The Post-pre-Raphaelite Print
Author : Allen Staley
Publisher : University of Washington Press
Page : 176 pages
File Size : 33,53 MB
Release : 1995
Category : Art
ISBN :
Author : Allen Staley
Publisher : University of Washington Press
Page : 176 pages
File Size : 33,53 MB
Release : 1995
Category : Art
ISBN :
Author : Rodney K. Engen
Publisher : Ben Uri Gallery & Museum
Page : 136 pages
File Size : 50,98 MB
Release : 1995
Category : Art
ISBN :
When faced initially with the hostility of the art world, the primary Pre-Raphaelite artists Rossetti, Millais and Holman Hunt used the populist medium of the print as a means of gaining mass appeal for their paintings, and of spreading the Pre-Raphaelite message to a wider audience.
Author : Elizabeth Prettejohn
Publisher : Manchester University Press
Page : 292 pages
File Size : 45,59 MB
Release : 1999
Category : Aesthetic movement (Art)
ISBN : 9780719054068
What happened in Victorian painting and sculpture after the pre-Raphaelites? Aestheticism has been called the next avant-garde movement but attention has centred on literary figures such as Algernon Charles Swinburn, Walter Peter and Oscar Wilde. This volume overviews parallel trends in the visual arts, including the work of Dante Gabriel Rossetti, James McNeil Whistler, Edward Burne-Jones, Simeon Solomon and Albert Moore among others.
Author : G. Beegan
Publisher : Springer
Page : 316 pages
File Size : 49,11 MB
Release : 2008-01-09
Category : Science
ISBN : 0230589928
The Mass Image situates the creation of the first photographically illustrated magazines within the social relations of the emerging popular culture of late Victorian London. It demonstrates how photomechanical reproduction allowed the illustrated press to envisage modern life on a much more intense scale than ever before.
Author : Elizabeth Prettejohn
Publisher : Princeton Univ Department of Art &
Page : 304 pages
File Size : 26,78 MB
Release : 2000
Category : Art
ISBN : 9780691070575
In a richly illustrated re-examination of a seminal period in art history, the author of Rossetti and His Circle asks important questions about the pre-Raphaelite artists, their work, their artistic themes, and their influence on the history of art.
Author : Robert Verhoogt
Publisher : Amsterdam University Press
Page : 718 pages
File Size : 44,65 MB
Release : 2007
Category : Art
ISBN : 9053569138
This illuminating study examines the cultural meaning of artistic reproduction in a refreshingly new context through its consideration of how three artists managed the reproduction of their work.
Author : Marty Noble
Publisher : Courier Corporation
Page : 36 pages
File Size : 33,82 MB
Release : 2007-03-29
Category : Juvenile Nonfiction
ISBN : 0486435911
Add your own color to 30 pre-Raphaelite masterpieces! A progressive group of mid-19th-century artists, the Pre-Raphaelites chose to create their work in the style of medieval and Renaissance painters before the time of Raphael. The other-worldly essence and idealistic spirituality of their art is showcased in this heady collection of Pre-Raphaelite renderings from the masters of the period: John Everett Millais, William Holman Hunt, Dante Gabriel Rossetti, Evelyn de Morgan, Sir Edward Burne-Jones, and more. Each illustration awaits your colors from paintbrush, pencil, marker, or crayon.
Author : Fiona MacCarthy
Publisher : Harvard University Press
Page : 696 pages
File Size : 42,80 MB
Release : 2012-03-05
Category : Architecture
ISBN : 0674065565
In Fiona MacCarthy’s riveting account, Burne-Jones’s exchange of faith for art places him at the intersection of the nineteenth century and the Modern, as he leads us forward from Victorian mores and attitudes to the psychological, sexual, and artistic audacity that would characterize the early twentieth century.
Author :
Publisher :
Page : 122 pages
File Size : 27,84 MB
Release : 2008
Category : Prints
ISBN :
Author : Paul Goldman
Publisher : Routledge
Page : 275 pages
File Size : 12,48 MB
Release : 2016-04-01
Category : Literary Criticism
ISBN : 131707095X
In a reevaluation of that period in Victorian illustration known as 'The Sixties,' a distinguished group of international scholars consider the impact of illustration on the act of reading; its capacity to reflect, construct, critique and challenge its audience's values; its response to older graphic traditions; and its assimilation of foreign influences. While focused on the years 1855 to 1875, the essays take up issues related to the earlier part of the nineteenth century and look forward to subsequent developments in illustration. The contributors examine significant figures such as Ford Madox Brown, Frederick Sandys, John Everett Millais, George John Pinwell, and Hablot Knight Browne in connection with the illustrated magazine, the mid-Victorian gift book, and changing visual responses to the novels of Dickens. Engaging with a number of theories and critical debates, the collection offers a detailed and provocative analysis of the nature of illustration: its production, consumption, and place within the broader contexts of mid-Victorian culture.