The Poetical Works of Robert Browning, Vol. 4 (Classic Reprint)


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Excerpt from The Poetical Works of Robert Browning, Vol. 4 Scene I. The interior of a lodge in Lord Tresham's park. Many Retainers crowded at the window, supposed to command a view of the entrance to his mansion. Gerard, the Warrener, his back to a table on which are flagons, etc. 1st Ret. Ay, do! push, friends, and then you '11 push down me! - What for? Does any hear a runner's foot Or a steed's trample or a coach-wheel's cry? Is the Earl come or his least poursuivant? But there's no breeding in a man of you Save Gerard yonder: here's a half-place yet, Old Gerard! Ger. Save your courtesies, my friend. Here is my place. 2nd Ret. Now, Gerard, out with it! What makes you sullen, this of all the days I' the year? To-day that young rich bountiful Handsome Earl Mertoun, whom alone they match With our Lord Tresham through the Country-side, About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.










General Catalogue of Printed Books


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The Poetical Works of Robert Browning


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Volume 15 in The Complete Poetical Works of Robert Browning presents poetry Browning wrote in his seventies, his last two volumes: Parleyings (1887) and Asolando (1889). The former is the poet's last sustained meditation on life and on his times, a nine-section credo covering religion, history, poetry, politics, art, and music. Asolando is a coda to his whole oeuvre, a mixture of short love lyrics, historical monologues and anecdotes, light verse, and poems which are quite sui generis, all grouped around the theme of 'fancies and fact'. Both volumes are presented here with previously unknown sources, a wealth of new contextual material, and many textual nuances clarified, giving a fresh view of the last phase of Browning's career. What emerges is a poet more seriously Christian, Protestant, and Liberal than previously supposed, more interested in Britain's destiny and Empire, more enmeshed in the local battles of the 1880s?and a writer of considerable range and wit.




The Ring and the Book


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This is the final of the four volumes published from 1868-1869that make up Robert Browning'sThe Ring and the Book, a long blank-verse poem composed of 12 books and over 20,000 lines. This volume includes the booksThe Pope, GuidoandThe Book and the Ring.







My Last Duchess (Unabridged)


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This carefully crafted ebook: "My Last Duchess (Unabridged)" is formatted for your eReader with a functional and detailed table of contents. "My Last Duchess" is a poem, frequently anthologised as an example of the dramatic monologue. It first appeared in 1842 in Browning's Dramatic Lyrics. The poem is written in 28 rhymed couplets of iambic pentameter. The poem is set during the late Italian Renaissance. The speaker (presumably the Duke of Ferrara) is giving the emissary of the family of his prospective new wife (presumably a third or fourth since Browning could have easily written 'second' but did not do so) a tour of the artworks in his home. He draws a curtain to reveal a painting of a woman, explaining that it is a portrait of his late wife; he invites his guest to sit and look at the painting. Robert Browning (1812 - 1889) was an English poet and playwright whose mastery of dramatic verse, and in particular the dramatic monologue, made him one of the foremost Victorian poets. His poems are known for their irony, characterization, dark humor, social commentary, historical settings, and challenging vocabulary and syntax. The speakers in his poems are often musicians or painters whose work functions as a metaphor for poetry.







The Dial


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