The Poetical Works of William Cowper


Book Description

This collection of William Cowper's poems provides a fascinating look into the life and work of one of England's greatest poets. With a memoir of the author and his most famous works, including 'The Task' and 'Olney Hymns', this book is a must-have for any lover of English literature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.










The Stricken Deer


Book Description

First published in 1929, The Stricken Deer was the winner of that year's James Tait Black Memorial Prize and also the Hawthornden Prize: it was David Cecil's first book. For a time, towards the end of the eighteenth-century, William Cowper was the foremost poet in England. But David Cecil's biography doesn't celebrate a life of success, rather, in Cowper's own words, 'the strange and uncommon incidents of my life.' Cowper suffered from severe bouts of depression. His personal tragedy however enriched English literature: the fear of madness made him turn to writing poetry as a form of mental discipline, and isolation for the great world and from his own kind helped him to become the most enchanting of letter-writers. 'This is a sympathetic and vivid biography; it is subtle with a kind of gentle acuteness and vivid without literary ostentation. It is the work of a biographer with a clear head and a clever heart ... the rarest of all merits is the sensitive fairness of the of the biographer's estimate of character and situation throughout.' Desmond MacCarthy, "Sunday Times"




Godless Fictions in the Eighteenth Century


Book Description

Although there were no self-avowed British atheists before the 1780s, authors including Jonathan Swift, Alexander Pope, Sarah Fielding, Phebe Gibbes, and William Cowper worried extensively about atheism's dystopian possibilities, and routinely represented atheists as being beyond the pale of human sympathy. Challenging traditional formulations of secularization that equate modernity with unbelief, Reeves reveals how reactions against atheism rather helped sustain various forms of religious belief throughout the Age of Enlightenment. He demonstrates that hostility to unbelief likewise produced various forms of religious ecumenicalism, with authors depicting non-Christian theists from around Britain's emerging empire as sympathetic allies in the fight against irreligion. Godless Fictions in the Eighteenth Century traces a literary history of atheism in eighteenth-century Britain for the first time, revealing a relationship between atheism and secularization far more fraught than has previously been supposed.