The Portable Nabokov


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The Portable Nabokov


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Selected Letters, 1940–1977


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“Wonderful, compulsively readable, delicious” personal correspondences, spanning decades in the life and literary career of the author of Lolita (The Washington Post Book World). An icon of twentieth-century literature, Vladimir Nabokov was a novelist, poet, and playwright, whose personal life was a fascinating story in itself. This collection of more than four hundred letters chronicles the author’s career, recording his struggles in the publishing world, the battles over Lolita, and his relationship with his wife, among other subjects, and gives a surprising look at the personality behind the creator of such classics as Pale Fire and Pnin. “Dip in anywhere, and delight follows.” —John Updike




Despair


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Not everything is what it seems. In a desperate bid to free her twin sister from an evil caster, Kellen flees her sheltered life under the cover of darkness. Lost and on the run from the cursed beasts lurking in the Dark Forest, she stumbles upon a clearing where seven handsome men reside. Despite their wariness towards her, Kellen finds herself drawn to them. Their laughter, camaraderie, and the way they gaze at her awaken a longing she’s never known. Her intuition whispers that she must stay, yet her loyalty to her sister compels her to find a way to leave. To plot her escape and save her sister, Kellen will need to navigate the seductive charm of the seven men and her yearning for acceptance in this darker version of Snow White that’s as spell-binding as the seven hot and endearing men who hold her captive.




Vintage Nabokov


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Novelist, poet, critic, translator, and, above all, a peerless imaginer, Vladimir Nabokov was arguably the most dazzling prose stylist of the twentieth century. In novels like Lolita, Pale Fire, and Ada, or Ardor, he turned language into an instrument of ecstasy. Vintage Nabokov includes sections 1-10 of his most famous and controversial novel, Lolita; the stories “The Return of Chorb,” “The Aurelian,” “A Forgotten Poet,” “Time and Ebb,” “Signs and Symbols,” “The Vane Sisters,” and “Lance”; and chapter 12 from his memoir Speak, Memory. Vintage Readers are a perfect introduction to some of the greatest modern writers. "It was Nabokov’s gift to bring paradise wherever he alighted.” —John Updike, The New York Review of Books




Imagining Nabokov


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div Vladimir Nabokov’s “Western choice”—his exile to the West after the 1917 Bolshevik Revolution—allowed him to take a crucial literary journey, leaving the closed nineteenth-century Russian culture behind and arriving in the extreme openness of twentieth-century America. In Imagining Nabokov: Russia Between Art and Politics, Nina L. Khrushcheva offers the novel hypothesis that because of this journey, the works of Russian-turned-American Vladimir Nabokov (1899–1977) are highly relevant to the political transformation under way in Russia today. Khrushcheva, a Russian living in America, finds in Nabokov’s novels a useful guide for Russia’s integration into the globalized world. Now one of Nabokov’s “Western” characters herself, she discusses the cultural and social realities of contemporary Russia that he foresaw a half-century earlier. In Pale Fire; Ada, or Ardor; Pnin; and other works, Nabokov reinterpreted the traditions of Russian fiction, shifting emphasis from personal misery and communal life to the notion of forging one’s own “happy” destiny. In the twenty-first century Russia faces a similar challenge, Khrushcheva contends, and Nabokov’s work reveals how skills may be acquired to cope with the advent of democracy, capitalism, and open borders. /DIV




Transparent Things


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The darkly comic Transparent Things, one of Nabokov's final books, traces the bleak life of Hugh Person through murder, madness, prison and trips to Switzerland. One of these was the last journey his father ever took; on another, having been sent to ingratiate himself with a distinguished novelist, he met his future wife. Nabokov's brilliant short novel sinks into the transparent things of the world that surround this one Person, to the silent histories they carry. Remarkable even in Nabokov's work for its depth and lyricism, Transparent Things is a small, experimental marvel of memories and dreams, both sentimental and malign. Part of a major new series of the works of Vladimir Nabokov, author of Lolita and Pale Fire, in Penguin Classics.




Vladimir Nabokov's Lolita


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This volume comprises an interview with Nabokov as well as nine critical essays that follow a progression focusing first on textual and thematic features of 'Lolita' and then proceeding to broader issues and cultural implications, including the novel's relations to other work of literature and art.




Ada, or Ardor: A Family Chronicle


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Published two weeks after his seventieth birthday, Ada, or Ardor is one of Nabokov's greatest masterpieces, the glorious culmination of his career as a novelist. It tells a love story troubled by incest. But more: it is also at once a fairy tale, epic, philosophical treatise on the nature of time, parody of the history of the novel, and erotic catalogue. Ada, or Ardor is no less than the superb work of an imagination at white heat. This is the first American edition to include the extensive and ingeniously sardonic appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom.




Vladimir Nabokov


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Vladimir Nabokov (1899-1977), the eminent Russian-American writer and intellectual, is best known for his novels, though he was also the author of plays, poems, and short stories. In this important new work, Paul D. Morris offers a comprehensive reading of Nabokov's Russian and English poetry, until now a neglected facet of his oeuvre. Morris' unique and insightful study re-evaluates Nabokov's poetry and demonstrates that poetry was in fact central to his identity as an author and was the source of his distinctive authorial - lyric - voice. After offering a critical overview of the multi-staged history of the reception of Nabokov's poetry and an extensive analysis of his poetic writing, Morris argues that Nabokov's poetry has largely been misinterpreted and its place in his oeuvre misunderstood. Through a detailed examination of the form and content of Nabokov's writings, Morris demonstrates that Nabokov's innovations in the realms of drama, the short story, and the novel were profoundly shaped by his lyric sensibility.