging animal, or a gentle spirit.




Dark Tongues


Book Description

An exploration of secret languages, moving among hermetic artificial tongues as diverse as criminal jargons and divine speech. Dark Tongues constitutes a sustained exploration of a perplexing fact that has never received the attention it deserves. Wherever human beings share a language, they also strive to make from it something new: a cryptic idiom, built from the grammar that they know, which will allow them to communicate in secrecy. Such hidden languages come in many shapes. They may be playful or serious, children's games or adults' work. They may be as impenetrable as foreign tongues, or slightly different from the idioms from which they spring, or barely perceptible, their existence being the subject of uncertain, even unlikely, suppositions. The first recorded jargons date to the time of the Renaissance, when writers across Europe noted that obscure languages had suddenly come into use. A varied cast of characters--lawyers, grammarians, and theologians--denounced these new forms of speech, arguing that they were tools of crime, plotted in tongues that honest people could not understand. Before the emergence of these modern jargons, however, the artificial twisting of languages served a different purpose. In epochs and regions as diverse as archaic Greece and Rome and medieval Provence and Scandinavia, singers and scribes also invented opaque varieties of speech. They did so not to defraud, but to reveal and record a divine thing: the language of the gods, which poets and priests alone were said to master. Dark Tongues moves among these various artificial and hermetic tongues. From criminal jargons to sacred idioms, from Saussure's work on anagrams to Jakobson's theory of subliminal patterns in poetry, from the arcane arts of the Druids and Biblical copyists to the secret procedure that Tristan Tzara, founder of Dada, believed he had uncovered in Villon's songs and ballads, Dark Tongues explores the common crafts of rogues and riddlers, which play sound and sense against each other.